Resources: Difference between revisions
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<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">BOOKS/TEXTS</span> | <span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">BOOKS/TEXTS</span> | ||
* Báyò Akómoláfé [https://www.instagram.com/p/CuWqqLCMAh0/ | Link] | * '''Complicite''' | ||
** Drive Your Plows Over the Bones of The Dead (especially the Rehearsal Diary) [http://www.complicite.org/media/1674148507Drive_Your_Plow_School_Resource_Pack.pdf Link] | |||
* '''Báyò Akómoláfé''' [https://www.instagram.com/p/CuWqqLCMAh0/ | Link] | |||
* '''The Soundscape''' - R.Murray Schafer -- [https://monoskop.org/images/d/d4/Schafer_R_Murray_The_Soundscape_Our_Sonic_Environment_and_the_Tuning_of_the_World_1994.pdf Text] | * '''The Soundscape''' - R.Murray Schafer -- [https://monoskop.org/images/d/d4/Schafer_R_Murray_The_Soundscape_Our_Sonic_Environment_and_the_Tuning_of_the_World_1994.pdf Text] | ||
* <b>Code and Clay, Data and Dirt</b> - <i>Shannon Mattern</i> -- [https://www.are.na/block/4909876 Text] | * <b>Code and Clay, Data and Dirt</b> - <i>Shannon Mattern</i> -- [https://www.are.na/block/4909876 Text] | ||
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**''Camering: Fernand Deligny on Cinema and the Image'' -- [https://www.lup.nl/wp-content/uploads/ToC-Camering-Fernand-Deligny-on-Cinema-and-the-Image.pdf Text] | **''Camering: Fernand Deligny on Cinema and the Image'' -- [https://www.lup.nl/wp-content/uploads/ToC-Camering-Fernand-Deligny-on-Cinema-and-the-Image.pdf Text] | ||
**''The Arachnean and Other Texts'' -- [https://logischerevolten.files.wordpress.com/2019/03/webpage-1.pdf Text] | **''The Arachnean and Other Texts'' -- [https://logischerevolten.files.wordpress.com/2019/03/webpage-1.pdf Text] | ||
*'''Writing as a Visible Practice: An Interview with Maria Fusco''' -- [https://www.e-flux.com/education/features/229480/writing-as-a-visible-practice-an-interview-with-maria-fusco Text] | |||
*'''Ideal Syllabus''' - Maria Fusco -- [http://mariafusco.net/media/uploads/pdf/Ideal_Syllabus.pdf] | |||
*'''11 statements about art writing''' -- [http://mariafusco.net/writing/11-statements-around-art-writing/ Text] | |||
*'''Exercises in Style''' - Raymond Quenue -- [https://pzwiki.wdka.nl/mediadesign/File:Raymond_Queneau_Exercises_in_Style.pdf Text] | |||
*'''The Pleasure of Text''' - Roland Barthes --[https://emberilmu.files.wordpress.com/2011/08/roland-barthes-the-pleasure-of-the-text.pdf Text] | |||
*'''Critical Coasts''' - Danish Pavillion VAB 2023 -- [https://coastal-imaginaries.dac.dk/ Link] | |||
*'''Weird Ecologies''' - David Tompkins [https://lareviewofbooks.org/article/weird-ecology-southern-reach-trilogy/ Read] | |||
*'''Death by Landscape''' - Elvia Wilk | |||
**interview [https://electricliterature.com/death-by-landscape-essays-book-elvia-wilk/ Link] | |||
*'''But Still, Like Air, I'll Rise''' - Chus Martínez -- | |||
*'''Deep Time''' - Jussi Prikka | |||
*'''Ideas to Postpone the End of The World''' - Ailton Krenak | |||
*'''The Spell of Sensuous Perception''' - David Abram | |||
*'''Dark Ecology''' - Timothy Morton | |||
*'''Down To Earth''' - Bruno Latour | |||
<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">Artists/Projects</span> | <span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">Artists/Projects/PEOPLE</span> | ||
* '''New Weird (genre)''' [https://en.wikipedia.org/wiki/New_weird Link] | |||
* '''These Waves of Girls''' [https://the-next.eliterature.org/exhibition/afterflash/fisher-these.html Read] | |||
* '''Matthew Fuller''' [https://v2.nl/people/matthew-fuller| Link] | |||
* '''Soumaya Sankar Bose''' -- [https://ocula.com/art-galleries/experimenter/artworks/soumya-sankar-bose/a-discreet-exit-through-darkness-(4)/ Link] | |||
*'''Anna Boghiguian''' | *'''Anna Boghiguian''' | ||
*'''Alice Bucknell''' -- [https://alicebucknell.com/ Website] | *'''Alice Bucknell''' -- [https://alicebucknell.com/ Website] | ||
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* '''Cai Guo-Qiang''' -- [https://caiguoqiang.com/ Website] | * '''Cai Guo-Qiang''' -- [https://caiguoqiang.com/ Website] | ||
** [http://www.para-site.art/exhibitions/signals-%e7%9e%ac%e6%81%af-signals-folds-and-splits/ Website] I enjoy the text written about exhibition | ** [http://www.para-site.art/exhibitions/signals-%e7%9e%ac%e6%81%af-signals-folds-and-splits/ Website] I enjoy the text written about exhibition | ||
*'''Maria Fusco''' - Master Rock, Repatoire for a Mountain [https://www.bbc.co.uk/programmes/p035d28n Listen] | |||
*'''Tanoa Sasraku''' - Terratypes [https://www.youtube.com/watch?v=Uq--9EXwQyo Watch] | |||
<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">FICTION</span> | <span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">FICTION</span> | ||
*'''Martin MacInnes''' [https://www.3ammagazine.com/3am/anthology-one-boxes/ Anthology One Boxes] | *'''Martin MacInnes''' [https://www.3ammagazine.com/3am/anthology-one-boxes/ Anthology One Boxes] | ||
* '''Julian Gough''' - [https://en.wikisource.org/wiki/End_Poem End Poem] | * '''Julian Gough''' - [https://en.wikisource.org/wiki/End_Poem End Poem] | ||
* '''Flann O'Brien''' - [https://wiki.phalkefactory.net/images/e/e6/The_Third_Police_Man.pdf The Third Policeman] | |||
<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">TEXTURES</span> | <span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">TEXTURES</span> |
Latest revision as of 16:25, 3 October 2023
VIDEO
- Carlos Casas
- Michael Snow - La Région Centrale Video
- Windham-Campbell - Peer to Peer Video
- Land of the Lustrous - Trailer
- Stones have Laws - Link
BOOKS/TEXTS
- Complicite
- Drive Your Plows Over the Bones of The Dead (especially the Rehearsal Diary) Link
- Báyò Akómoláfé | Link
- The Soundscape - R.Murray Schafer -- Text
- Code and Clay, Data and Dirt - Shannon Mattern -- Text
- Ars Poetica - Horace -- Text
- Towards a Poetics of Artificial Superintelligence - Nora N. Khan -- Text
- Undercommons - Stefano Harney and Fred Moten -- Text
- Like a Woman - Quinn Latimer -- Text
- Do Rocks Listen? The Cultural Politics of Apprehending Australian Aboriginal Labor -- Text
- Fernand Deligny
- Writing as a Visible Practice: An Interview with Maria Fusco -- Text
- Ideal Syllabus - Maria Fusco -- [1]
- 11 statements about art writing -- Text
- Exercises in Style - Raymond Quenue -- Text
- The Pleasure of Text - Roland Barthes --Text
- Critical Coasts - Danish Pavillion VAB 2023 -- Link
- Weird Ecologies - David Tompkins Read
- Death by Landscape - Elvia Wilk
- interview Link
- But Still, Like Air, I'll Rise - Chus Martínez --
- Deep Time - Jussi Prikka
- Ideas to Postpone the End of The World - Ailton Krenak
- The Spell of Sensuous Perception - David Abram
- Dark Ecology - Timothy Morton
- Down To Earth - Bruno Latour
Artists/Projects/PEOPLE
- New Weird (genre) Link
- These Waves of Girls Read
- Matthew Fuller Link
- Soumaya Sankar Bose -- Link
- Anna Boghiguian
- Alice Bucknell -- Website
- Quote from New Mystics Find Here "When engaged with magic, technology can serve as a generative portal between world-as-is and worlds-yet-to-come; in Donna Haraway’s terms, it can foster a way of “becoming with” a world in which “natures, cultures, subjects and objects do not pre-exist their intertwined worldings.”. She says she uses "speculative fiction strategies" Find Here.
- asweleavethewindowopen -- Website
- A archive for experiments in text, performance and improvisation.
- Waste Paper Opera -- Website
- Camila Sposati -- Website
- Found her website/work after my rock drawings.
- Earth Anatomical Theatre -- Website
- Geocinema - Asia Bazdyrieva et al -- Website
- "‘Geocinema’ considers planetary-scale sensory networks —cell phones, surveillance cameras, satellites, geosensors— as a vastly distributed cinematic apparatus: a camera. Sensing fragments of the earth their operations generate terabytes of raw data, infrastructural architectures, obscured labour, dissonant weather, governmental policies, scientific management, environments and situations each participating in the changing of the earth’s fabric through their own sets of scales and temporalities. Here, the representation of earth is the sum of a decentralized editing process with its image anything but whole."
- Sasha Stiles
- American Artist -- Website
- Sandra Mujinga -- Website
- Juan Palacios -- Website]
- Maria Molina Pero -- Project
- Kachi Chan -- Project
- DISNOVATION -- Website
- Diana Dal-pra -- Website
- Mercedes Azpilicueta -- Website
- Cai Guo-Qiang -- Website
- Website I enjoy the text written about exhibition
- Maria Fusco - Master Rock, Repatoire for a Mountain Listen
- Tanoa Sasraku - Terratypes Watch
FICTION
- Martin MacInnes Anthology One Boxes
- Julian Gough - End Poem
- Flann O'Brien - The Third Policeman
TEXTURES
- Nataliya Zuban Link
REFERENCE IMAGES