Resources: Difference between revisions

Latest revision as of 16:25, 3 October 2023

VIDEO

Carlos Casas
- "Notes on a film about elephants" - Exhibition tour by the artist Video
- In conversation with Carlos Casas | Talk | Bozar Video
- Avalanche Talk Video
Michael Snow - La Région Centrale Video
Windham-Campbell - Peer to Peer Video
Land of the Lustrous - Trailer
Stones have Laws - Link

BOOKS/TEXTS

Complicite
- Drive Your Plows Over the Bones of The Dead (especially the Rehearsal Diary) Link
Báyò Akómoláfé | Link
The Soundscape - R.Murray Schafer -- Text
Code and Clay, Data and Dirt - Shannon Mattern -- Text
Ars Poetica - Horace -- Text
Towards a Poetics of Artificial Superintelligence - Nora N. Khan -- Text
Undercommons - Stefano Harney and Fred Moten -- Text
Like a Woman - Quinn Latimer -- Text
Do Rocks Listen? The Cultural Politics of Apprehending Australian Aboriginal Labor -- Text
Fernand Deligny
- Camering: Fernand Deligny on Cinema and the Image -- Text
- The Arachnean and Other Texts -- Text
Writing as a Visible Practice: An Interview with Maria Fusco -- Text
Ideal Syllabus - Maria Fusco -- [1]
11 statements about art writing -- Text
Exercises in Style - Raymond Quenue -- Text
The Pleasure of Text - Roland Barthes --Text
Critical Coasts - Danish Pavillion VAB 2023 -- Link
Weird Ecologies - David Tompkins Read
Death by Landscape - Elvia Wilk
- interview Link
But Still, Like Air, I'll Rise - Chus Martínez --
Deep Time - Jussi Prikka
Ideas to Postpone the End of The World - Ailton Krenak
The Spell of Sensuous Perception - David Abram
Dark Ecology - Timothy Morton
Down To Earth - Bruno Latour

Artists/Projects/PEOPLE

New Weird (genre) Link
These Waves of Girls Read
Matthew Fuller Link
Soumaya Sankar Bose -- Link
Anna Boghiguian
Alice Bucknell -- Website
- Quote from New Mystics Find Here "When engaged with magic, technology can serve as a generative portal between world-as-is and worlds-yet-to-come; in Donna Haraway’s terms, it can foster a way of “becoming with” a world in which “natures, cultures, subjects and objects do not pre-exist their intertwined worldings.”. She says she uses "speculative fiction strategies" Find Here.
asweleavethewindowopen -- Website
- A archive for experiments in text, performance and improvisation.
Waste Paper Opera -- Website
Camila Sposati -- Website
- Found her website/work after my rock drawings.
- Earth Anatomical Theatre -- Website
Geocinema - Asia Bazdyrieva et al -- Website
- "‘Geocinema’ considers planetary-scale sensory networks —cell phones, surveillance cameras, satellites, geosensors— as a vastly distributed cinematic apparatus: a camera. Sensing fragments of the earth their operations generate terabytes of raw data, infrastructural architectures, obscured labour, dissonant weather, governmental policies, scientific management, environments and situations each participating in the changing of the earth’s fabric through their own sets of scales and temporalities. Here, the representation of earth is the sum of a decentralized editing process with its image anything but whole."
Sasha Stiles
- theVERSEverse - Sasha Stiles -- Website
  - this is a NFT website made by a poet/artist to sell poems as NFTs.
- B1NARY 0DES - exhibition -- Weebsite
American Artist -- Website
Sandra Mujinga -- Website
Juan Palacios -- Website]
Maria Molina Pero -- Project
Kachi Chan -- Project
DISNOVATION -- Website
Diana Dal-pra -- Website
Mercedes Azpilicueta -- Website
Cai Guo-Qiang -- Website
- Website I enjoy the text written about exhibition
Maria Fusco - Master Rock, Repatoire for a Mountain Listen
Tanoa Sasraku - Terratypes Watch

FICTION

Martin MacInnes Anthology One Boxes
Julian Gough - End Poem
Flann O'Brien - The Third Policeman

TEXTURES

Nataliya Zuban Link

REFERENCE IMAGES

Remaining Parts - Diana Dal-pra

Maria Lai (woven writing)

Maria Lai - Errando

The Beekeepers and the Birdnester Pieter Bruegel the Elder

@@ Line 6: / Line 6: @@
 *'''Michael Snow''' - La Région Centrale [https://www.youtube.com/watch?v=Q6YHm6kkEL8 Video]
 *'''Windham-Campbell''' - Peer to Peer [https://www.youtube.com/watch?v=Lt7f7mnXxN8 Video]
+*'''Land of the Lustrous''' - [https://www.youtube.com/watch?v=nZF4fJrPMC8 Trailer]
+*'''Stones have Laws''' - [https://player.eyefilm.nl/en/films/stones-have-laws Link]
 <span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">BOOKS/TEXTS</span>
+* '''Complicite'''
+** Drive Your Plows Over the Bones of The Dead (especially the Rehearsal Diary) [http://www.complicite.org/media/1674148507Drive_Your_Plow_School_Resource_Pack.pdf Link]
+* '''Báyò Akómoláfé''' [https://www.instagram.com/p/CuWqqLCMAh0/ | Link]
 * '''The Soundscape''' - R.Murray Schafer -- [https://monoskop.org/images/d/d4/Schafer_R_Murray_The_Soundscape_Our_Sonic_Environment_and_the_Tuning_of_the_World_1994.pdf Text]
 * <b>Code and Clay, Data and Dirt</b> - <i>Shannon Mattern</i> -- [https://www.are.na/block/4909876 Text]
@@ Line 16: / Line 21: @@
 *'''Like a Woman''' '''-''' Quinn Latimer -- [https://www.sternberg-press.com/product/like-a-woman-essays-readings-poems/ Text]
 *'''Do Rocks Listen? The Cultural Politics of Apprehending Australian Aboriginal Labor''' -- [https://www.jstor.org/stable/683270 Text]
+*'''Fernand Deligny'''
+**''Camering: Fernand Deligny on Cinema and the Image'' -- [https://www.lup.nl/wp-content/uploads/ToC-Camering-Fernand-Deligny-on-Cinema-and-the-Image.pdf Text]
+**''The Arachnean and Other Texts'' --  [https://logischerevolten.files.wordpress.com/2019/03/webpage-1.pdf Text]
+*'''Writing as a Visible Practice: An Interview with Maria Fusco''' -- [https://www.e-flux.com/education/features/229480/writing-as-a-visible-practice-an-interview-with-maria-fusco Text]
+*'''Ideal Syllabus''' - Maria Fusco -- [http://mariafusco.net/media/uploads/pdf/Ideal_Syllabus.pdf]
+*'''11 statements about art writing''' -- [http://mariafusco.net/writing/11-statements-around-art-writing/ Text]
+*'''Exercises in Style''' - Raymond Quenue -- [https://pzwiki.wdka.nl/mediadesign/File:Raymond_Queneau_Exercises_in_Style.pdf Text]
+*'''The Pleasure of Text''' - Roland Barthes --[https://emberilmu.files.wordpress.com/2011/08/roland-barthes-the-pleasure-of-the-text.pdf Text]
+*'''Critical Coasts''' - Danish Pavillion VAB 2023 -- [https://coastal-imaginaries.dac.dk/ Link]
+*'''Weird Ecologies''' - David Tompkins [https://lareviewofbooks.org/article/weird-ecology-southern-reach-trilogy/ Read]
+*'''Death by Landscape''' - Elvia Wilk
+**interview [https://electricliterature.com/death-by-landscape-essays-book-elvia-wilk/ Link]
+*'''But Still, Like Air, I'll Rise''' - Chus Martínez --
+*'''Deep Time''' - Jussi Prikka
+*'''Ideas to Postpone the End of The World''' - Ailton Krenak
+*'''The Spell of Sensuous Perception''' - David Abram
+*'''Dark Ecology''' - Timothy Morton
+*'''Down To Earth''' - Bruno Latour
-<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">Artists/Projects</span>
+<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">Artists/Projects/PEOPLE</span>
+* '''New Weird (genre)''' [https://en.wikipedia.org/wiki/New_weird Link]
+* '''These Waves of Girls''' [https://the-next.eliterature.org/exhibition/afterflash/fisher-these.html Read]
+* '''Matthew Fuller''' [https://v2.nl/people/matthew-fuller| Link]
+* '''Soumaya Sankar Bose''' -- [https://ocula.com/art-galleries/experimenter/artworks/soumya-sankar-bose/a-discreet-exit-through-darkness-(4)/ Link]
 *'''Anna Boghiguian'''
 *'''Alice Bucknell''' -- [https://alicebucknell.com/ Website]
@@ Line 44: / Line 71: @@
 * '''Cai Guo-Qiang''' -- [https://caiguoqiang.com/ Website]
 ** [http://www.para-site.art/exhibitions/signals-%e7%9e%ac%e6%81%af-signals-folds-and-splits/ Website] I enjoy the text written about exhibition
+*'''Maria Fusco''' - Master Rock, Repatoire for a Mountain [https://www.bbc.co.uk/programmes/p035d28n Listen]
+*'''Tanoa Sasraku''' - Terratypes [https://www.youtube.com/watch?v=Uq--9EXwQyo Watch]
 <span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">FICTION</span>
 *'''Martin MacInnes''' [https://www.3ammagazine.com/3am/anthology-one-boxes/ Anthology One Boxes]
 * '''Julian Gough''' - [https://en.wikisource.org/wiki/End_Poem End Poem]
+* '''Flann O'Brien''' - [https://wiki.phalkefactory.net/images/e/e6/The_Third_Police_Man.pdf The Third Policeman]
+<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">TEXTURES</span>
+* '''Nataliya Zuban''' [https://www.instagram.com/nata.zuban/ Link]
+<span style="background-image: linear-gradient(blue,white); color: white; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em white; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">REFERENCE IMAGES</span>
 [[File:02.Diane-Dal-Pra---Remaining-Parts----Galerie-Derouillon---Green-Elevation-2- 1600 c 1600 c.jpeg|thumb|'''Remaining Parts''' - ''Diana Dal-pra'']]