User:Aitana25: Difference between revisions
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== | ==GRADSHOW== | ||
=== | |||
[[ | '''This year''' | ||
https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM | |||
'''Last years page''' | |||
https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM | |||
'''Writing''' | |||
https://pad.xpub.nl/p/Grad_Show_LB_2024 | |||
'''Spatial needs''' | |||
https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0 | |||
==Seminars== | |||
[[Graduate Seminar 2023-2024 | Graduate seminar - Main page]] | |||
[[Graduate Seminar 23-24 Aitana | Thesis]] | |||
==Allumni Illuminata== | |||
[[ Alumniiilluminata3 Alumni Illuminata' 3rd edition]] | |||
Schedule | |||
https://pzwiki.wdka.nl/mediadesign/Calendars:Networked_Media_Calendar/Networked_Media_Calendar/26-06-2024_-Event_5 | |||
https://typotheque.genderfluid.space/ductus-mono.html | |||
https://fonderie.download/garamondt.html?ref=uncut.wtf | |||
==Self directed research== | |||
[[Make it work Aitana | Ongoing research]] | |||
Notes: | |||
'''MATERIAL STATION''' | |||
:'''LASER CUTTING''' | |||
:https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter | |||
:https://ps.wdka.nl/wiki/Quickstartguide:Laser_Cutter#General_Settings | |||
:'''CNC''' | |||
== | :https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill | ||
:https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado | |||
==On books== | |||
[[Aitana's reading list]] | [[Aitana's reading list]] | ||
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[[Aitana's reading notes]] | [[Aitana's reading notes]] | ||
== | ==[[Aitana 2022/2023 | 2022/2023 ]]== | ||
==[[Notes by Aitana | Notes ]]== | |||
DOK LEIPZIG | |||
https://desistfilm.com | |||
significaciones prescriptas | |||
freethesaurus.com | |||
https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad | |||
: Programs: | |||
/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina | |||
/1111-close-up-jessica-sarah-rinland | |||
/181-israel_palestine | |||
/830-ethnographic-documentaries | |||
/785-in-the-mood-for-shorts | |||
/755-documentary-portraits | |||
/14342-the-washing-society | |||
/196-chiledoc | |||
/707-music-unseen | |||
/668-cinema-masters | |||
To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection. | |||
Latest revision as of 18:18, 5 June 2024
GRADSHOW
This year https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM
Last years page https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM
Writing https://pad.xpub.nl/p/Grad_Show_LB_2024
Spatial needs https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0
Seminars
Allumni Illuminata
Alumniiilluminata3 Alumni Illuminata' 3rd edition
Schedule
https://typotheque.genderfluid.space/ductus-mono.html
https://fonderie.download/garamondt.html?ref=uncut.wtf
Self directed research
Notes:
MATERIAL STATION
- LASER CUTTING
- https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter
- https://ps.wdka.nl/wiki/Quickstartguide:Laser_Cutter#General_Settings
- CNC
On books
2022/2023
Notes
DOK LEIPZIG
significaciones prescriptas
freethesaurus.com
https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad
- Programs:
/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina
/1111-close-up-jessica-sarah-rinland
/181-israel_palestine
/830-ethnographic-documentaries
/785-in-the-mood-for-shorts
/755-documentary-portraits
/14342-the-washing-society
/196-chiledoc
/707-music-unseen
/668-cinema-masters
To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.