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[[File:WhatsApp-Image-2023-01-24-at-19.31.12.gif|frameless|269x269px]] | |||
<small>disclaimer: my wiki sucks, I always neglect it - everything here is in progress/process - forgive the poor form - I will update it and make it neat and tidy one day</small> | |||
'''QUICK NOTES HERE''' | |||
https://www.opb.org/article/2023/09/13/university-oregon-scientists-bionic-eye-retinal-implant-technology/ | |||
https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp | |||
https://cloudflare-ipfs.com/ipfs/bafykbzacebyag7ya4eg7isaoap63nmprzsozh7ha5yosohl2npnsmvg6pry2q?filename=Jennifer%20M.%20S.%20Stager%20-%20Seeing%20Color%20in%20Classical%20Art_%20Theory%2C%20Practice%2C%20and%20Reception%2C%20from%20Antiquity%20to%20the%20Present-Cambridge%20University%20Press%20%282023%29.pdf | |||
https://cloudflare-ipfs.com/ipfs/bafykbzacectqumu6ouhm2jzuw7veyhecsdmx3xcjdi6olit5vg2uetd2qkyk6?filename=Michael%20Squire%20-%20Sight%20and%20The%20Ancient%20Senses-Routledge%20%282016%29.pdf | |||
https://www.nano-retina.com/technology/#3dni | |||
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7198351/table/T1/ | |||
https://spectrum.ieee.org/bionic-eye-obsolete | |||
eyes inlays in greek sculpture | |||
https://www.getty.edu/publications/artistryinbronze/statuettes/14-hemingway-abramitis/ | |||
https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4) | |||
https://www.metmuseum.org/toah/hd/prms/hd_prms.htm | |||
Françoise Frontisi-Ducroux, Dédale: Mythologie de l’artisan en Grèce ancienne | |||
Françoise Frontisi-Ducroux, “Living Statues,” in Antiquities, | |||
materialist theories of vision in greek philosophy | |||
https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4) | |||
https://www.routledge.com/Sight-and-the-Ancient-Senses/Squire/p/book/9781844658664 | |||
https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/ | |||
Reading ''Cover to Cover'' is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, '''being quietly profound with a casual shrug.''' Snow is a rare beast: '''a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body.''' Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips | |||
vision loss in contemporary age | |||
https://www.youtube.com/watch?v=ObtW353d5i0&t=1448s | |||
https://dr-younes-henni.medium.com/how-to-slow-the-decline-of-your-eyesight-97ac815957e | |||
daston and galison - blind sight | |||
https://www.youtube.com/watch?v=NnFgnEwN1FU (galison) | |||
https://canadianart.ca/interviews/michael-snow/ | |||
https://vimeo.com/fruhauf | |||
https://www.youtube.com/watch?v=T25WqM6OFDg (hollis frampton artifical light) | |||
https://www.youtube.com/watch?v=S3GYYmIWQHQ<nowiki/>(hollis frampton snowblind) | |||
https://www.youtube.com/watch?v=BdqPC-dIHUM (hollis frampton information) | |||
https://vimeo.com/203365058 | |||
https://movimcat.eu/post/616817178500644864/no-land-2019-by-emily-chao | |||
a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch. - is there value in this stance? what is it? | |||
<u>[[123cldagenda |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">agenda (list of stuff to be done in the very near future)]] </u> | |||
[[cldtlGRS2023|<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>GRS2023 | |||
</u>]] | |||
'''ongoing (really? still?) projects/research''' | |||
<u>[[NSarchive |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">NS project / making/mapping an archive]] </u> | |||
<u>[[tonyconradtheflickerremake |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">The Absolute Flicker, or: Appropriating Tony Conrad's ''The Flicker'': a frame-by-frame breakdown, a score/set of instructions, a library of loops, a full digital bootleg/remake/cover, some notes on.]]</u> | |||
'''"""finished""" works''' | |||
<u> ''[[1or2images |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">1 or 2 images (EYE Research Lab short film)]]''</u> | |||
<u>[[Textonpracticefinal2023 |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Text on practice or <small>(A PIECE OF) SELF-CONSCIOUSNESS/SELF-CRITICISM (ABOUT MY PRACTICE SO FAR) or else A MAP(-PING) OF PRESENT PRECARIOUS PROJECTS AND INCOMING IN-PUTS (IN-TERESTS, IN-FLUENCES, IN-TUITIONS, IN-TENTIONS) and A SELECTION (FROM AN ONGOING COLLECTION) OF SCREENSHOT AS A (SELF- REFLEXIVE) STATEMENT (ABOUT MY PRACTICE)</small>]]</u> | |||
<u>[[Burningfilmloop |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">A cameraman filming aka FILMINGWATCHINGBURNING ]]</u> | |||
<u>[[Ahorserunninginaloop |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">IMG 5728 aka A horse running in a loop, looped ]]</u> | |||
<u>[[Untitled(Diamond) |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Untitled (Diamante) ]]</u> | |||
'''First year prototyping/sketching/tryouts/ideas in progress aka ''serious playgrounds''''' | |||
<u>[[Three Screens |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Three Screens ]]</u> | |||
<u>[[blow-up |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">blow-up / shiny stuff ]]</u> | |||
<u>[[incaseofnecessityplease |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">screensaver ]]</u> | |||
<u>[[Variable Aspect Ratios |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Variable Aspect Ratio ]]</u> | |||
burning film loop | |||
scherm lcd | |||
24x1 | |||
four formats | |||
abstract loops from abstract films | |||
<u>[[plansplansplans |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">''plans, plans, plans'']] (notes on/for future projects + general research directions/intentions)</u> | |||
''<u>[[screenshots |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">an ongoing screenshot-based statement/manifesto?]]</u>'' | |||
<u>[[Dubai Dispositif |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Dubai Dispositif (re-edit) ]]</u> | |||
''<u>[[satmorningpsonnet |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">Sat morning sonnet]]</u><u> </u>'' | |||
''<u>[[readingandwriting |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">reading and writing seminar]]</u>'' | |||
''<u>[[readlist, watchlist |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">readlist, watchlist]] </u>'' | |||
<br> | |||
<br> | |||
<br> | |||
''<u>[[annotations123cld |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">annotations]] </u>'' | |||
<br> | |||
<br> | |||
<br> | |||
[http://cldtl.com <span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;"><u>''http://cldtl.com''</u>] | |||
<br> | |||
<br> | |||
<br> | |||
''<u>[[LENS-BIASED MEDIA |<span style="color:black; background-color:white; font-family: Helvetica; font-size: 15px;">LENS-BIASED MEDIA, a speculative sticker]] </u>'' | |||
[[File:LENS BIASED sticker.jpg|frameless|313x313px]] |
Latest revision as of 16:13, 28 December 2023
disclaimer: my wiki sucks, I always neglect it - everything here is in progress/process - forgive the poor form - I will update it and make it neat and tidy one day
QUICK NOTES HERE
https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp
https://www.nano-retina.com/technology/#3dni
https://www.ncbi.nlm.nih.gov/pmc/articles/PMC7198351/table/T1/
https://spectrum.ieee.org/bionic-eye-obsolete
eyes inlays in greek sculpture
https://www.getty.edu/publications/artistryinbronze/statuettes/14-hemingway-abramitis/
https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)
https://www.metmuseum.org/toah/hd/prms/hd_prms.htm
Françoise Frontisi-Ducroux, Dédale: Mythologie de l’artisan en Grèce ancienne
Françoise Frontisi-Ducroux, “Living Statues,” in Antiquities,
materialist theories of vision in greek philosophy
https://www.abebooks.com/9781909400030/Eye-Art-Ancient-Greece-Studies-1909400033/plp (chapter 4)
https://www.routledge.com/Sight-and-the-Ancient-Senses/Squire/p/book/9781844658664
https://artreview.com/the-uncanny-properties-of-print-michael-snow-cover-to-cover/
Reading Cover to Cover is much like watching one of Snow’s films: visually quite mundane, where what happens isn’t as important as how it’s being shown to you, with a sustained focus that sits with a relatively simple idea for longer than you might think. Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world. Underwriting the intensity of Snow’s work is a consistent sense of his wry smile, being quietly profound with a casual shrug. Snow is a rare beast: a structuralist with a sense of humour, a filmmaker who recognised that tinkering around with the limitations of the medium was also a way to rewire our sense of everyday perception – using art as a means to capture and crystallise the whatthefuckness of strolling around with a thinking, feeling body. Here he uses the means of a photobook to trace the contours of his body, his house and the existential possibilities of a book itself. Books, those weighty space-fillers, can turn your brain inside out; the means to reconfigure reality are right at our fingertips
vision loss in contemporary age
https://www.youtube.com/watch?v=ObtW353d5i0&t=1448s
https://dr-younes-henni.medium.com/how-to-slow-the-decline-of-your-eyesight-97ac815957e
daston and galison - blind sight
https://www.youtube.com/watch?v=NnFgnEwN1FU (galison)
https://canadianart.ca/interviews/michael-snow/
https://www.youtube.com/watch?v=T25WqM6OFDg (hollis frampton artifical light)
https://www.youtube.com/watch?v=S3GYYmIWQHQ(hollis frampton snowblind)
https://www.youtube.com/watch?v=BdqPC-dIHUM (hollis frampton information)
https://movimcat.eu/post/616817178500644864/no-land-2019-by-emily-chao
a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch. - is there value in this stance? what is it?
agenda (list of stuff to be done in the very near future)
ongoing (really? still?) projects/research
NS project / making/mapping an archive
"""finished""" works
1 or 2 images (EYE Research Lab short film)
A cameraman filming aka FILMINGWATCHINGBURNING
IMG 5728 aka A horse running in a loop, looped
First year prototyping/sketching/tryouts/ideas in progress aka serious playgrounds
burning film loop
scherm lcd
24x1
four formats
abstract loops from abstract films
plans, plans, plans (notes on/for future projects + general research directions/intentions)
an ongoing screenshot-based statement/manifesto?