Stolen Reading Lists: Difference between revisions

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<div style='width:100%;border:0px solid #ccc;> <span style="background-image: linear-gradient(white,white); color: blue; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em blue; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">BOOKS</span>
<span style="background-image: linear-gradient(white,white); color: blue; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em blue; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">BOOKS</span>
<ul>
<li><b>Art and Autonomy</b> - <i>Sebastian Olma</i> -- [https://bd.b-ok.lat/book/5340429/593731 Text]</li>
<li><b>Capitalist Realism</b> - <i>Mark Fisher</i> -- [https://libcom.org/library/capitalist-realism-mark-fisher Text]</li>
<li><b>The Power of the Powerless</b> - <i>Vaclav Havel</i> -- [https://www.nonviolent-conflict.org/wp-content/uploads/1979/01/the-power-of-the-powerless.pdf Text]</li>
<li><b>Neuromancer</b> - <i>William Gibson</i> -- [http://project.cyberpunk.ru/lib/neuromancer/ Text]</li>
<li><b>The Medium is the Massage</b> - <i>Marshall McLuhan</i> -- [https://designopendata.files.wordpress.com/2014/05/themediumisthemassage_marshallmcluhan_quentinfiore.pdf Text]</li>
<li><b>The Birth of Tragedy</b> - <i>Friedrich Nietzsche</i> -- [https://www.gutenberg.org/files/51356/51356-h/51356-h.htm Text]</li>
<li><b>Rabelais and His World (Introduction)</b> - <i>Mikhail Bakhtin</i> -- [https://monoskop.org/images/7/70/Bakhtin_Mikhail_Rabelais_and_His_World_1984.pdf Text]</li>
<li><b>The Wretched of the Screen</b> - <i>Hito Steyerl</i> -- [https://monoskop.org/images/d/d2/Steyerl_Hito_The_Wretched_of_the_Screen.pdf Text]</li>
<li><b>A Manifesto for Cyborgs</b> - <i>Donna Haraway</i> -- [http://people.oregonstate.edu/~vanlondp/wgss320/articles/haraway-cyborg-manifesto.pdf Text]</li>
</ul>


</div>
* <b>Art and Autonomy</b> - <i>Sebastian Olma</i> -- [https://bd.b-ok.lat/book/5340429/593731 Text]
* <b>Capitalist Realism</b> - <i>Mark Fisher</i> -- [https://libcom.org/library/capitalist-realism-mark-fisher Text]
* <b>The Power of the Powerless</b> - <i>Vaclav Havel</i> -- [https://www.nonviolent-conflict.org/wp-content/uploads/1979/01/the-power-of-the-powerless.pdf Text]
* <b>Neuromancer</b> - <i>William Gibson</i> -- [http://project.cyberpunk.ru/lib/neuromancer/ Text]
* <b>The Medium is the Massage</b> - <i>Marshall McLuhan</i> -- [https://designopendata.files.wordpress.com/2014/05/themediumisthemassage_marshallmcluhan_quentinfiore.pdf Text]
* <b>The Birth of Tragedy</b> - <i>Friedrich Nietzsche</i> -- [https://www.gutenberg.org/files/51356/51356-h/51356-h.htm Text]
* <b>Rabelais and His World (Introduction)</b> - <i>Mikhail Bakhtin</i> -- [https://monoskop.org/images/7/70/Bakhtin_Mikhail_Rabelais_and_His_World_1984.pdf Text]
* <b>The Wretched of the Screen</b> - <i>Hito Steyerl</i> -- [https://monoskop.org/images/d/d2/Steyerl_Hito_The_Wretched_of_the_Screen.pdf Text]
* <b>A Manifesto for Cyborgs</b> - <i>Donna Haraway</i> -- [http://people.oregonstate.edu/~vanlondp/wgss320/articles/haraway-cyborg-manifesto.pdf Text]


<div style='width:100%;border:0px solid #ccc;> <span style="background-image: linear-gradient(white,white); color: blue; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em blue; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">ARTICLES</span>
<span style="background-image: linear-gradient(white,white); color: blue; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em blue; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">ARTICLES</span>
<ul>
<li><b>Postmodernism and Consumer Society</b> - <i>Fredric Jameson</i> -- [https://art.ucsc.edu/sites/default/files/Jameson_Postmodernism_and_Consumer_Society.pdf Text]</li>
<li><b>Molecular Sex and Polymorphic Sensibilities</b> - <i>Johanna Bruckner</i> -- [https://archive.transmediale.de/content/molecular-sex-and-polymorphic-sensibilities Text]</li>
<li><b>The Weak Universalism</b> - <i>Boris Groys</i> -- [https://www.e-flux.com/journal/15/61294/the-weak-universalism/ Text]</li>


</ul>
* <b>Postmodernism and Consumer Society</b> - <i>Fredric Jameson</i> -- [https://art.ucsc.edu/sites/default/files/Jameson_Postmodernism_and_Consumer_Society.pdf Text]
* <b>Molecular Sex and Polymorphic Sensibilities</b> - <i>Johanna Bruckner</i> -- [https://archive.transmediale.de/content/molecular-sex-and-polymorphic-sensibilities Text]
* <b>The Weak Universalism</b> - <i>Boris Groys</i> -- [https://www.e-flux.com/journal/15/61294/the-weak-universalism/ Text]


<span style="background-image: linear-gradient(white,white); color: blue; text-shadow: 2px 2px 2px white, 0 0 0.1em blue, 0 0 0.1em blue; box-shadow: 0 0px 0px 0 rgba(0,0,0,0); border-radius: 12%; padding: 8px; font-size: 18px;font-weight:bold;text-transform:uppercase;font-family:Futura;display:block;padding:5px;background">LENS BASED CORE READING</span>
'''PHOTOGRAPHY''' <br/>
*<b>Reflections on Photography</b> - <i>Roland Barthes</i> -- [https://monoskop.org/images/c/c5/Barthes_Roland_Camera_Lucida_Reflections_on_Photography.pdf Text]
*<b>On Photography</b> - <i>Susan Sontag</i> -- [http://writing.upenn.edu/library/Sontag-Susan-Photography.pdf Text]
*<b> Towards a Philosophy on Photography</b> - <i>Vilem Flusser</i> -- [http://cmuems.com/excap/readings/flusser-towards-a-philosophy-of-photography.pdf Text]
*<b> Another Way of Telling: A Possible Theory of Photography</b> - <i>John Berger & Jean Mohr</i> -- [http://timothyquigley.net/vcs/berger-appearances_illus.pdf Text]
*<b> Understanding a Photograph</b> - <i>John Berger</i> -- [http://www.macobo.com/essays/epdf/berger_understanding_a_photograph.pdf Text]
*<b> Burden Of Representation: Essays on Photographies and Histories</b> - <i>John Tagg</i>
*<b> Techniques of the Observer: on vision and modernity in the nineteenth century</b> - <i>Johathan Crary</i>
*<b> Objectivity</b> - <i>Lorraine Daston & Peter Galison</i>
*<b> The Work of Art in the Age of Digital Recombination </b> - <i>Jos De Mul</i> -- [http://www.demul.nl/nl/item/412-the-work-of-art-in-the-age-of-digital-recombination Text]
*<b> Duty Free Art: Art in the Age of Planetary Civil War </b> - <i>Hito Steyerl</i>
'''EDITING & NARRATIVE''' <br/>
*<b>The Film Sense</b> - <i>Sergei Eisenstein</i> -- [https://monoskop.org/images/6/68/Eisenstein_Sergei_The_Film_Sense_1957.pdf Text]
*<b>What Is Cinema? Volume 1</b> - <i>Andre Bazin</i> -- [http://fitzpatrickmacurating.weebly.com/uploads/4/7/1/6/47161969/andre_bazin_-_what_is_cinema_vol.1.pdf Text]
*<b>What Is Cinema? Volume 2</b> - <i>Andre Bazin</i> -- [https://fadingtheaesthetic.files.wordpress.com/2013/03/bazin-andre-what-is-cinema-volume-2-kg.pdf Text]
*<b>Sculpting In Time</b> - <i>Andrey Tarkovsky</i> -- [https://monoskop.org/images/d/dd/Tarkovsky_Andrey_Sculpting_in_Time_Reflections_on_the_Cinema.pdf Text]
*<b>Into the Woods</b> - <i>John Yorke</i>
*<b>In the Blink of an Eye: A Perspective on Film Editing</b> - <i>Walter Murch</i>
*<b>Film Art: An Introduction</b> - <i>David Bordwell & Kristina Thompson</i>
'''PRE-HISTORY OF CINEMA / OPTICAL TOYS'''
*<b>From the Vatican to Vegas: The History of Special Effects</b> - <i>Norman M. Klein</i> -- [https://eyemachines.files.wordpress.com/2015/09/vaticantovegas.pdf Text]
*<b>Visual Thinking</b> - <i>Rudolf Arnheim</i>
*<b>Devices of Wonder: From the World in a Box to Images on a Screen</b> - <i>Barbara Maria Stafford</i>
'''MEDIA THEORY'''
*<b>The Work of Art in the Age of Mechanical Reproduction</b> - <i>Walter Benjamin</i> -- [http://web.mit.edu/allanmc/www/benjamin.pdf Text]
*<b>The Emergence of Cinematic Time</b> - <i>Mary Ann Doane</i> -- [https://monoskop.org/images/c/c7/Doane_Mary_Ann_The_Emergence_of_Cinematic_Time_Modernity_Contingency_the_Archive.pdf Text]
*<b>The Virtual Life of Film</b> - <i>D.N. Rodowick</i>
*<b>Framed Time: Towards a Post-Filmic Cinema</b> - <i>Garrett Stewart</i> -- [https://djaballahcomps.files.wordpress.com/2013/06/stewart-garrett-framed-time-toward-a-postfilmic-cinema-2007.pdf Text]
*<b>The End of Celluloid: Film Futures in the Digital Age</b> - <i>Matt Hanson</i>
*<b>Death 24x a Second</b> - <i>Laura Mulvey</i>
*<b>Deep Time of the Media: Towards an Archeology of Hearing and Seeing by Technical Means</b> - <i>Siegfried Zelinski</i>
*<b>The Language of New Media</b> - <i>Lev Manovich</i> -- [https://monoskop.org/images/1/12/Manovich_Lev_The_Language_of_New_Media.pdf Text]
*<b>The New Aesthetic</b> - <i>James Bridle</i> -- [https://jamesbridle.com/works/the-new-aesthetic Text]


</div>


</div>
</div>

Latest revision as of 18:02, 24 January 2023

BOOKS

  • Art and Autonomy - Sebastian Olma -- Text
  • Capitalist Realism - Mark Fisher -- Text
  • The Power of the Powerless - Vaclav Havel -- Text
  • Neuromancer - William Gibson -- Text
  • The Medium is the Massage - Marshall McLuhan -- Text
  • The Birth of Tragedy - Friedrich Nietzsche -- Text
  • Rabelais and His World (Introduction) - Mikhail Bakhtin -- Text
  • The Wretched of the Screen - Hito Steyerl -- Text
  • A Manifesto for Cyborgs - Donna Haraway -- Text

ARTICLES

  • Postmodernism and Consumer Society - Fredric Jameson -- Text
  • Molecular Sex and Polymorphic Sensibilities - Johanna Bruckner -- Text
  • The Weak Universalism - Boris Groys -- Text

LENS BASED CORE READING

PHOTOGRAPHY

  • Reflections on Photography - Roland Barthes -- Text
  • On Photography - Susan Sontag -- Text
  • Towards a Philosophy on Photography - Vilem Flusser -- Text
  • Another Way of Telling: A Possible Theory of Photography - John Berger & Jean Mohr -- Text
  • Understanding a Photograph - John Berger -- Text
  • Burden Of Representation: Essays on Photographies and Histories - John Tagg
  • Techniques of the Observer: on vision and modernity in the nineteenth century - Johathan Crary
  • Objectivity - Lorraine Daston & Peter Galison
  • The Work of Art in the Age of Digital Recombination - Jos De Mul -- Text
  • Duty Free Art: Art in the Age of Planetary Civil War - Hito Steyerl


EDITING & NARRATIVE

  • The Film Sense - Sergei Eisenstein -- Text
  • What Is Cinema? Volume 1 - Andre Bazin -- Text
  • What Is Cinema? Volume 2 - Andre Bazin -- Text
  • Sculpting In Time - Andrey Tarkovsky -- Text
  • Into the Woods - John Yorke
  • In the Blink of an Eye: A Perspective on Film Editing - Walter Murch
  • Film Art: An Introduction - David Bordwell & Kristina Thompson


PRE-HISTORY OF CINEMA / OPTICAL TOYS

  • From the Vatican to Vegas: The History of Special Effects - Norman M. Klein -- Text
  • Visual Thinking - Rudolf Arnheim
  • Devices of Wonder: From the World in a Box to Images on a Screen - Barbara Maria Stafford


MEDIA THEORY

  • The Work of Art in the Age of Mechanical Reproduction - Walter Benjamin -- Text
  • The Emergence of Cinematic Time - Mary Ann Doane -- Text
  • The Virtual Life of Film - D.N. Rodowick
  • Framed Time: Towards a Post-Filmic Cinema - Garrett Stewart -- Text
  • The End of Celluloid: Film Futures in the Digital Age - Matt Hanson
  • Death 24x a Second - Laura Mulvey
  • Deep Time of the Media: Towards an Archeology of Hearing and Seeing by Technical Means - Siegfried Zelinski
  • The Language of New Media - Lev Manovich -- Text
  • The New Aesthetic - James Bridle -- Text


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