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| <p class="p1"><span class="s1"><strong><span style="color: #0000ff;">My thesis will consist of different forms of fiction and storytelling</span> </strong></span></p>
| | [[File:Geo Barcan Thesis Proposal final.pdf|thumb]] |
| <p class="p2"> </p>
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| <p class="p3"><span class="s1" style="color: #ff6600;"><strong>Why do you want to write this text?</strong></span></p>
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| <p class="p2"> </p>
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| <p class="p4"><span class="s1"><strong>Interest in:</strong> ecological theory, human-nature/environment relationship, narration, fiction, personal story, new narrative </span></p>
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| <p class="p4"><span class="s1"><strong>Themes:</strong> mythology, symbolism, fantastic worlds that are a reflection out our real world, nature-technology relationship, has there ever been a nature without technology in the evolution of humankind? </span></p>
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| <p class="p2"> </p>
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| <p class="p4"><span class="s1">What are gardens? What is the garden in my work? </span></p>
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| <p class="p2"> </p>
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| <p class="p2"> </p>
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| <p class="p5"><span class="s1">Close link with my previous work → a quest of understanding past trauma → understanding myself → understanding the world </span></p>
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| <p class="p2"> </p>
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| <p class="p4"><span class="s1">I want the reader to think about: 1. Who are they in relationship to everything living in the world./How is our identity formed in relationship tot he beings that surround us <span class="Apple-converted-space"> </span>2. Think of a non-scientific understandings of the world, but rather of soft speculative, sensory, emotional ones<span class="Apple-converted-space"> </span>3. Enjoy the stories and dream </span></p>
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| <p class="p2"> </p>
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| <p class="p2"> </p>
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| <p class="p3"><span class="s1" style="color: #ff6600;"><strong>Outline of Methodology </strong></span></p>
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| <p class="p6"> </p>
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| <p class="p6"> </p>
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| <p class="p7"><span class="s2"><strong>Writing style:</strong> </span><span class="s3"><em>new narrative defined as “</em></span><span class="s4"><em>awareness of physical space, metatext, poetic strategies applied to prose, creating works out of found material of </em><span class="s5"><em>autobiography</em></span><em>, and "gossip as legitimate art."</em></span></p>
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| <p class="p8"> </p>
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| <p class="p9"><span class="s1"><em>Authors create a dialogue between themselves and the readers by directly addressing and engaging the reader in their pieces. The authors also situate themselves in time and space by including </em><span class="s6"><em>pop c</em></span><span class="s6"><em>ulture</em></span><em> references. </em></span></p>
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| <p class="p10"> </p>
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| <p class="p9"><span class="s1"><strong><em>writing by physical space rather than actual writing style </em></strong></span></p>
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| <p class="p10"> </p>
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| <p class="p9"><span class="s1"><strong><em>+</em></strong></span></p>
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| <p class="p10"> </p>
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| <p class="p9"><span class="s1"><strong><em><span style="color: #ff6600;">Style ideas:</span> </em></strong></span></p>
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| <p class="p10"> </p>
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| <p class="p9"><span class="s1"><strong><em>1. Ursula LeGuin: Carrier Bag </em></strong></span></p>
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| <p class="p9"><span class="s1"><strong><em>2. Digital Tarkovski: mixing film script cut outs with hypertext and more analytical pharagraphs</em></strong></span></p>
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| <p class="p9"><span class="s1"><strong><em>3. Sadie Plant: Zeros and Ones - small chapters that include both her opinions, historical facts and analysis </em></strong></span></p>
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| <p class="p9"><span class="s1"><strong><em>4. M. Marder: Chernobyl Herbarium - use of personal storytelling to talk about disaster </em></strong></span></p>
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| <p class="p9"><span class="s1"><strong><em>5. V. Flusser: Vampyroteuthis Infernalis </em></strong></span></p>
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| <p class="p10"> </p>
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| <p class="p10"> </p>
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| <p class="p9"><span class="s1"><strong>Use an AI to write? </strong></span></p>
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| <p class="p10"> </p>
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| <p class="p10"> </p>
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| <p class="p11"><span class="s1"><strong><span style="color: #ff6600;">Structure:</span> </strong></span></p>
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| <p class="p9"><span class="s1">*use a character or an alter ego to talk about a specific subject </span></p>
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| <p class="p9"><span class="s1">*blend fiction with reality, journal with poetry </span></p>
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| <p class="p9"><span class="s1">*mix of theory and fiction —> make sense of theory through fiction —> The Chernobyl Herbarium </span></p>
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| <p class="p9"><span class="s1">*what am I investigating through the character in my writing? </span></p>
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| <p class="p10"> </p>
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| <p class="p10"> </p>
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| <p class="p10"> </p>
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| <p class="p12"><span class="s1">Introduction- overview </span></p>
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| <p class="p12"><span class="s1">Here I will explain why I chose this style, briefly what the story is about and also introduce the reader into the world.</span></p>
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| <p class="p13"> </p>
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| <p class="p12"><span class="s1">Chapter 1 </span></p>
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| <p class="p12"><span class="s1">[2000 words]</span></p>
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| <p class="p13"> </p>
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| <p class="p12"><span class="s1">Chapter 2 </span></p>
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| <p class="p12"><span class="s1">[2000 words]</span></p>
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| <p class="p13"> </p>
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| <p class="p12"><span class="s1">Chapter 3 </span></p>
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| <p class="p12"><span class="s1">[2000 words]</span></p>
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| <p class="p13"> </p>
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| <p class="p12"><span class="s1">Conclusion [500 words] </span></p>
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| <p class="p13"> </p>
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| <p class="p12"><span class="s1">= 7000 -> nOT sUrE yET Of All ThE OtHer Parts :( :( </span></p>
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| <p class="p10"> </p>
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| <p class="p10"> </p>
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| <p class="p14"><span class="s1" style="color: #ff6600;"><strong>Inspo/bibliography:</strong></span></p>
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| <p class="p9"><span class="s1">Laure Provoust </span></p>
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| <p class="p9"><span class="s1">Dodie Bellamy </span></p>
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| <p class="p9"><span class="s1">Michael Marder </span></p>
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| <p class="p9"><span class="s1">Tyler Coburn </span></p>
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| <p class="p9"><span class="s1">Timothy Morton </span></p>
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| <p class="p9"><span class="s1">Donna Harraway </span></p>
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| <p class="p9"><span class="s1">R. Kimmerer </span></p>
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