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<span style="color:black;font-family:papyrus;font-size:30px;text-shadow: 0px 0px 10px #cfffcf, 0px 0px 40px #cfffcf;"> A SAILOR'S GUIDE<br>TO EARTH </span>
<br><br>
<span style="color:black;text-shadow: 0px 0px 10px #cfffcf, 0px 0px 40px #cfffcf;font-size:11px;">
Before we engage in this journey, and in order for you to bear with me, it is essential that I tell you what I will be taking you through.<br>
The intentions for this work appeared to be dual : <br>
The first one was to provide a margin of interpretation that would frame the practice of astrology as reflective, yet generative a surface for both culturally grounded, and politically engaged discourses. <br>
The second was to address the delusion that technical work is ever morally neutral. <br><br>
In his masterclass : From GAFA to Gaïa, the imaginaries of the ï , Alain Damasio questions the position of political imaginaries, the way we create them, and how we can make sure the values they carry participate creating fertile grounds for discourses of emancipation, for liberatory practices. I’ve boiled them down to 3 fundamental concerns, which will set the framework for the structure of this research : <br>
- Is the imaginary I open up didactic, normative, or is it polyphonic ? Does it impose visions and phobias which it might host ?<br>
- Is it confronted with forms of alterity with which it needs to compose ? How can it emancipate from them ?<br>
- Does it provide a fertile ground to envision different political models ? Does it make you feel like changing the world ? What does it potentialise ? </span><br><br><br>


==Context==
<span style="color:#cfffcf;font-family:papyrus;font-size:38px;text-shadow: 0px 0px 20px coral, 0px 0px 50px coral;">THE DESERTS OF MODERNITY</span> <br>
<span style="color:black;font-family:papyrus;font-size:40px;text-shadow : 0px 0px 0px 60px black;"> ♑︎//♋︎ <br>


One thread that weaves together every work I do is the delight in words, the myths they carry, what they allow for, and the joy of language. Words, symbols, and myths, are not irresponsable fabrications, they respond to necessities. They do not exist in isolation but always in relation, in wider context. They carry with them meaning, and they embody a set of heavily inherited intentions, philosophies, and patterns of thought.
<span style="color:cornsilk;font-size:12px;"> Like most our practices, much of present-day astrology’s meaning has accumulated during colonialism and modernity. Dealing with this cultural heritage and its significance necessitates a continuous process of negotiation and re-evaluation.</span> <br>
<br>
<span style="color:#67a78d;font-size:12px;text-align:right;"> OVERALL QUESTION FOR THE CHAPTER : </span><br>
<span style="color:#cfffcf;font-size:12px;"> ➫ Is the imaginary I open up didactic, normative, does it impose its visions and phobias ? <br><br><br><br>
 
 
<span style="color:coral;font-family:papyrus;font-size:16px;"> A_ (♁) THE DESERTS OF MODERNITY </span>
 
<span style="color:sandybrown;font-size:11px;">
_ Introduction to the practice - give some context <br>
_ The notion of archetypes as in Carl Jung’s understanding through the Cancer/Capricorn axis : <br>
The archetypes are a socio-cultural heritage through which we activate ourselves - what truth do we engage with ?<br>
_ Mention why we’re working through the oppositions, and why we’re focusing on the earth/water oppositions : <br>
‘Mother’ V. ‘Father’ archetypes : The sense of home V. Tyranny of structurelessness </span>
 
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
How to Tell When You’re Going to Die: Astrology for Writers' - Johanna Hedva, KABK, Online Studium Generale Lecture <br>
The Archetypes and the Collective Unconscious, Carl Jung <br>
Tyranny of Structurelessness, Jo Freeman <br>
Everett’s theory of ‘rational belief’<br>
</span> <br>
 
<span style="color:coral;font-family:papyrus;font-size:16px;"> B_ (♄) A CONSTRUCTION PROJECT IS WORTH A BATTALION </span>
 
<span style="color:sandybrown;font-size:11px;">
_ Chronos, Saturn - the furthest planet : rigidity, hierarchy, control, everything that allows passage : <br>
Modernity and colonialism studied through Saturn V. the Moon <br>
_Reveal some of  the political and economic dynamics embedded in the practices of french protectorate in Morocco : <br> dig into the conflicts that result from the creation and management of colonial heritage. <br>
_ Technology is created and deployed to reproduce historical patterns of social control <br>
 
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
Hymn to Saturn, Orpheus <br>
Architecture and colonialism, The Funambulist  Nº23
An etymology of Saturn, Alice Sparkly Kat
In the Deserts of Modernity : Colonial Planning and After, Marion von Osten, Haus der Kulturen der Welt
 
<span style="color:coral;font-family:papyrus;font-size:16px;"> C_ (☽) I’VE BEEN THINKING ALL DAY ABOUT THE MOON...</span>
<span style="color:sandybrown;font-size:11px;">
_ A fabulation about the moon - what cancer reminds capricorn <br>
_ The allegory of the “deserts of modernity” used to describe the ‘structurelessness’ of modern times : <br>
Newton said that was moon was pieces of earth but we gave up our connectedness to earth <br>
_ Understanding astrology as an Eco-feminist practice <br>
Menstruation - cycles -  People who menstruate can experience their bodies in synchronization with the cycles of the moon - swiftly suggest Matriarchy <br>
 
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
Future Feminisms - Anthony and the Johnsons
Architecture de survie, Yona Friedmann, (2003), édition L’éclat poche
Mapping the self in the deserts of the real, Toby Shorin, subpixel.space
Astrology, Science and Culture : Pulling down the moon, Roy Willis, Patrick Curry, 2004, Routledge


I wanted to share this quote from Johanna Hedva’s workshop 'How to Tell When You’re Going to Die: Astrology for Writers' (Online Studium Generale lecture) :
<span style="color:coral;font-size:16px;"> CONCLUSION : </span>
<span style="color:#cfffcf;font-size:12px;"> ➫ Technological progress does not mean ethical progress. Low-tech futures as desirable futures ? Transition from cyberpunk to biopunk - > more research to do


"Any system of meaning is political, because meaning is power, as we all know, though meaning is capricious, and promiscuous, and shape shifting."
<br><br><br><br><br>


To give a bit of context to what I’m about to say, outside of my artistic practice, which has for the past three years been an 'inquiry' into the limits between fact and fiction, I’ve been passively crafting for myself a practice of astrology, accumulating both a deep interest and some experience in understanding what it actually is, what it might stand for, and what it means.
<span style="color:black;font-family:papyrus;font-size:30px;text-shadow : 0px 0px 0px 60px black;">  ♉︎//♏︎ <br>
<span style="color:#cfffcf;font-family:papyrus;font-size:30px;text-shadow: 0px 0px 10px coral, 0px 0px 40px #cfffcf;">GATES OF HADES</span>


Today, I stand with the idea that astrology is intrinsically political, and that re-admiting astrology into the cultural conversation is a radical stand for what both the capital and the state mock, marginalise, yet constantly try to appropriate and exploit. There is something fundamental about it, which is the way it forms narratives out of mundane experiences, in synchronicity with celestial movements. For example, the word revolution, itself, such an important word in our vocabulary today, comes from 'revolvere’ 'revolucion', in latin, which meant the full cycle of a celestial body around its axis. Just like we need to understand, adapt, re-use, and re-manipulate our words, through time, we need to care as well for the translation of the tales and myths that make up our societies.  
<span style="color:#cornsilk;font-size:12px;"> While the practice of astrology still embeds some of the power dynamics that grew along with it, these biases remain, however, merely an inconvenience to disputers of the practice.  


Language, as meaning, has been and is still massively weaponized to service the expansion of authoritative and excluding power dynamics.  
In contrast, the conventions lying within the rising with the prominence of capitalism, white supremacy, patriarchy, ableism... more of the -isms, *gasping for air* and so many more of what we call ‘phobias’ — constructed outside of the practice, though incredibly damaging, are rarely considered irrational, so long as their structural formations benefit the power structures in place. </span>


How can we understand 'power', or abuse of power, as not only isolated scenarios, but as a set of ever shifting concepts, all aggregated together and maintaining each other through collective understanding ? And how can we still articulate positive, tactical, discourses, when it feels like there’s still such a gap between the state of current events and even a remote experience of tangible, global, social justice ?
<span style="color:#67a78d;font-size:12px;text-align:right;"> OVERALL QUESTION FOR THE CHAPTER : </span><br>
<span style="color:#cfffcf;font-size:12px;"> ➫ Is it confronted with forms of alterity with which it needs to compose ? <br>
How can we emancipate from them ? <br> <br>
<span style="color:coral;font-family:papyrus;font-size:16px;"> A_ (♀︎) THE SIN OF SLOTH </span>


=What do you want to do ?=
<span style="color:sandybrown;font-size:11px;">
<br>
_ Where does the idea of Laziness come from ? <br>
'''I understand my thesis as a contribution to this present day conversation, as relying on two suggestions :'''
Mercantile renaissance, the enlightenments, and the whole pro-work, anti-idleness doctrines <br>
_ Meritocracy suffers from severe biases, comrades. <br>
_ If you laze around too much, you are going to think too much, and we don't like this too much. <br>
Especially women, we don’t like women who have too much time to think. <br>
 
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
 
 
<span style="color:coral;font-family:papyrus;font-size:16px;"> B_ (♇) TRAGEDY OF THE COMMON </span>


1_ The study of our historical engagement with celestial bodies, whether divine or not, provides with a reflective and generative surface : it consequently represents an important archive of human experience.
<span style="color:sandybrown;font-size:11px;">
_ Magic was a lot more believed in, and women who practiced it made it harder for capitalism, as a model, to get establish :  <br>
Contextualise the witch hunts and the Myth of the witch within it’s early rising capitalist context <br>
_ Paradigm paralysis: the inability or refusal to see beyond the current models of thinking. <br>
Is it easier to imagine the end of the world than the end of capitalism ? <br>


2_ The study of this archive, and its analysis through the array of factors that constitute our present day societies, is an essentially grounded cultural and political engagement.
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
Reclaiming magic as a subversive practice, Silvia federici, Online Studium
Caliban and the Witch, Silvia Federici
Angela davis, Les goulags de la démocratie


In accordance with these two suggestions, I would like to expand the work I’m doing for my thesis into the form of a wiki repository. This wiki will be a sort of book of knowledge, where I can work on setting a framework for my practice. I want to developpe a space where we’ll be discussing and crafting an insurgent and subversive practice of astrology, that relies on the necessity of sharing experience, and of relating thoughts with each other. "I believe that building community around astrology is a meaningful, uplifting practice, which emphasizes the significance of collective study."2


==List of clear outcomes :==
<span style="color:coral;font-family:papyrus;font-size:16px;"> C_ (♂︎) </span>
_ Resilience will not create social change, we need to reinvest in the immense alterities that the living has to offer.
_ We’re going to mars and I have hot takes about it (more to come)


- A leap of faith into 'believing’, if not in the magic, at least in the cultural value of the meaning of each [[archetype]],  [[house]], and [[planet]], to understand what they uniquely have to contribute to the collective.
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
Mijk Van Der Drift, Love Spells & Rituals for another World


- thoughts on an ethical practice of astrology


- open conversations about magic, semantics, astrology
CONCLUSION :
<span style="color:#cfffcf;font-size:12px;">
There has to be an end to capital accumulation and extractivism : what will it be ? - Reinvest in the immense alterities of living : Re-admitting astrology into the cultural conversation is taking a radical stand for what both the capital and the state mock, marginalise, yet still try to appropriate and exploit. By reclaiming occult practices as liberatory and emancipatory practices, we equip ourselves with tools to support the emergence of new narratives. </span>


- Documentation of workshops and exercises (Horrary readings, collective writing, experiments)
<br><br><br><br><br>
BLANK PAGE SYNDROM (page not found)
(others to come)


- Some stories about mundane events, through their ephemeris
<span style="color:black;font-family:papyrus;font-size:30px;text-shadow : 0px 0px 0px 60px black;"> ♓︎//♍︎ <br>
The 2020 grand conjunct (Shift of power)
<span style="color:#cfffcf;font-family:papyrus;font-size:30px;text-shadow: 0px 0px 10px coral, 0px 0px 40px #cfffcf;">A CHANGE IN THE SEASON</span>
(others to come)
- MAYBE JUST MAYBE : the astrobot, a AI compagnon to discuss astrology and grow a collective data base


- A GLOSSARY (of sideral vacabulary)
<span style="color:#cornsilk;font-size:12px;"> revolution (n.)
originally of celestial bodies "course, revolution (of celestial bodies)" (13c.), or directly from Late Latin ‘Revolutionem’
General sense of "instance of great change in affairs"


- THERE’S SO MUCH TO UNPACK : a series of conversations where we can unpack abstract concepts like "violence", "collective conciousness", ect.
When it comes to power struggles, the truths we engage with and the stories we tell each other are at stake.
Language is never just there, never neutral, nor innocent. Words are actions, they are not irresponsible fabrications, they respond to necessities. They are heavy, they are powerful. Every word, every story, carries a message, and holds philosophical, moral, political positions. </span>


- Maybe a section about the RADIX (natal chart, self love, personal healing)
<span style="color:#67a78d;font-size:12px;text-align:right;"> OVERALL QUESTION FOR THE CHAPTER : </span><br>
<span style="color:#cfffcf;font-size:12px;"> ➫ Does it provide a fertile ground to envision different political models ? Does it make you feel like changing the world ? What does it potentialise ?


=Who do you want o reach ?=  
<span style="color:coral;font-family:papyrus;font-size:16px;"> A_ (♃) ARCHIPELAGOS </span>
<span style="color:sandybrown;font-size:11px;">
_ Extension of the term from geographical to cultural theory : <br>
‘Archipelago’ is developed as spatially distanced orderings, yet contiguous in logic. <br>
_ Tension between spatial notion to cultural context : Some thoughts about the word ‘Revolution’ <br>
_ Islands present sites via which one might observe the Anthropocene: <br>
the ethical and philosophical implications of human waste and colonial world-making : MURUROA, French Nuclear test in Polynesia from 1966 to 1996. <br>
_ “desert islands” have been rendered “inhabitable,” thus perpetuating the colonial narrative of Robinson Cruzoe. <br>


There is an already growing comminity of astrologers, and a lot of work that that is done towards presenting a fresh understanding of astrology, as not only a practice of cultivating  intuition, thoughtfulness, and empathy, but also as an emancipatory language practice, that empowers conversation and encourages questionning. "A good astrologer does not try to answer questions, but tries to open up to questions that might have not been asked enough."3
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
Contemporary Archipelagic Thinking: Toward new comparative methodologies and disciplinary formations. Michelle Stephens and Yolanda Martínez-San Miguel
The Funambulist N°9, Islands


I guess I’m trying to create a space where we can take further, and archive, and revisit these conversations.
<span style="color:coral;font-family:papyrus;font-size:16px;"> B_ (☿) RULES WORK OUT OF NECESSITY </span>
_ As a practice focused on revolution, astrology is a decent tool to generate accelerationist ideas
(a lot more to come)


It is neither only something that circulates within the astrologer community, nor something that is a vulgarisation for non practicians.
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
CCRU (=Cybernetic Culture Research Unit)


It’s a place where I want to capture and archive not only the information that will be produced during my research, but also the process of research. I want this project to be a tool for me to reach out about the work I’m doing and eventually give space to build conversation about it.
<span style="color:coral;font-family:papyrus;font-size:16px;"> C_ (♆) UNDERWATER IN 2050 </span>


=Relation to a larger context :=  
<span style="color:sandybrown;font-size:11px;">
_The deluge, perhaps one of of earliest myth, is an archetype : <br>
civilization are wiped out by flood as a result of evil plaguing humankind, creating a virgin slate for civilization > Eco-fashism, bio politics <br>
_ Dystopia/Utopia as distancing mechanism <br>


1 : 'How to Tell When You’re Going to Die: Astrology for Writers' - Johanna Hedva, Royal Academy of Art, The Hague, Online Studium Generale lecture
<span style="color:cornsilk;font-size:11px;text-align;right;"> REFS : </span><br>
<span style="color:#67a78d;font-family:papyrus;font-size:11px;">
Malka Older on The Open Mind: High-Tech Dystopia and Utopia


2 : This quoted formulation of the question is interpreted, but was heavily inspired by the thoughts of Alice Sparkly Kat. — http://www.alicesparklykat.com/postcolonialastrology/


An etymology of saturn :
http://www.alicesparklykat.com/articles/61/An_Etymology_of_Saturn/


Extract of Astrology and storytelling :
http://www.alicesparklykat.com/articles/37/Astrology_vs_Astrologism/


3 : Aliza Kelly - Stars like us : "a reminder that there’s no such thing as destiny — it’s all about


4 : https://www.kickstarter.com/projects/djenneba/mercurys-brood-astrology-anthology?lang=fr "astro anthology for the people, curated by black queer astrologers"
CONCLUSION :  
Overtake the post-apocalyptic - Storytelling languages
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5 : @Queenjupiterastrology :  
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"🔮 Astrologer / Educator / Creative / Friend
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✨ She / Her 🦂
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🎙 Podcast - The Strology Show
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🪐 Director @astrologyvoices
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🧿 Founder @nfluxmag"
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— https://www.freshvoicesinastrology.com/  
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https://youngastrologers.org/about/
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Latest revision as of 16:57, 28 March 2021

A SAILOR'S GUIDE
TO EARTH


Before we engage in this journey, and in order for you to bear with me, it is essential that I tell you what I will be taking you through.
The intentions for this work appeared to be dual :
The first one was to provide a margin of interpretation that would frame the practice of astrology as reflective, yet generative a surface for both culturally grounded, and politically engaged discourses.
The second was to address the delusion that technical work is ever morally neutral.

In his masterclass : From GAFA to Gaïa, the imaginaries of the ï , Alain Damasio questions the position of political imaginaries, the way we create them, and how we can make sure the values they carry participate creating fertile grounds for discourses of emancipation, for liberatory practices. I’ve boiled them down to 3 fundamental concerns, which will set the framework for the structure of this research :
- Is the imaginary I open up didactic, normative, or is it polyphonic ? Does it impose visions and phobias which it might host ?
- Is it confronted with forms of alterity with which it needs to compose ? How can it emancipate from them ?
- Does it provide a fertile ground to envision different political models ? Does it make you feel like changing the world ? What does it potentialise ?



THE DESERTS OF MODERNITY
♑︎//♋︎

Like most our practices, much of present-day astrology’s meaning has accumulated during colonialism and modernity. Dealing with this cultural heritage and its significance necessitates a continuous process of negotiation and re-evaluation.

OVERALL QUESTION FOR THE CHAPTER :
➫ Is the imaginary I open up didactic, normative, does it impose its visions and phobias ?




A_ (♁) THE DESERTS OF MODERNITY

_ Introduction to the practice - give some context
_ The notion of archetypes as in Carl Jung’s understanding through the Cancer/Capricorn axis :
The archetypes are a socio-cultural heritage through which we activate ourselves - what truth do we engage with ?
_ Mention why we’re working through the oppositions, and why we’re focusing on the earth/water oppositions :
‘Mother’ V. ‘Father’ archetypes : The sense of home V. Tyranny of structurelessness

REFS :
How to Tell When You’re Going to Die: Astrology for Writers' - Johanna Hedva, KABK, Online Studium Generale Lecture
The Archetypes and the Collective Unconscious, Carl Jung
Tyranny of Structurelessness, Jo Freeman
Everett’s theory of ‘rational belief’

B_ (♄) A CONSTRUCTION PROJECT IS WORTH A BATTALION

_ Chronos, Saturn - the furthest planet : rigidity, hierarchy, control, everything that allows passage :
Modernity and colonialism studied through Saturn V. the Moon
_Reveal some of the political and economic dynamics embedded in the practices of french protectorate in Morocco :
dig into the conflicts that result from the creation and management of colonial heritage.
_ Technology is created and deployed to reproduce historical patterns of social control

REFS :
Hymn to Saturn, Orpheus
Architecture and colonialism, The Funambulist Nº23 An etymology of Saturn, Alice Sparkly Kat In the Deserts of Modernity : Colonial Planning and After, Marion von Osten, Haus der Kulturen der Welt

C_ (☽) I’VE BEEN THINKING ALL DAY ABOUT THE MOON... _ A fabulation about the moon - what cancer reminds capricorn
_ The allegory of the “deserts of modernity” used to describe the ‘structurelessness’ of modern times :
Newton said that was moon was pieces of earth but we gave up our connectedness to earth
_ Understanding astrology as an Eco-feminist practice
Menstruation - cycles - People who menstruate can experience their bodies in synchronization with the cycles of the moon - swiftly suggest Matriarchy

REFS :
Future Feminisms - Anthony and the Johnsons Architecture de survie, Yona Friedmann, (2003), édition L’éclat poche Mapping the self in the deserts of the real, Toby Shorin, subpixel.space Astrology, Science and Culture : Pulling down the moon, Roy Willis, Patrick Curry, 2004, Routledge

CONCLUSION : ➫ Technological progress does not mean ethical progress. Low-tech futures as desirable futures ? Transition from cyberpunk to biopunk - > more research to do






♉︎//♏︎
GATES OF HADES

While the practice of astrology still embeds some of the power dynamics that grew along with it, these biases remain, however, merely an inconvenience to disputers of the practice.

In contrast, the conventions lying within the rising with the prominence of capitalism, white supremacy, patriarchy, ableism... more of the -isms, *gasping for air* and so many more of what we call ‘phobias’ — constructed outside of the practice, though incredibly damaging, are rarely considered irrational, so long as their structural formations benefit the power structures in place.

OVERALL QUESTION FOR THE CHAPTER :
➫ Is it confronted with forms of alterity with which it needs to compose ?
How can we emancipate from them ?

A_ (♀︎) THE SIN OF SLOTH

_ Where does the idea of Laziness come from ?
Mercantile renaissance, the enlightenments, and the whole pro-work, anti-idleness doctrines
_ Meritocracy suffers from severe biases, comrades.
_ If you laze around too much, you are going to think too much, and we don't like this too much.
Especially women, we don’t like women who have too much time to think.

REFS :


B_ (♇) TRAGEDY OF THE COMMON

_ Magic was a lot more believed in, and women who practiced it made it harder for capitalism, as a model, to get establish :
Contextualise the witch hunts and the Myth of the witch within it’s early rising capitalist context
_ Paradigm paralysis: the inability or refusal to see beyond the current models of thinking.
Is it easier to imagine the end of the world than the end of capitalism ?

REFS :
Reclaiming magic as a subversive practice, Silvia federici, Online Studium Caliban and the Witch, Silvia Federici Angela davis, Les goulags de la démocratie


C_ (♂︎) _ Resilience will not create social change, we need to reinvest in the immense alterities that the living has to offer. _ We’re going to mars and I have hot takes about it (more to come)

REFS :
Mijk Van Der Drift, Love Spells & Rituals for another World


CONCLUSION : There has to be an end to capital accumulation and extractivism : what will it be ? - Reinvest in the immense alterities of living : Re-admitting astrology into the cultural conversation is taking a radical stand for what both the capital and the state mock, marginalise, yet still try to appropriate and exploit. By reclaiming occult practices as liberatory and emancipatory practices, we equip ourselves with tools to support the emergence of new narratives.






♓︎//♍︎
A CHANGE IN THE SEASON

revolution (n.) originally of celestial bodies "course, revolution (of celestial bodies)" (13c.), or directly from Late Latin ‘Revolutionem’ General sense of "instance of great change in affairs"

When it comes to power struggles, the truths we engage with and the stories we tell each other are at stake. Language is never just there, never neutral, nor innocent. Words are actions, they are not irresponsible fabrications, they respond to necessities. They are heavy, they are powerful. Every word, every story, carries a message, and holds philosophical, moral, political positions.

OVERALL QUESTION FOR THE CHAPTER :
➫ Does it provide a fertile ground to envision different political models ? Does it make you feel like changing the world ? What does it potentialise ?

A_ (♃) ARCHIPELAGOS _ Extension of the term from geographical to cultural theory :
‘Archipelago’ is developed as spatially distanced orderings, yet contiguous in logic.
_ Tension between spatial notion to cultural context : Some thoughts about the word ‘Revolution’
_ Islands present sites via which one might observe the Anthropocene:
the ethical and philosophical implications of human waste and colonial world-making : MURUROA, French Nuclear test in Polynesia from 1966 to 1996.
_ “desert islands” have been rendered “inhabitable,” thus perpetuating the colonial narrative of Robinson Cruzoe.

REFS :
Contemporary Archipelagic Thinking: Toward new comparative methodologies and disciplinary formations. Michelle Stephens and Yolanda Martínez-San Miguel The Funambulist N°9, Islands

B_ (☿) RULES WORK OUT OF NECESSITY _ As a practice focused on revolution, astrology is a decent tool to generate accelerationist ideas (a lot more to come)

REFS :
CCRU (=Cybernetic Culture Research Unit)

C_ (♆) UNDERWATER IN 2050

_The deluge, perhaps one of of earliest myth, is an archetype :
civilization are wiped out by flood as a result of evil plaguing humankind, creating a virgin slate for civilization > Eco-fashism, bio politics
_ Dystopia/Utopia as distancing mechanism

REFS :
Malka Older on The Open Mind: High-Tech Dystopia and Utopia



CONCLUSION : Overtake the post-apocalyptic - Storytelling languages