User:Simon/Feminist Art Manifestos: Difference between revisions
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== Feminist Art Manifestos == | ==bootleg book: ''Feminist Art Manifestos'' == | ||
=== First edition === | === First edition === | ||
Printed: 12.09.19<br> | Printed: 12.09.19<br> | ||
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Femifestos 2nd ed C 11.jpg|Back cover | Femifestos 2nd ed C 11.jpg|Back cover | ||
</gallery> | </gallery> | ||
[[Category:bootlegs]] |
Latest revision as of 14:31, 20 June 2020
bootleg book: Feminist Art Manifestos
First edition
Printed: 12.09.19
Dimensions: 130x180mm
Cover stock: Clairefontaine Trophee (green) 210gsm
Text stock: Bio Top 80gsm
Binding: Perfect bound (hot glue)
Pages: 180pp
This book took quite some time to lay out. The original publication exists as an EPUB. You have to buy it, and it's not available in this format from the usual pirate libraries, but I did find an HTML version on https://monoskop.org/media/text/feminist_art_manifestos/
I ran pandoc on the HTML file to turn it into a .rtf so that I could lay it out in InDesign using this command:
$ pandoc -s source.html -o new_source.rtf
This retained italics and hyperlinks (which was super nice), but there were lots of line-breaks that I didn't need and had to remove manually as find/change in InDesign is indiscriminate...
In some ways the digital book is superior to the printed version as you can click on the hyperlinks to visit the source pages of many of these texts, something which is obviously impossible in the printed version, although it does say where the manifestos can be found.
The interesting thing about doing this as a book sprint is the speed at which you have to make design decisions. This makes the design quite minimal, and the only typographic conceit here was with a decision to use a variety of indentation styles, which refers to the multiplicity of feminist manifestos. The interesting thing for me about these texts is that they show many different artistic views of feminism which don't necessarily agree with each other.
During the time I was laying out this publication, I was invited by Artemis to join her and Paloma in applying to present our Marginal Conversations workshop in Athens at the ETC (Eclectic Tech Conference) festival. We were all pretty excited about the prospect, however as it turned out, some of the organisers were unsure about me presenting a workshop as a cis-gendered hetero man. Although I was disappointed, I understood the reasoning, as due to the nature of this particular conference (which started as a way for women and queer, trans & non-binary folk to share skills outside of a patriarchal male-dominated tech culture. I was reassured that this was not the opinion of all of the organisers, but of some, however, they were trying to reach a compromise with me and each other. I found this an interesting sidenote to the publication I was producing, in which there is a plurality of views that co-exist.
Second edition
Printed: 05.03.20
Dimensions: 130x180mm
Cover stock: Clairefontaine Trophee (grey) 210gsm
Text stock: Laser 80gsm
Binding: Perfect bound (hot glue)
Pages: 224pp
I decided to print a second edition of this book for two reasons; 1) someone had borrowed the first edition three months ago and it hadn't been returned, and 2) what's a books of Feminist Art Manifestos without any images?
I spent quite some time tracking down images to use in the book. Oftentimes I couldn't find an image that directly corresponded to the writer/writers of each manifesto, which created an interesting opportunity to think about who is represented by each text. Sometimes it was an image of an artwork (if the manifesto was written by an artist), sometimes an image of a collective or the publications they produces, often a portrait of the author or authors, sometimes an image of the manifesto as it appeared in print originally. Each manifesto text is prefaced by an image - abutting the text of a previous manifesto. This creates an interesting connection between seemingly disparate elements and waves of feminist movements. The book was printed in the same size as the first edition, with a grey cover, and noticeably more pages due to the addition of so many colour images.