Jujube/moving: Difference between revisions
No edit summary |
|||
| (8 intermediate revisions by the same user not shown) | |||
| Line 44: | Line 44: | ||
because my voice identifies me as a Deaf Person." | because my voice identifies me as a Deaf Person." | ||
== | == Being 97 == | ||
http://www.ftrmgc.com/project/being-97-short-doc/ | |||
== Greetings from Aleppo == | == Greetings from Aleppo == | ||
| Line 56: | Line 54: | ||
pay attention to the credits also | pay attention to the credits also | ||
== | == Are you a human? == | ||
{{ | {{youtube|ccIt-qRQBoI}} | ||
== | == Ίσως είμαι εγώ/Maybe it’s me == | ||
{{ | {{vimeo|224283964}} | ||
== The Maid == | == The Maid == | ||
| Line 69: | Line 67: | ||
https://www.sculpture-center.org/exhibitions/3431/the-maid | https://www.sculpture-center.org/exhibitions/3431/the-maid | ||
= Noteworthy = | |||
== La Noria == | |||
https://www.youtube.com/watch?v=TktL3QR8Yg8 | |||
fear and grief | |||
== New Pompidou == | == New Pompidou == | ||
| Line 78: | Line 84: | ||
https://www.lafayetteanticipations.com/en/exposition/simon-fujiwara | https://www.lafayetteanticipations.com/en/exposition/simon-fujiwara | ||
= | == Internet Story == | ||
{{vimeo|13780892}} | |||
== Eye == | |||
{{vimeo | 7779363}} | |||
== Critical Living == | |||
{{vimeo|213344845}} | |||
== My Dead Dad's Porno Tapes == | |||
{{vimeo|292537862}} | |||
== OUTSIDE == | |||
{{vimeo | 20369237}} | |||
portugese filmmaker supported by Red Mansion Foundation (hmm) | |||
== Hans Op de Beeck. Staging Silence 1&2 == | |||
{{youtube|zxplzeHnTtw}} | |||
{{youtube|8f6iMoG6dmc}} | |||
== Otobong Nkanga performance == | |||
{{youtube|iR8_t1AM0dw}} | |||
== Works by Vladimir Tomin == | == Works by Vladimir Tomin == | ||
| Line 101: | Line 137: | ||
{{youtube|3MWpHQQ-wQg}} | {{youtube|3MWpHQQ-wQg}} | ||
== Trevor Noah explains reparation == | |||
{{youtube | RjTu1NmQLP8}} | |||
== Hello. / Mashup Self portrait == | == Hello. / Mashup Self portrait == | ||
Latest revision as of 13:54, 3 November 2019
Moving Images are not just images in motion. There is always that moment when a chord is struck. Being enlightened is not the same as being moved. The former seems to indicate an intellectual clarity whereas the latter, an emotional one.
IFFR 2019
Moving
Cine Seminar 10.12.18
Bär
My Utopia
https://rijksakademie.nl/NL/resident/che-onejoon
259029795
Cine Seminar 18.03.2019
Taller Than the Trees
Having re-watched it several times (first in summer 2018, and most recently in march 2019), I must say the film becomes more mundane and less, well, moving. This is not a film that can hold up scrutiny.
Also, translation and caption is a process more than pure communication.
A View from the Windows
"I point to my ears to let them know I am Deaf.
But the cops didn't believe me.
They kept asking me questions,
because my voice identifies me as a Deaf Person."
Being 97
http://www.ftrmgc.com/project/being-97-short-doc/
Greetings from Aleppo
pay attention to the credits also
Are you a human?
Ίσως είμαι εγώ/Maybe it’s me
The Maid
https://www.sculpture-center.org/exhibitions/3431/the-maid
Noteworthy
La Noria
https://www.youtube.com/watch?v=TktL3QR8Yg8
fear and grief
New Pompidou
Film was part of the exhibition: LA STRADA. DOVE SI CREA IL MONDO @ MAXXI (07 dicembre 2018 - 28 aprile 2019)
https://www.lafayetteanticipations.com/en/exposition/simon-fujiwara
Internet Story
Eye
http://vimeo.com/ 7779363
Critical Living
My Dead Dad's Porno Tapes
OUTSIDE
http://vimeo.com/ 20369237
portugese filmmaker supported by Red Mansion Foundation (hmm)
Hans Op de Beeck. Staging Silence 1&2
Otobong Nkanga performance
Works by Vladimir Tomin
“__ /__ /__”
The Shirley Temple
Concerning Language
from A Bit of Fry & Laurie
Trevor Noah explains reparation
Hello. / Mashup Self portrait
...editing and collage...
Do Nut Diagram
Pan!!
Frontier Psychiatrist
Nobody Else Quite Like You
Archive
Downside Up