Ugo/tutorials: Difference between revisions

Latest revision as of 10:23, 5 February 2019

08-10-2018 Ine

My sociological and anthropological concerns - what role in my work
Focus on focal camera experimentation of continuous recording
REF: British artist Gillian Wearing and her statement on anthropology and documentary

09-10-2018 Barend

Continue working on focal camera and start with medium format : cutting the film, scanning the film, reconstruction of the long image digitally.
What processes is my work related to: Slit Scan, what are the differences
My references to impressionism (Monet) and sociology (Zygmunt Bauman, Liquid Modernity). Liquidity, Fluidity, Fixity. How do this relate to my research on Identity?
REF: Gerhard Richter (Painting over photograph?) and Adam Magyar (Slit-scan)

29-10-2018 David

Continue working on continuous recording project with a focus on the gesture
Gesture of re-winding, analyse and precise the gesture and the possible links with time
Start building a more specific vocabulary, avoid speaking in too abstract or general terms
The importance of the choice in the gesture, dialectic of choice-process. Gesture & Techniques
What subjects are more suitable for the process
The poetic and philosophical aspect of my research: the construction of the self, the representation of the self, the concept of time (re-winding) in the work or maybe a more theoretical research on what is photography / photographic?

30-10-2018 Barend

Take a break with continuous recording project. Shifting to moving image.
How can I transfer the work to moving image. Is my work not already a moving image? What is the border between fix and moving image - the shift from photography to cinema (Marker, C. (1962) La Jetée)
Start writing scenes or images that come in my mind.
16mm film introduction at Worm. My focal camera is a simple version of a movie camera, with no shutter and medium film format.
REF: Michel van Bakel (Forest Paths IFFR (2019), The Dutch Mountain (2015) & Equestrian (2003))

19-11-2018 Javi

The materiality of film : Peter Kudelka & Rosa Barba
Defining the place of the body in the process
The fragmentation : Jan Dibbets & Paul Sharits
Manual speed variation as a "control" on results = narrative or intentionality

27-11-2018 Simon

Main focus on practice - Practice led research
REF: All That Is Solid Melts into Air

08-01-2018 Barend

How can I improve workflow

14-01-2018 Javi

After PZI: Education, Research, Art Practice
PhD Art NL or FR, KABK-LEIDEN (Art), AMU-ENSP (Image, Philosophie), PSL-SACre (Mouvement)
Applying for funds: CBK-Rotterdam City, Mondriaan Fond, Stimulerings Fond
Applying for Art residency
Applying to film festival
Developing my research network: Getting involve with Filmwerkplaatz

04-02-2019 Ine

Disruption is necessary in the Abiding video
Specifity of the medium: re-define terms within the work "animate" "time"
"It is a harsh separation between photo and film, you tear them apart"
"I don't think you wanna tell stories, you wanna tell content" (meaning?)
Articulation theory & practice works well

04-02-2019 David

Strong reference to film and painting - dutch painting
Taking the filter out (no need), working with the indexality character of the medium, showing body variation = subtle interaction maker/environment/camera
What subject to develop next: a series on dutch landscape, image within image (billboard, adverts)
How to add narrative element using this particular language
REF: Lyndsey Sears, Tacita Dean, Lisa Reihana (Venezia 2017)

@@ Line 1: / Line 1: @@
-* 08-10-2018 Ine
+=== 08-10-2018 Ine ===
-* First introduction
 * My sociological and anthropological concerns - what role in my work
 * Focus on focal camera experimentation of continuous recording
-* REF: British artist Gillian Wearing and her statement on anthropology and documentary
+* REF: British artist [https://en.wikipedia.org/wiki/Gillian_Wearing Gillian Wearing] and her statement on anthropology and documentary
+=== 09-10-2018 Barend ===
+* Continue working on focal camera and start with medium format : cutting the film, scanning the film, reconstruction of the long image digitally.
+* What processes is my work related to: Slit Scan, what are the differences
+* My references to impressionism (Monet) and sociology (Zygmunt Bauman, Liquid Modernity). Liquidity, Fluidity, Fixity. How do this relate to my research on Identity?
+* REF: Gerhard Richter ([https://theartstack.com/artist/gerhard-richter/painting-over-photograph Painting over photograph]?) and Adam Magyar (Slit-scan)
-* 09-10-2018 Barend
-* 29-10-2018 David
+=== 29-10-2018 David ===
-* 30-10-2018 Barend
+* Continue working on continuous recording project with a focus on the gesture
-*
+* Gesture of re-winding, analyse and precise the gesture and the possible links with time
+* Start building a more specific vocabulary, avoid speaking in too abstract or general terms
+* The importance of the choice in the gesture, dialectic of choice-process. Gesture & Techniques
+* What subjects are more suitable for the process
+* The poetic and philosophical aspect of my research: the construction of the self, the representation of the self, the concept of time (re-winding) in the work or maybe a more theoretical research on what is photography / photographic?
+=== 30-10-2018 Barend ===
+* Take a break with continuous recording project. Shifting to moving image.
+* How can I transfer the work to moving image. Is my work not already a moving image? What is the border between fix and moving image - the shift from photography to cinema (Marker, C. (1962) La Jetée)
+* Start writing scenes or images that come in my mind.
+* 16mm film introduction at Worm. My focal camera is a simple version of a movie camera, with no shutter and medium film format.
+* REF: Michel van Bakel ([https://iffr.com/en/2018/films/forest-paths Forest Paths IFFR (2019)], The Dutch Mountain (2015) & Equestrian (2003))
+=== 19-11-2018 Javi ===
+* The materiality of film : Peter Kudelka & Rosa Barba
+* Defining the place of the body in the process
+* The fragmentation : Jan Dibbets & Paul Sharits
+* Manual speed variation as a "control" on results = narrative or intentionality
+=== 27-11-2018 Simon ===
+* Main focus on practice - Practice led research
+*REF: All That Is Solid Melts into Air
+=== 08-01-2018 Barend ===
+* How can I improve workflow
+=== 14-01-2018 Javi ===
+* After PZI: Education, Research, Art Practice
+* PhD Art NL or FR, KABK-LEIDEN (Art), AMU-ENSP (Image, Philosophie), PSL-SACre (Mouvement)
+* Applying for funds: CBK-Rotterdam City, Mondriaan Fond, Stimulerings Fond
+* Applying for Art residency
+* Applying to film festival
+* Developing my research network: Getting involve with Filmwerkplaatz
+=== 04-02-2019 Ine ===
+*Disruption is necessary in the Abiding video
+*Specifity of the medium: re-define terms within the work "animate" "time"
+*"It is a harsh separation between photo and film, you tear them apart"
+*"I don't think you wanna tell stories, you wanna tell content" (meaning?)
+*Articulation theory & practice works well
+=== 04-02-2019 David ===
+*Strong reference to film and painting - dutch painting
+*Taking the filter out (no need), working with the indexality character of the medium, showing body variation = subtle interaction maker/environment/camera
+*What subject to develop next: a series on dutch landscape, image within image (billboard, adverts)
+*How to add narrative element using this particular language
+*REF: Lyndsey Sears, Tacita Dean, Lisa Reihana (Venezia 2017)