Anomolous faces: Difference between revisions

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|Bio=Max Franklin is a musician and digital artist currently based in Rotterdam. His work is concerned with the fragile nature of improvisation in music, with software. He has worked within this position since completing his studies in Music, moving between a wide range of acts involving music, technology, design, arts and education.
|Bio=Max Franklin is a musician and digital artist currently based in Rotterdam. His work is concerned with the fragile nature of improvisation in music, with software. He has worked within this position since completing his studies in Music, moving between a wide range of acts involving music, technology, design, arts and education.
Through investigating the act of improvisation within music, Max examines ideas that liberation and resistance improvisation could provide. Both in artistic practices, and its wider application as critical methodology of research and exploration.
Through investigating the act of improvisation within music, Max examines ideas that liberation and resistance improvisation could provide. Both in artistic practices, and its wider application as critical methodology of research and exploration.
|Thumbnail=https://lh3.googleusercontent.com/9QyiHh7HI7LCJWaqKAjT6Hg_uAz5CbH3Mz3ytW8X5UkXiTWnDsrFoNpN8j1QuWEUH5qC3WydZO83YOtvGssbV6xsmT198y_ztd9QQPaF6rQHHdMuCugcOq2ui_5pD2gNfSj6fewEYhKUzndoCm1V7h6N1t2uLKDGoJVP5R6a4GXOsUtX2Qe4pGEBTf0lSe7ED2LhowfQ6Hv64Zy4dmbCAb1Rq12tjkZastXKYIFkK00vXunDZHJpHW8MOinNchSc_9RbhLSNhHkvORely_cEk5aym7xf0vyaepmeWKOvdc3LhF-drXfd8E8YVEKX1RJRiF33o-HQi8laAJ9H1nHMW2EzOZHGL68aMCFLn9mDdGnnKMDgLeUToSgmQnkFHVO4LFIkk3SBsiJz5YwTpQuEbY5IJcId8XtoP2aK8kUjxNg7KSxYF2OrQkdZDmhO0cfEl_-QV0lpulR4M3daBCB6AiJ24E7CLxhOmL4l9NONthWfCTLrtjP3Valq0qhlOc6ySav-_xvXdAfZzCS7ip1KmnaxfHiIin5-mFD3nNaRsboBxsSmEQl6q3d3goG6caYYBucKPLumSqxo0rS13C86K5vk65FtjWdbW-Y9yTQ=w1623-h1082-no
|Thumbnail=StoneSandCrabs.jpg
|Description=Improvisation poses questions upon the production and dissemination of artistic work in terms of its material value, and traditional attributions of mastery. [https://en.wikipedia.org/wiki/Karen_Eliot Karen Eliot] is an improviser, musician, artist, and activist who works to resist standardised valuation of artistic practice. Her work cannot be characterised in distinct forms, but exists as a multitude of actions, challenging ownership, identity and representation.
 
''anomolous faces'' will perform Karen Eliot, and others like [https://en.wikipedia.org/wiki/Luther_Blissett_(nom_de_plume) Luther Blissett], [https://en.wikipedia.org/wiki/Lieutenant_Murnau Lieutenant Murnau] and other to challenge preconceptions of mastery and value, and present alternatives that improvisation may afford. Join in distributed acts of improvisation, not adhering to any one style, medium or intended output.
}}
}}

Latest revision as of 18:25, 16 June 2018

Anomolous faces
Creator Max Franklin
Year 2018
Bio Max Franklin is a musician and digital artist currently based in Rotterdam. His work is concerned with the fragile nature of improvisation in music, with software. He has worked within this position since completing his studies in Music, moving between a wide range of acts involving music, technology, design, arts and education.

Through investigating the act of improvisation within music, Max examines ideas that liberation and resistance improvisation could provide. Both in artistic practices, and its wider application as critical methodology of research and exploration.

Thumbnail
StoneSandCrabs.jpg

Improvisation poses questions upon the production and dissemination of artistic work in terms of its material value, and traditional attributions of mastery. Karen Eliot is an improviser, musician, artist, and activist who works to resist standardised valuation of artistic practice. Her work cannot be characterised in distinct forms, but exists as a multitude of actions, challenging ownership, identity and representation.

anomolous faces will perform Karen Eliot, and others like Luther Blissett, Lieutenant Murnau and other to challenge preconceptions of mastery and value, and present alternatives that improvisation may afford. Join in distributed acts of improvisation, not adhering to any one style, medium or intended output.