User:SN/Thematic 3 report: Navigating Borders and Contours: Difference between revisions
(Created page with "The first thing that came to my mind how to crack this essay about Tuesday morning session that I don't have clear memories of is, obviously, to restore chronology. Trite, but...") |
No edit summary |
||
| Line 1: | Line 1: | ||
The first thing that came to my mind how to crack this essay about Tuesday morning session that I don't have clear memories of is, obviously, to restore chronology. Trite, but effective. We met Erin Latour to discuss Fuzzy Narration in Theresa Hak Kyung Cha's Dictree. I remember we started from talking about comics, what is minor literature its specificities. Probably I can connect comics to all other things we discussed, but from my point of view, comics stay aside from the conversations we had during that morning. The main topic almost all the lecture was subjectiveness. There is not truth, objectivity doesn't exist. That was the statement, made and almost proven during the lecture. Nevertheless, we feigned that it does and discussed what it could be. We | The first thing that came to my mind how to crack this essay about Tuesday morning session that I don't have clear memories of is, obviously, to restore chronology. Trite, but effective. We met Erin Latour to discuss Fuzzy Narration in Theresa Hak Kyung Cha's Dictree. I remember we started from talking about comics, what is minor literature its specificities. Probably I can connect comics to all other things we discussed, but from my point of view, comics stay aside from the conversations we had during that morning. The main topic almost all the lecture was subjectiveness. There is not truth, objectivity doesn't exist. That was the statement, made and almost proven during the lecture. Nevertheless, we feigned that it does and discussed what it could be. We began from difference between memoir and autobiography, we had discourse on truth, speculated on subjectivity, intersubjectivity, and objectivity, | ||
watched "Une Minute Pour Une Image" by Agnes Varda, argued about Theresa Hak Kyung Cha's Dictée. | |||
discourse on truth, | |||
Theresa Hak Kyung Cha's Dictée | |||
Latest revision as of 14:50, 25 June 2016
The first thing that came to my mind how to crack this essay about Tuesday morning session that I don't have clear memories of is, obviously, to restore chronology. Trite, but effective. We met Erin Latour to discuss Fuzzy Narration in Theresa Hak Kyung Cha's Dictree. I remember we started from talking about comics, what is minor literature its specificities. Probably I can connect comics to all other things we discussed, but from my point of view, comics stay aside from the conversations we had during that morning. The main topic almost all the lecture was subjectiveness. There is not truth, objectivity doesn't exist. That was the statement, made and almost proven during the lecture. Nevertheless, we feigned that it does and discussed what it could be. We began from difference between memoir and autobiography, we had discourse on truth, speculated on subjectivity, intersubjectivity, and objectivity, watched "Une Minute Pour Une Image" by Agnes Varda, argued about Theresa Hak Kyung Cha's Dictée.