User:Emily/20160529: Difference between revisions
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===<span style='font-size:15px;text-transform:uppercase;font-family:Verdana;background:#141212;color:#33FF99;padding:5px;'>overview of the research project</span>=== | |||
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The central figure of the research project is '''Symbolically charged obejects'''. | |||
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Be it in '''cinema''', '''contemporary art''', or '''ditial commons culture''' (specifially among these shared 3D files in the network culture), SCOs are distallations of certain structures, no matter if it's cinematic narration, institutional categorization or social condition at large. | |||
The research and practice draw the attention to the '''affinity relationship''' between the chosen objects with '''readymades'''. | |||
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The above will be explained in two parts that are mixed up, my practice and the influences of the particular way of looking at objects that informs what I do. | |||
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Cinematic Objects (Objects as protagonists)<br> | |||
➡️ | |||
* the well-organised absense of information that draws us in | |||
* storytelling without a dialogue, the purest form of cinematic storytelling | |||
* the domain of the production of artists | |||
===<span style='font-size:15px;text-transform:uppercase;font-family:Verdana;background:#141212;color:#33FF99;padding:5px;'>Graduation project</span>=== | |||
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''For the Common Good'' | |||
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You need to present to us an overview of your self-directed research project: | You need to present to us an overview of your self-directed research project: | ||
-- your aims | -- your aims | ||
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You should show us the the forms you wish to present in the Graduation Show :- your plans, prototypes and visualisations of the final performance / installation etc | You should show us the the forms you wish to present in the Graduation Show :- your plans, prototypes and visualisations of the final performance / installation etc | ||
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Revision as of 19:28, 29 May 2016
overview of the research project
The central figure of the research project is Symbolically charged obejects.
Be it in cinema, contemporary art, or ditial commons culture (specifially among these shared 3D files in the network culture), SCOs are distallations of certain structures, no matter if it's cinematic narration, institutional categorization or social condition at large.
The research and practice draw the attention to the affinity relationship between the chosen objects with readymades.
The above will be explained in two parts that are mixed up, my practice and the influences of the particular way of looking at objects that informs what I do.
Cinematic Objects (Objects as protagonists)
➡️
- the well-organised absense of information that draws us in
- storytelling without a dialogue, the purest form of cinematic storytelling
- the domain of the production of artists
Graduation project
For the Common Good
You need to present to us an overview of your self-directed research project: -- your aims -- the areas you have researched -- a brief history of your outputs across the research project in your 2nd year -- and the selected final outputs you have elaborated as your graduation project.
You should show us the the forms you wish to present in the Graduation Show :- your plans, prototypes and visualisations of the final performance / installation etc