User:Emily/20160310: Difference between revisions
No edit summary |
|||
| Line 1: | Line 1: | ||
<!-- | |||
===The changing face of Symbolically Charged Object=== | ===The changing face of Symbolically Charged Object=== | ||
| Line 136: | Line 136: | ||
The symbolically charged object in my research, be it in cinema, in contemporary art discipline or in maker community, are distillations of the social relationships. Its materiality is shaped by the inter-subjective network, whereas, its value is also altered and constructed by the intersubjective network. Thus no matter in its physical form or its informational representation, online or offline, it is always presented in a societal condition at large. | The symbolically charged object in my research, be it in cinema, in contemporary art discipline or in maker community, are distillations of the social relationships. Its materiality is shaped by the inter-subjective network, whereas, its value is also altered and constructed by the intersubjective network. Thus no matter in its physical form or its informational representation, online or offline, it is always presented in a societal condition at large. | ||
The meaning of the symbolically charged object exists only in so far as it is inter-subjectively recognized. It is not concerned whether it is real and true. For a fact to be operative, it has to be sharable and believable, which ensure the very circulation of it. The symbolic is the way of interacting with other people. The found objects as the readymades toes the board-line of the art in the museum-gallery institution, the sharable 3d printed files follows the same manner testing the symbolic institutional protocols, which are all in a fuzzy region. | The meaning of the symbolically charged object exists only in so far as it is inter-subjectively recognized. It is not concerned whether it is real and true. For a fact to be operative, it has to be sharable and believable, which ensure the very circulation of it. The symbolic is the way of interacting with other people. The found objects as the readymades toes the board-line of the art in the museum-gallery institution, the sharable 3d printed files follows the same manner testing the symbolic institutional protocols, which are all in a fuzzy region. | ||
--> | |||
Revision as of 09:56, 7 May 2016