User:Stonestone/n3tmp: Difference between revisions
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===Kate=== | ===Kate=== | ||
http://www.katepullinger.com/ | http://www.katepullinger.com/ | ||
===Duncan Speakman=== | ===GL:Duncan Speakman=== | ||
http://wearecircumstance.com/ | http://wearecircumstance.com/ | ||
===GL:Frans-Willem Korsten=== | ===GL:Frans-Willem Korsten=== | ||
<pre> | <pre> | ||
Line 38: | Line 39: | ||
Subject ------------------------->Aim | Subject ------------------------->Aim | ||
| | | | | | ||
Opponent who profits/gets | |||
narr B---->c about x | narr B---->c about x | ||
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narrative | narrative | ||
</pre> | |||
=='''Day Two: March 15'''== | |||
===Rene=== | |||
http://www.geuzen.org/ | |||
===Discussion=== | |||
<pre> | |||
The relationship between previous 3 projects. | |||
Sol: Experience | |||
Stone: time | |||
Colm: mode of address | |||
Sol:(DS Project) the narrative of the future | |||
</pre> | |||
<pre> | |||
Structures | |||
1)Three-acts | |||
2)Episodeic | |||
3)Frame Narrative | |||
4)Chronological | |||
</pre> | |||
<pre> | |||
http://collection.eliterature.org/3/ | |||
Korsakow: https://github.com/korsakow | |||
Biology of story | |||
</pre> | |||
<pre> | |||
Task: | |||
I 3 Questions | |||
1.character (foundamental) | |||
2.place | |||
3.scene(s) (building blocks) | |||
II 3 pieces of writing | |||
1. 1 | |||
2. 1 + 2 | |||
3. 1 + 2 +3 | |||
</pre> | </pre> | ||
===Florian=== | |||
<pre> | |||
Non-narrative | |||
Devotional cinema - Nathaniel Dorsky p.20,21 | |||
Charles Sanders Peirce | |||
Aristotle ("a tragedy is a representation ......") | |||
Morphology of the folktale(y.propp) | |||
</pre> | |||
=='''Day Three: March 16'''== | |||
===GL=== | |||
Goldilock(金锁!) | |||
Digital Cafe | |||
http://www.eric-carle.com/home.html | |||
https://www.pubcoder.com/ |
Latest revision as of 18:11, 16 March 2016
wikipage: https://pzwiki.wdka.nl/mediadesign/Thematic-On_Narrative/
Day One: March 14
Kate
http://www.katepullinger.com/
GL:Duncan Speakman
http://wearecircumstance.com/
GL:Frans-Willem Korsten
History of Narratology: Travelling concepts Aristotle, poetics; history vs Poetics Narrative vs plot Plato, republic,showing and telling - mimesis and diegesis speaking indirectly and directly Russian formalism Vladimir Propp Prague structurealism Roman Jakobson French structuralism 1950s-1960s Claude Levi-strauss ----> narratology Poststructuralism Narratology Tzvetan Todorov Roland Barthes Claude Bremond Algirdas Greimas Gerard Genette Structuralist, combined with semiotics and rhetoric => aesthetic and political implications James Plhelan Mieke Bal Basic concepts: forms of address Helper Power | | Subject ------------------------->Aim | | Opponent who profits/gets narr B---->c about x poetry k----> o/ drama p<---->q text as in the case of literature maria dermout how to tell and how to show story:toetie collected works -text > narrator -story > focalization -history > actor Karakter,1997 by mike van diem law --------------------- language narrative
Day Two: March 15
Rene
Discussion
The relationship between previous 3 projects. Sol: Experience Stone: time Colm: mode of address Sol:(DS Project) the narrative of the future
Structures 1)Three-acts 2)Episodeic 3)Frame Narrative 4)Chronological
http://collection.eliterature.org/3/ Korsakow: https://github.com/korsakow Biology of story
Task: I 3 Questions 1.character (foundamental) 2.place 3.scene(s) (building blocks) II 3 pieces of writing 1. 1 2. 1 + 2 3. 1 + 2 +3
Florian
Non-narrative Devotional cinema - Nathaniel Dorsky p.20,21 Charles Sanders Peirce Aristotle ("a tragedy is a representation ......") Morphology of the folktale(y.propp)
Day Three: March 16
GL
Goldilock(金锁!) Digital Cafe http://www.eric-carle.com/home.html https://www.pubcoder.com/