Lucas-Aims for next meeting: Difference between revisions
(Created page with "Steve Suggested: describe self-directed research and articulate relation to chapter one describe other art practices in relation to above") |
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Steve Suggested: | ==Steve Suggested: == | ||
describe self-directed research and articulate relation to chapter one | describe self-directed research and articulate relation to chapter one | ||
describe other art practices in relation to above | describe other art practices in relation to above | ||
[note during build on 1st chapter= two ways of approaching nostalgia, to further develop issues related to my own work= reflecting on nostalgia. | |||
focus on mediation rather than recovery... [what work to talk about - trajectory and common ground] the work is symptomatic of a cultural turn.Lucas's aim to use nostalgia &c as a broader critical terms | |||
==10/03/2016== | |||
Material description of Retrogagre Chapbooks at start of description/discussion | |||
Back-up arguments for conceptual discussion of Retrograde Chapbooks. Expand/unpack these arguments. | |||
Address my works with the work of others: '''comparative critique''' | |||
(incl: Zombie formalism; Max Richter's Recomsosed Vivaldi and Historically Imformed Perfomance) | |||
Datialed description of works | |||
Latest revision as of 15:50, 10 March 2016
Steve Suggested:
describe self-directed research and articulate relation to chapter one
describe other art practices in relation to above
[note during build on 1st chapter= two ways of approaching nostalgia, to further develop issues related to my own work= reflecting on nostalgia.
focus on mediation rather than recovery... [what work to talk about - trajectory and common ground] the work is symptomatic of a cultural turn.Lucas's aim to use nostalgia &c as a broader critical terms
10/03/2016
Material description of Retrogagre Chapbooks at start of description/discussion
Back-up arguments for conceptual discussion of Retrograde Chapbooks. Expand/unpack these arguments.
Address my works with the work of others: comparative critique (incl: Zombie formalism; Max Richter's Recomsosed Vivaldi and Historically Imformed Perfomance)
Datialed description of works