User:ThomasW/Notes Perfecting Sound Forever: Difference between revisions
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Latest revision as of 14:47, 18 June 2015
Greg, Milner (2009) Perfect Sound Forever The story of recorded music, London, Granta
Rather than travelling to a cutting machine, the output of this analogue master tape was routed to a Sony digital recorder Instead of an acetate lacquer, the sound was encoded onto a three-quarter-inch U-matic–a proefessional-grade videotape format that doubled as a good medium for storing digital audio information± running on a Sony videotape machine.
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