User:Emily/Thematic Project/Trimester 03/09: Difference between revisions
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:current somnambulism --> the way people use the technological instruments determines their value vs (David Sarnoff) / --> it ignores the nature of medium | :current somnambulism --> the way people use the technological instruments determines their value vs (David Sarnoff) / --> it ignores the nature of medium | ||
:any technology could do anything but add itself on to what we already are | :any technology could do anything but add itself on to what we already are | ||
:nothing follows from following, except change --> electricity ended sequence by making things instant --> with instant speed the cause of things began to emerge to awareness | |||
:mechanisation is achieved by fragmentation of any process and by putting the fragmented parts in a series | |||
:mechanisation in movie --> translated us beyond mechanism into the world of growth and organic interrelation | |||
:movie medium --> lineal connection to configurations | |||
:movie appeared as a world of triumphant illusions and dreams that money could buy | |||
:cubism --> give the inside outside, the top, bottom, back and front and the rest in two dimension, drops the illusion of perspective in favour of instant sensory awareness of the whole. --> medium is the message "seizing on instant total awareness" | |||
:retain some sense of the whole pattern, of form and function as a unity | |||
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Revision as of 11:16, 22 May 2015
The Medium Is the Message, Marshall McLuhan
(From The New Media Reader)
- a means of control --> splitting and dividing all things
- medium is the message --> in operating and practical fact <--> merely to say <--> the personal and social consequences of any medium --> of any extension of ourselves
- the machine altered our relations to one another and ourselves
- the essence of machine technology--> the restructuring of human work and association was shaped by the technique of fragmentation
- the essence of automation technology --> integral and decentralist in depth
- the "content" of any medium is always another medium (the content of speech is an actual process of thought, which is in itself nonverbal; the content of writing is speech, the written word is the content of print, and print is the content of the telegraph; electric light is pure information, it is not till the electric light is used to spell out some brand name that it is noticed as a medium)
- theme --> the psychic and social consequences of the designs or patterns as they amplify or accelerate existing process.
- the "message" of any medium or technology is the change of scale or pace or pattern that it introduces into human affairs.
- "content" --> which could not exist without the medium --> underline that the medium is the message (the content is diverse --> ineffectual)
- it is the medium shapes and controls the scale and form of human association and action
- the business of processing information vs the business of making office equipment or business machines
- electricity light/power --> they eliminate time and space factors in human association
- extensions of man --> true social and political navigation depend upon anticipating the consequences of innovation
- configurational awareness reveals why the medium is socially the message --> the latest approach to media study considers not only the "content" but the medium and the cultural matrix within which the particular medium operates
- current somnambulism --> the way people use the technological instruments determines their value vs (David Sarnoff) / --> it ignores the nature of medium
- any technology could do anything but add itself on to what we already are
- nothing follows from following, except change --> electricity ended sequence by making things instant --> with instant speed the cause of things began to emerge to awareness
- mechanisation is achieved by fragmentation of any process and by putting the fragmented parts in a series
- mechanisation in movie --> translated us beyond mechanism into the world of growth and organic interrelation
- movie medium --> lineal connection to configurations
- movie appeared as a world of triumphant illusions and dreams that money could buy
- cubism --> give the inside outside, the top, bottom, back and front and the rest in two dimension, drops the illusion of perspective in favour of instant sensory awareness of the whole. --> medium is the message "seizing on instant total awareness"
- retain some sense of the whole pattern, of form and function as a unity
Marshal McLuhan:
reading = rapid guessing
the natural of art = set a trap for people’s attention
dialogue = encounter interface with others people and situations —> violence = self-expression (quest of identity)
rear view mirror —> future
the television uses the eye and the ear, phrase of Tony Schwartz in a book called The Responsive Chord —> images is constitute by millions of this resonating particles, there is no images, no snapshots, no shutters, there’s no camera. There is an offer , an outpouring of these small bits of information in patterns that are entirely active and dynamic. So the television is resonating form experience
inside outside
putting people on —> teasing them/ challenge them/ upsetting them/ befuddling them/ hurting them
simply pointing to the thing they have ignored; the things that concern them very nearly but have been totally pushed aside as insignificant ==> advertising (has to be a certain comic element in a good advertisement)
comic is always the registration of a grievance
tv charisma —> looking like a lot of other people
radio —> a package medium, hot media (wrap up packaging media)
tv —> cool media or involving character (concerned with processes)
phonetic alphabet —> Euclidean space
left hemisphere (interested in quantity) / right hemisphere (has no bottom line, interested only in quality) acoustically-oriented