User:Natasa Siencnik/prototyping/notation: Difference between revisions
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[[Category:Prototyping]] | |||
[[category:2011 P1.01]] | |||
== Ursonate == | == Ursonate == | ||
Sound poetry by <i>Kurt Schwitters</i> [http://ubu.clc.wvu.edu/sound/schwitters.html] | |||
<br /> | <br /> | ||
<br /> | <br /> | ||
'''Description''' | '''1 - Description''' <br /> | ||
Following piece of music is based on Kurt Schwitter's composition <i>Ursonate</i>, an early example of sound poetry from the 1920s. The sonata consists of a written organization of phonetics, subdivided in four movements according to classic musical structures and is meant to be performed by a speaker in public. Schwitters states that "[…] as with any other reading, correct reading requires the use of imagination" [http://www.stuttgarter-schule.de/schwitters3.htm], and encourages an alternation in rhythm, dynamic and density. However, no notes, tempi, or formal dynamics are given, allowing a variety of interpretations. | |||
Amazed by this abstract piece, its patterns, repetition and analytic approach to language, I tried to develop a tonal interpretation of Schwitter's score. Using an analogy, the characters are translated to notes. Thus the phonetic notation is given an abstract tonal equivalent, resulting in a minimalistic and repetative sonic piece. What Schwitters requests in terms of dynamic and rhythm, cannot be directly translated, but is subject to an underlying pattern, which may result in tension through random dissonances. | |||
'''2 - Input example'''<br /> | |||
''' | |||
ursonate.txt | ursonate.txt | ||
Line 24: | Line 25: | ||
rakete rinnzekete | rakete rinnzekete | ||
rakete rinnzekete | rakete rinnzekete | ||
beeeee | |||
bö üdrei | bö üdrei | ||
dreia | dreia | ||
Line 36: | Line 37: | ||
böwörötääzää | böwörötääzää | ||
fümmsböwötääzää | fümmsböwötääzää | ||
böwörötääzääuu | |||
fümmsböwötääzääuu | |||
böwörötääzääuu pö | |||
fümmsböwötääzääuu pö | |||
böwörötääzääuu pögö | |||
fümmsböwötääzääuu pögö | |||
böwörötääzääuu pögiff | |||
fümmsböwötääzääuu pögiff | |||
kwiiee | |||
</source> | </source> | ||
'''3 - Output example'''<br /> | |||
<source lang="php"> | |||
g+ c+ f d a d g+ e f+ f+ b d f d a d | |||
g+ c+ f d a d g+ e f+ f+ b d f d a d | |||
g+ c+ f d a d g+ e f+ f+ b d f d a d | |||
g+ c+ f d a d g+ e f+ f+ b d f d a d | |||
g+ c+ f d a d g+ e f+ f+ b d f d a d | |||
g+ c+ f d a d g+ e f+ f+ b d f d a d | |||
c+ d d d d d | |||
c+ g a+ c+ g+ d e | |||
c+ g+ d e c+ | |||
d g | |||
c+ g b g | |||
d a+ f+ f+ a c+ g | |||
c+ g b g g+ g | |||
d a+ f+ f+ a c+ g b g | |||
c+ g b g g+ g a c+ c+ | |||
d a+ f+ f+ a c+ g b g a c+ c+ | |||
c+ g b g g+ g a c+ c+ b c+ c+ | |||
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ | |||
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+ | |||
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+ | |||
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+ g g | |||
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+ g g | |||
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+ g g d+ g | |||
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+ g g d+ g | |||
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+ g g d+ e d d | |||
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+ g g d+ e d d | |||
</source> | |||
[[File:Ursonate.ogg]] | |||
<br /> | |||
'''4 - Code''' | |||
notes.sed | notes.sed | ||
Line 61: | Line 99: | ||
s/[s-t]/a /g | s/[s-t]/a /g | ||
s/[u-v]/a+ /g | s/[u-v]/a+ /g | ||
s/[w-z]/ | s/[w-z]/b /g | ||
s/ä/f+ /g | s/ä/f+ /g | ||
Line 71: | Line 109: | ||
<source lang="php"> | <source lang="php"> | ||
cat << END | |||
@head { | |||
\$time_sig 4/4 | |||
\$tempo 120 | |||
} | |||
@body { | |||
@channel 1 { | |||
\$patch 1 | |||
\$octave 4 | |||
\$length 16 | |||
END | |||
cat << END | |||
} | |||
} | |||
END | |||
</source> | |||
loop | |||
<source lang="php"> | |||
for ((i=0; i<30; i++)) | |||
do | |||
date | sed -f notes.sed | bash wrap.sh | midge -o ursonate.mid | |||
timidity ursonate.mid -Ov | |||
mv ursonate.ogg date$(printf '%02d' $i).ogg | |||
done | |||
oggCat ursonateloop.ogg ursonate*.ogg | |||
</source> | </source> |
Latest revision as of 14:43, 8 November 2010
Ursonate
Sound poetry by Kurt Schwitters [1]
1 - Description
Following piece of music is based on Kurt Schwitter's composition Ursonate, an early example of sound poetry from the 1920s. The sonata consists of a written organization of phonetics, subdivided in four movements according to classic musical structures and is meant to be performed by a speaker in public. Schwitters states that "[…] as with any other reading, correct reading requires the use of imagination" [2], and encourages an alternation in rhythm, dynamic and density. However, no notes, tempi, or formal dynamics are given, allowing a variety of interpretations.
Amazed by this abstract piece, its patterns, repetition and analytic approach to language, I tried to develop a tonal interpretation of Schwitter's score. Using an analogy, the characters are translated to notes. Thus the phonetic notation is given an abstract tonal equivalent, resulting in a minimalistic and repetative sonic piece. What Schwitters requests in terms of dynamic and rhythm, cannot be directly translated, but is subject to an underlying pattern, which may result in tension through random dissonances.
2 - Input example
ursonate.txt
rakete rinnzekete
rakete rinnzekete
rakete rinnzekete
rakete rinnzekete
rakete rinnzekete
rakete rinnzekete
beeeee
bö üdrei
dreia
fö
böwö
fümmsbö
böwörö
fümmsböwö
böwörötää
fümmsböwötää
böwörötääzää
fümmsböwötääzää
böwörötääzääuu
fümmsböwötääzääuu
böwörötääzääuu pö
fümmsböwötääzääuu pö
böwörötääzääuu pögö
fümmsböwötääzääuu pögö
böwörötääzääuu pögiff
fümmsböwötääzääuu pögiff
kwiiee
3 - Output example
g+ c+ f d a d g+ e f+ f+ b d f d a d
g+ c+ f d a d g+ e f+ f+ b d f d a d
g+ c+ f d a d g+ e f+ f+ b d f d a d
g+ c+ f d a d g+ e f+ f+ b d f d a d
g+ c+ f d a d g+ e f+ f+ b d f d a d
g+ c+ f d a d g+ e f+ f+ b d f d a d
c+ d d d d d
c+ g a+ c+ g+ d e
c+ g+ d e c+
d g
c+ g b g
d a+ f+ f+ a c+ g
c+ g b g g+ g
d a+ f+ f+ a c+ g b g
c+ g b g g+ g a c+ c+
d a+ f+ f+ a c+ g b g a c+ c+
c+ g b g g+ g a c+ c+ b c+ c+
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+ g g
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+ g g
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+ g g d+ g
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+ g g d+ g
c+ g b g g+ g a c+ c+ b c+ c+ a+ a+ g g d+ e d d
d a+ f+ f+ a c+ g b g a c+ c+ b c+ c+ a+ a+ g g d+ e d d
4 - Code
notes.sed
s/[a-b]/c /g
s/[c-d]/c+ /g
s/[e-f]/d /g
s/[g-h]/d+ /g
s/[i-j]/e /g
s/[k-l]/f /g
s/[m-n]/f+ /g
s/[o-p]/g /g
s/[q-r]/g+ /g
s/[s-t]/a /g
s/[u-v]/a+ /g
s/[w-z]/b /g
s/ä/f+ /g
s/ö/g+ /g
s/ü/d+ /g
wrap.sh
cat << END
@head {
\$time_sig 4/4
\$tempo 120
}
@body {
@channel 1 {
\$patch 1
\$octave 4
\$length 16
END
cat << END
}
}
END
loop
for ((i=0; i<30; i++))
do
date | sed -f notes.sed | bash wrap.sh | midge -o ursonate.mid
timidity ursonate.mid -Ov
mv ursonate.ogg date$(printf '%02d' $i).ogg
done
oggCat ursonateloop.ogg ursonate*.ogg