User:Emily/Self-directed Research 02: Difference between revisions
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====Aims for today==== | |||
*refine the descriptions of recent works *organise and restructure | *refine the descriptions of recent works *organise and restructure | ||
*the result would be -->making a new (old one is [[User:Emily/Self-Evaluation trimester II|here]]) self-directed research page (contains descriptions of my works and abstracts of my pervious notes) | *the result would be -->making a new (old one is [[User:Emily/Self-Evaluation trimester II|here]]) self-directed research page (contains descriptions of my works and abstracts of my pervious notes) | ||
Description of recent works: what+how+why structure (#broad context#)< | ====Description of recent works: what+how+why structure (#broad context#)==== | ||
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[https://vimeo.com/123562022 Reversed Shots](my dyslexia also reflects in being bad at naming works), is a single-channel as well as two-channel video projection. It extracts the audiovisual content from the most dramatic segment of Roman Polanski’s film The Tenant. The original scene is been juxtaposed along with its reversed each single shot. The beginning and the end of each shot is been viewed at the same time, synchronously and continuously playing to the middle from one shot to the next. It is a experiment on how visual art and cinematic experience affect on each other. The artistic approach combined with cinematic language (here mainly adressed on the moving camera, spatial movement) add up to the tensive watching experience. | [https://vimeo.com/123562022 Reversed Shots](my dyslexia also reflects in being bad at naming works), is a single-channel as well as two-channel video projection. It extracts the audiovisual content from the most dramatic segment of Roman Polanski’s film The Tenant. The original scene is been juxtaposed along with its reversed each single shot. The beginning and the end of each shot is been viewed at the same time, synchronously and continuously playing to the middle from one shot to the next. It is a experiment on how visual art and cinematic experience affect on each other. The artistic approach combined with cinematic language (here mainly adressed on the moving camera, spatial movement) add up to the tensive watching experience. | ||
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Works here just remind myself: | Works here just remind myself: | ||
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:The Threepenny Opera (1931 film) from the English Film Institue | :The Threepenny Opera (1931 film) from the English Film Institue | ||
====Reorginze pervious notes==== | |||
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Visual Art + Cinema Experience | Visual Art + Cinema Experience | ||
Revision as of 13:42, 15 April 2015
Aims for today
- refine the descriptions of recent works *organise and restructure
- the result would be -->making a new (old one is here) self-directed research page (contains descriptions of my works and abstracts of my pervious notes)
Description of recent works: what+how+why structure (#broad context#)
Reversed Shots(my dyslexia also reflects in being bad at naming works), is a single-channel as well as two-channel video projection. It extracts the audiovisual content from the most dramatic segment of Roman Polanski’s film The Tenant. The original scene is been juxtaposed along with its reversed each single shot. The beginning and the end of each shot is been viewed at the same time, synchronously and continuously playing to the middle from one shot to the next. It is a experiment on how visual art and cinematic experience affect on each other. The artistic approach combined with cinematic language (here mainly adressed on the moving camera, spatial movement) add up to the tensive watching experience.
Works here just remind myself:
- Shot reverse shot + environment shot --> a work that I viewed in Piankothek der Moderne, check information later
- Omer Fast - The Casting (front and back)
- The Threepenny Opera (1931 film) from the English Film Institue
Reorginze pervious notes
Visual Art + Cinema Experience
Permutation + Database Aesthetics
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