User:Emily/NOTES 01: Difference between revisions
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*[[User:Emily/RW&RM/Trimester 02/04| Reflection on Walter Benjamin's and Jos de Mul's text]]<br> | |||
"Material Metaphors, Technotexts and Media-Specific Analysis" from N.Katherine Hayles's WRIGHTING MACHINES & "the Migration of the Aura or How to Explore the Original through Its Fac Similes" from | <br> | ||
*[[User:Emily/RW&RM/Trimester 02/03| Notes on The work of art in the age of digital recombination & The Work of Culture in the Age of Cybernetic Systems]] | |||
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*[[User:Emily/RW%26RM/Trimester_02/02| Notes on The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin 1936]]<br> | |||
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*[[User:Emily/RW&RM/Trimester 02/01| Reflection on Ideology]]<br> | |||
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*[[User:Emily/RW&RM/Trimester 01/07| Hybrid Text]]<br> | |||
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*[[User:Emily/RW&RM/Trimester 01/06| Notes on The Means of Correct Training & Societies of Control]]<br> | |||
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*[[User:Emily/RW&RM/Trimester 01/05| Notes on BRIEF HISTORY OF THE OULIPO from New Media Reader]]<br> | |||
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*[[User:Emily/Thematic Project/Trimester 01/04|Reflection on "Material Metaphors, Technotexts and Media-Specific Analysis" from N.Katherine Hayles's WRIGHTING MACHINES & "the Migration of the Aura or How to Explore the Original through Its Fac Similes" from SWITCHING CODES & "In Defense of the Poor Image" by Hito Steyerl]]<br> | |||
Latest revision as of 13:04, 12 March 2015