User:Marlon/Graduate Research Seminar/bioabstract: Difference between revisions
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Abstract | Abstract | ||
Template Gallery is an installation that transposes the web template inside the wire frame of the gallery space, and vice versa. It is a visual representation of our current template culture. The invitation to “insert your content here” is present in every aspect of contemporary life – from the white walls of a museum to the #ffffff background of a microblog. | Template Gallery (Gallery Template?) is an installation that transposes the web template inside the wire frame of the gallery space, and vice versa. It is a visual representation of our current template culture. The invitation to “insert your content here” is present in every aspect of contemporary life – from the white walls of a museum to the #ffffff background of a microblog. | ||
Bio | Bio | ||
Marlon Harder [NL] is from Eerbeek. She lives in Rotterdam, where she formed a graphic design studio with Lasse van den Bosch Christensen. In her own practice she explores her fascination with digital culture and aims to raise critical questions by recontextualising its visual elements. | Marlon Harder [NL] is from Eerbeek. She lives in Rotterdam, where she formed a graphic design studio with Lasse van den Bosch Christensen. In her own practice she explores her fascination with digital culture and aims to raise critical questions by recontextualising its visual elements. | ||
Revision as of 16:32, 13 May 2014
Abstract
Template Gallery (Gallery Template?) is an installation that transposes the web template inside the wire frame of the gallery space, and vice versa. It is a visual representation of our current template culture. The invitation to “insert your content here” is present in every aspect of contemporary life – from the white walls of a museum to the #ffffff background of a microblog.
Bio
Marlon Harder [NL] is from Eerbeek. She lives in Rotterdam, where she formed a graphic design studio with Lasse van den Bosch Christensen. In her own practice she explores her fascination with digital culture and aims to raise critical questions by recontextualising its visual elements.