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CHAPTER ONE | CHAPTER ONE | ||
The Troubled Craftsman | The Troubled Craftsman | ||
The carpenter, lab technician, and conductor are all craftsmen, because they are dedicated to good work for its own sake | |||
The | |||
craftsman represents the special human condition of being engaged | |||
All craftsmanship is founded on skill developed to a high degree. | |||
as skill progresses it becomes more problem attuned | |||
as skill rises higher technique is not a mechanical activity | |||
The emotional rewards craftsmanship holds out for attaining skill | |||
are twofold: people are anchored in tangible reality, and they can take | |||
pride in their work. | |||
The Modern Hephaestus | |||
Ancient Weavers and Linux Programmers=== | |||
Homer, | |||
Hephaestus | |||
civilisation and TOOls | |||
Pandora | |||
because craftwork ‘‘brought | |||
people out of the isolation, personified by the cave-dwelling Cyclopes, | |||
craft and community were, for the early Greeks, indissociable. | |||
Hymn, craftsman is demioergos. | |||
(public, productive) | |||
demioergoi- manuel workers like potters but also doctors, professional singers and heralds etc | |||
slaves, not recognised, hymn in this period | |||
greeks and other traditional societies took it for granted that the skills would be transmitted from generation to generation=Social norms counted for more | |||
than individual endowments in the traditional ‘‘skills society.’’ | |||
To become skilled required, personally, that | |||
one be obedient. | |||
artisan-age of Homer-public man-woman | |||
Classican years- the craftsman’s honor had dimmed | |||
‘We consider that the architects | |||
in every profession are more estimable and know more and are wiser | |||
than the artisans, because they know the reasons of the things which | |||
are done. ‘We consider that the architects | |||
in every profession are more estimable and know more and are wiser | |||
than the artisans, because they know the reasons of the things which | |||
are done. | |||
ambiguuous meaning for women workers | |||
peplos | |||
The development of classical science contributed to the gendering of skill | |||
that produced the word craftman as appling to men=>We do not think of parenting, for instance, as a | |||
craft in the same sense that we think of plumbing or programming, | |||
The classical philosopher most sympathetic to the archaic ideal of | |||
Hephaestus was Plato, who also worried about its demise. Ποιείν.craftsmen are all poets . . . they are not called poets, they have other | |||
names.’ | |||
Plato worried that these different names and indeed different | |||
skills kept people in his day from understanding what they shared=>language limitation | |||
Linux. | |||
Craft and community | |||
The Linux system is a public craft.----- | |||
The underlying software kernel | |||
in Linux code is available to anyone, it can be employed and adapted by | |||
anyone; people donate time to improve it. | |||
free software ->cathedral and bazaar model | |||
LInux community->demioergoi . | |||
It is focused on achieving quality, It is focused on achieving quality tity | |||
on doing good work, which is the craftsman’s primordial mark of identity | |||
In the traditional world of the archaic potter or doctor, standards | |||
for good work were set by the community, as skills passed down from | |||
generation to generation | |||
WIkipedia, wrong entries, groups -communities | |||
these communities (linux, wikip) problem= | |||
how can quality of knowledge coexist with free and equal | |||
exchange in a community? | |||
Ancient pottery making, for instance, | |||
changed radically when the rotating stone disk holding a lump of clay | |||
came into use. | |||
In Linux the process of skill evolution is | |||
speeded up; change occurs daily | |||
debuging-code is constantly evolving | |||
There is in Linux a nearly instant relation | |||
between problem solving and problem finding | |||
the demioergoi were frequently addressed in | |||
public by the names of their profession. All craftsmanship, indeed, has | |||
something of this impersonal character | |||
Weakened Motivation | |||
Workers Demoralized by Command and by Competition | |||
The modern world has two recipes for arousing the desire to work | |||
hard and well. One is the "moral imperative to do work for the sake of | |||
the community. The other recipe invokes competition": it supposes that | |||
competing against others stimulates the desire to perform well, and in | |||
place of communal cohesion, it promises individual rewards | |||
moral imperative | |||
soviet-houses- poor craftmanship was a barometer of other forms of material | |||
indifference |
Latest revision as of 22:40, 9 April 2014
Prologue: Man as His Own Maker
Hannah Arendt The human condition=the engineer, or any maker of material things, is not master of his own house; politics, standing above the physical labor, has to provide the guidance, technology may be an unreliable ally in regaining control.∂
Pandora myth, culture founded on man-made things risks continual self-harm
material culture
craftsmanship, the skill of making things well
technique as a cultural issue
‘‘Craftsmanship’’ may suggest a way of life that waned with the advent of industrial society—but this is misleading. Craftsmanship names an enduring, basic human impulse, the desire to do a job well for its own sake
Craftsmanship cuts a far wider swath than skilled manual labor
the desire to do something well for its own sake can be impaired by competitive pressure, by frustration, or by obsession
skill, commitment, and judgment
hand and head
Material culture provides in sum a picture of what human beings are capable of making
CHAPTER ONE The Troubled Craftsman
The carpenter, lab technician, and conductor are all craftsmen, because they are dedicated to good work for its own sake
The craftsman represents the special human condition of being engaged
All craftsmanship is founded on skill developed to a high degree.
as skill progresses it becomes more problem attuned
as skill rises higher technique is not a mechanical activity
The emotional rewards craftsmanship holds out for attaining skill are twofold: people are anchored in tangible reality, and they can take pride in their work.
The Modern Hephaestus Ancient Weavers and Linux Programmers===
Homer, Hephaestus
civilisation and TOOls
Pandora
because craftwork ‘‘brought
people out of the isolation, personified by the cave-dwelling Cyclopes,
craft and community were, for the early Greeks, indissociable.
Hymn, craftsman is demioergos.
(public, productive)
demioergoi- manuel workers like potters but also doctors, professional singers and heralds etc
slaves, not recognised, hymn in this period
greeks and other traditional societies took it for granted that the skills would be transmitted from generation to generation=Social norms counted for more than individual endowments in the traditional ‘‘skills society.’’
To become skilled required, personally, that one be obedient.
artisan-age of Homer-public man-woman Classican years- the craftsman’s honor had dimmed ‘We consider that the architects in every profession are more estimable and know more and are wiser than the artisans, because they know the reasons of the things which are done. ‘We consider that the architects in every profession are more estimable and know more and are wiser than the artisans, because they know the reasons of the things which are done.
ambiguuous meaning for women workers
peplos
The development of classical science contributed to the gendering of skill that produced the word craftman as appling to men=>We do not think of parenting, for instance, as a craft in the same sense that we think of plumbing or programming,
The classical philosopher most sympathetic to the archaic ideal of Hephaestus was Plato, who also worried about its demise. Ποιείν.craftsmen are all poets . . . they are not called poets, they have other names.’ Plato worried that these different names and indeed different skills kept people in his day from understanding what they shared=>language limitation
Linux. Craft and community
The Linux system is a public craft.----- The underlying software kernel in Linux code is available to anyone, it can be employed and adapted by anyone; people donate time to improve it.
free software ->cathedral and bazaar model
LInux community->demioergoi .
It is focused on achieving quality, It is focused on achieving quality tity on doing good work, which is the craftsman’s primordial mark of identity
In the traditional world of the archaic potter or doctor, standards for good work were set by the community, as skills passed down from generation to generation
WIkipedia, wrong entries, groups -communities
these communities (linux, wikip) problem= how can quality of knowledge coexist with free and equal exchange in a community?
Ancient pottery making, for instance,
changed radically when the rotating stone disk holding a lump of clay
came into use.
In Linux the process of skill evolution is
speeded up; change occurs daily
debuging-code is constantly evolving
There is in Linux a nearly instant relation between problem solving and problem finding
the demioergoi were frequently addressed in public by the names of their profession. All craftsmanship, indeed, has something of this impersonal character
Weakened Motivation Workers Demoralized by Command and by Competition
The modern world has two recipes for arousing the desire to work hard and well. One is the "moral imperative to do work for the sake of the community. The other recipe invokes competition": it supposes that competing against others stimulates the desire to perform well, and in place of communal cohesion, it promises individual rewards
moral imperative
soviet-houses- poor craftmanship was a barometer of other forms of material indifference