Testing the documentation page: Difference between revisions
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Revision as of 02:38, 1 November 2013
lets get this started! http://hipstermerkel.tumblr.com/
Internet Archeology:http://www.internetarchaeology.org/index.htm
The Internet Archive Opens Its Historical Software Collection To All:http://paleofuture.gizmodo.com/the-internet-archive-opens-its-historical-software-coll-1453397423
Archiving The New.:http://gsaarchivesandcollections.wordpress.com/2013/06/11/artists-using-archives-bruce-mclean-is-not-an-archivist/
open call=>> In My Computer :http://www.linkartcenter.eu/archives/2604
The Artist as Archivist in the Internet Age:http://319scholes.org/exhibition/collect-the-wwworld-the-artist-as-archivist-in-the-internet-age/
The wayback machine:http://archive.org/web/web.php
Daniel Rourke. The Impulse of the Geocities Archive: One Terabyte Of Kilobyte Age :http://www.furtherfield.org/features/impulse-geocities-archive-one-terabyte-kilobyte-age
Allesandro Ludovico. Post-Digital Print: The Mutation of Publishing Since 1894 [chapter 5!] :http://monoskop.org/images/a/a6/Ludovico,_Alessandro_-_Post-Digital_Print._The_Mutation_of_Publishing_Since_1894.pdf
Boris Groys.Art Workers: Between Utopia and the Archive :http://www.e-flux.com/journal/art-workers-between-utopia-and-the-archive/
Aristidis Antonas. Archive functions:http://www.kaput.gr/en/04/archive-functions/
Aristidis Antonas. The interior of the archive :http://antonas.files.wordpress.com/2010/10/atopic-interiors.pdf
Series on Archives, Archivists and Society By Litwin Books: http://litwinbooks.com/series-archives.php
Pirate cinema: http://thepiratecinema.com/
The Amen Break: http://www.youtube.com/watch?v=5SaFTm2bcac
A short history of a single drum beat published in 1969, which was eventually appropriated through sampling, spread far and wide through music movements over the ensuing decades, and effectively entering the public domain by accident.
Good Copy Bad Copy
http://www.goodcopybadcopy.net/
A 2007 documentary on the state of copyright laws and how they affect remix culture, sample-based music, and so on. Includes interviews with artists like Girl Talk and Danger Mouse, as well as members of the MPAA, the Swedish Pirate Party, Lawrence Lessig, and Nigerian film makers.
