User:Petra Milicki/Graduation bio: Difference between revisions

Revision as of 16:58, 8 May 2013

BIO

Petra Milički (HR), is a media designer-artist currently based in Rotterdam. Her work and research topics range from the collaborative "hacking" of exhibition systems to the theoretical, political and social implications of the changing politics of memory and monumentalization. Her methods mainly revolve around the interpretation of collectivly produced found material (offline or online), and the facilitation of participatively made content.

ABSTRACT

A performance-lecture based in the specific context of the former Yugoslavia, and the phenomenon of the social behavior on YouTube, that developed to the point in which pop music videos serve as monuments, (triggering emotional reaction) (that span from nostalgia to fierce political divisions). The topic opens up to consider the more general theme of monumentality in the age of the post-brodcast media. The installation makes a monument to a past performance-lecture. (leftovers)

SPEC

a space within a gallery where audience can sit around the lecture and where the lecture material can stay exhibited
an overhead projector (or 2)
microphone
speakers
2 sets of earphones
table & chair
power source

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-ABSTRACT
+==BIO==
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-BIO
+Petra Milički (HR), is a media designer-artist currently based in Rotterdam. Her work and research topics range from the collaborative "hacking" of exhibition systems to the theoretical, political and social implications of the changing politics of memory and monumentalization. Her methods mainly revolve around the interpretation of collectivly produced found material (offline or online), and the facilitation of participatively made content.
-Petra Milički (1985), gained her BA and MA diploma in visual communication in Zagreb, Croatia. Since enrolling into Media Design and Communication program her research topics span from collaborative and participatory "hacking" of the exhibition systems to the theoretical, political and social implications of the developments in culture of monuments and politics of memory. Her methods mainly revolve around shaping the collectively produced (offline or online) content, weather through participation or found material.
-TECHNICAL SPECIFICATIONS
+==ABSTRACT==
-- a bigger space with a wall to project on for the lecture, where audience can sit around and where the lecture material can stay exhibited
-- an overhead projector (or 2)
+A performance-lecture based in the specific context of the former Yugoslavia, and the phenomenon of the social behavior on YouTube, that developed to the point in which pop music videos serve as monuments, (triggering emotional reaction) (that span from nostalgia to fierce political divisions). The topic opens up to consider the more general theme of monumentality in the age of the post-brodcast media. The installation makes a monument to a past performance-lecture.  (leftovers)
-- 1 microphone
-- speakers
+==SPEC==
-- 2 sets of earphones
-- 1 table & 1 chair
+* a space within a gallery where audience can sit around the lecture and where the lecture material can stay exhibited
-- power source
+* an overhead projector (or 2)
+* microphone
+* speakers
+* 2 sets of earphones
+* table & chair
+* power source