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| | [[User:Lassebosch/reading_writing_methodologies/1 Trimester| 1 Trimester]] |
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| font-family:times;
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| letter-spacing:0.5px;
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| width:400px">
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| | [[User:Lassebosch/reading_writing_methodologies/2 Trimester| 2 Trimester]] |
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| | | [[User:Lassebosch/reading_writing_methodologies/3 Trimester| 3 Trimester]] |
| '''Description 01
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| '''Stock Footage Designer - WEB'''
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| <br>'''
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| The Stock Footage Designer (SFD) is a web-based presentation-tool.
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| First-time-visitors are met by a guided instruction and a tour-video, providing an example of how the tool works.
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| SFD functions in a browser-window, which, split into pieces, consists of a large black background acting as a 'canvas' for the eventual presentation, and a smaller white box providing two search-fields; one for a sound-feed, the other for a video-feed.
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| While the sound-feed streams audio from Youtube, the video-feed streams video-clips from the online stock-image/footage giant; Shutterstock.com.
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| Once a desired audio-track has been found, for instance a piece of music or an annual product speech, the user can start adding appropriate video-clips found trough the video search-field. This is done by searching one or several 'tags' such as; 'happy' 'dancer' 'jumping'. It is possible to add multiple videos.
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| If available the searched video-clip appear below the white search-box, in a small window which, across the canvas, is 'moveable' while also being 'rescale-able' and 'close-able'.
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| Collected these options allows the user to compose/design a fluid, interchanging presentation responding to the audio.
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| '''Description 02'''
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| <br'''>
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| '''Elementary - Font design'''
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| This typographic project was conducted during a 3-week-workshop. The result was font based on two kinds of geometry: the circle and the line and various degrees in-between: quarter circle, half circle, three quarter circle, a dot, a short line, a long line etc.
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| These very basic parts shapes a modular system that configure in a fixed frame, constituting a so called mono-spaced font; a font in which each letter has a fixed-width.
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| All geometric shapes was cut into stencil-forms, and by painting trough the stencils a physical construction and continuous, tangible experimentation of the font emerged.
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