Javier Lloret - Thesis outline: Difference between revisions
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== Bibliography == | == Bibliography == | ||
*Just, | *Tarkovsky, A. (1987) Sculpting in Time (University of Texas Press) | ||
*Larsson, A. , Solomon-Godeau A. & Kaiser P. (2003) Annika Larsson. Christoph Merian Verlag | *Schrader, P. (1972) Transcendental Style in Film: Ozu, Bresson, Dreyer. | ||
*Daniel, | *Bresson, R. (1975) Notes sur le cinématographe. Gallimard. | ||
*Just, J. (2007) Jesper Just: Film Works 2001-2007 (Witte De With/Whitney Museum O). | |||
*Guidemond, J & Bloemheuvel, M (1999) Cinema Cinema: Contemporary Art and the Cinematic Experience. Art Data | *Larsson, A. , Solomon-Godeau A. & Kaiser P. (2003) Annika Larsson. Christoph Merian Verlag. | ||
*Douglas, S. & Eamon, C. (2009) Art of Projection. Hatje Cantz Verlag | *Daniel, N. (2006) Broken Screen: Expanding the Image Breaking the Narrative 26 Conversations with Doug Aitken. Distributed Art Pub. | ||
*Shaw, J. , Weibel, P (2003) Future Cinema: The Cinematic Imaginary After Film. Mit Press | *Guidemond, J & Bloemheuvel, M. (1999) Cinema Cinema: Contemporary Art and the Cinematic Experience. Art Data. | ||
*Basilico, S. (2004)Cut - Film as found object in contemporary video. Milwaukee Art museum. | |||
*Debackere, B. & Altena, A. (2008) The Cinematic Experience. Sonic Acts Press. | |||
*Douglas, S. & Eamon, C. (2009) Art of Projection. Hatje Cantz Verlag. | |||
*Shaw, J. , Weibel, P. (2003) Future Cinema: The Cinematic Imaginary After Film. Mit Press | |||
*Leighton, T & Büchler, (2003) P. Saving the image. Art after film. Glasgow, Centre for Contemporary Arts : Manchester Metropolitan University. | |||
*Bálint Kovács, A. (2007) Screening modernism. European Art Cinema, 1950-1980. The University of Chicago Press. | |||
*Orr, J. & Taxidou, O. (2000) Post-war Cinema and Modernity. Edinburgh University Press. | |||
*Brouguer, K. (1996) Art and Film Since 1945 Hall of Mirrors. Museum of Contemporary Art Los Angeles. | |||
*Feltham, O. (2008) A theater without theater. MACBA. |
Latest revision as of 09:06, 23 January 2013
Summary
During the process of my thesis I am going to research and write about certain topics that are related with my graduation project: Art films, loose narratives, stillness and slow tempo. About the thesis format, I don't discard to combine the formats 1 and 2, but I would say it is more likely that I end up choosing format 2 and write a series of essays.
Content
Here a list of titles of the potential essays that would constitute my thesis:
- The mise-en-scene over the argument in author cinema
- Cinema in the art gallery: from found footage to cinematic video art
- Art cinema and the search of time
- Deconstructing narratives through space in multi-channel artistic video
Bibliography
- Tarkovsky, A. (1987) Sculpting in Time (University of Texas Press)
- Schrader, P. (1972) Transcendental Style in Film: Ozu, Bresson, Dreyer.
- Bresson, R. (1975) Notes sur le cinématographe. Gallimard.
- Just, J. (2007) Jesper Just: Film Works 2001-2007 (Witte De With/Whitney Museum O).
- Larsson, A. , Solomon-Godeau A. & Kaiser P. (2003) Annika Larsson. Christoph Merian Verlag.
- Daniel, N. (2006) Broken Screen: Expanding the Image Breaking the Narrative 26 Conversations with Doug Aitken. Distributed Art Pub.
- Guidemond, J & Bloemheuvel, M. (1999) Cinema Cinema: Contemporary Art and the Cinematic Experience. Art Data.
- Basilico, S. (2004)Cut - Film as found object in contemporary video. Milwaukee Art museum.
- Debackere, B. & Altena, A. (2008) The Cinematic Experience. Sonic Acts Press.
- Douglas, S. & Eamon, C. (2009) Art of Projection. Hatje Cantz Verlag.
- Shaw, J. , Weibel, P. (2003) Future Cinema: The Cinematic Imaginary After Film. Mit Press
- Leighton, T & Büchler, (2003) P. Saving the image. Art after film. Glasgow, Centre for Contemporary Arts : Manchester Metropolitan University.
- Bálint Kovács, A. (2007) Screening modernism. European Art Cinema, 1950-1980. The University of Chicago Press.
- Orr, J. & Taxidou, O. (2000) Post-war Cinema and Modernity. Edinburgh University Press.
- Brouguer, K. (1996) Art and Film Since 1945 Hall of Mirrors. Museum of Contemporary Art Los Angeles.
- Feltham, O. (2008) A theater without theater. MACBA.