Calendars:XPUB/XPUB Calendar/03-11-2025 -Event 1: Difference between revisions

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====Roles====
====Roles====
*Producer(s)
*Producer: Robin
*Host
*Hosts: Daan,Tommi, Luca, Lea, Ema
*Host
*Host


====Monday 3 November====
====Monday 3 November====
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*11:15 - 13:00: Broadcast debrief / discussion
*11:15 - 13:00: Broadcast debrief / discussion
*13:00 - 14:00: Lunch break
*13:00 - 14:00: Lunch break
*14:00 - 17:00: Afternoon session: in which cut-up translates to computer software<br>
*14:00 - 15:00: This afternoon we will look at some “open ended media systems” from the 1960s and early 1970s, including House of Dust; Ant Farm and Radical Software <br><br>
We will be looking at:<br>
Alison Knowles – House of Dust (1967) – on line version– https://nickm.com/memslam/the_house_of_dust.html<br>
Alison Knowles – House of Dust (1967) – on line version– https://nickm.com/memslam/the_house_of_dust.html<br>
Intro to Alison Knowles' House of Dust (for context): https://fonderiedarling.org/depliant%20house%20of%20dust%20complet%20EN.pdf
Intro to Alison Knowles' House of Dust (for context): https://fonderiedarling.org/depliant%20house%20of%20dust%20complet%20EN.pdf
Maud Jacquin and Sébastien Pluot – House of Dust Journal (2016)<br> https://monoskop.org/images/1/15/Knowles_Alison_The_House_of_Dust_Research_Journal_2016.pdf<br>
Maud Jacquin and Sébastien Pluot – House of Dust Journal (2016)<br> https://monoskop.org/images/1/15/Knowles_Alison_The_House_of_Dust_Research_Journal_2016.pdf<br>
Here is an example of output generated by Alison Knowles’ House of Dust (1967)<br>
Here is an example of output generated by Alison Knowles’ House of Dust (1967)<br>
"A HOUSE OF WOOD<br>
"A HOUSE OF WOOD<br>
UNDER WATER <br>
UNDER WATER <br>
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USING ELECTRICITY <br>
USING ELECTRICITY <br>
INHABITED BY FRIENDS AND ENEMIES"<br><br>
INHABITED BY FRIENDS AND ENEMIES"<br><br>
Joseph Weizenbaum – Eliza (1966)<br>
 
Will Crowther and Don Woods – Adventure (1977) in:<br>
[[image:Lejaren-Hiller-0000803-e1544717057220-300x300.jpg|thumb|left|Lejaren Hiller (pictured) and John Cage wrote their harpsichord, tape and computer work HPSCHD in 1967-69]]<br>
Lillian-Yvonne Bertram and Nick Montford – Output – an anthology of computer generated Text 1953-2023<br>
 
Steve will talk briefly about the links between cybernetics, the Fluxus art movement and (media) ecology pioneers Ant Farm and Radical Software.<br><br>'''Steve's Notes on those issues here''': [[Steve's Notes 3-11-25]]<br>
*15:15-17:00 work on writing machines and/or annotations; preparation for the Worm event, A Mazing Machines.
 
[[image:MediaVan.jpg|thumb|left| Ant Farm's Media Van (c1971)]]

Latest revision as of 13:58, 8 December 2025

XPUB1: SI #28 – week 6 in the Aquarium WH.4.115✅

Roles

  • Producer: Robin
  • Hosts: Daan,Tommi, Luca, Lea, Ema

Monday 3 November

  • 10:00 - 11:00: Radio Broadcast Those with assigned roles at Radio WORM Studio, the others at school (aquarium) to listen
  • 11:15 - 13:00: Broadcast debrief / discussion
  • 13:00 - 14:00: Lunch break
  • 14:00 - 15:00: This afternoon we will look at some “open ended media systems” from the 1960s and early 1970s, including House of Dust; Ant Farm and Radical Software

We will be looking at:
Alison Knowles – House of Dust (1967) – on line version– https://nickm.com/memslam/the_house_of_dust.html
Intro to Alison Knowles' House of Dust (for context): https://fonderiedarling.org/depliant%20house%20of%20dust%20complet%20EN.pdf Maud Jacquin and Sébastien Pluot – House of Dust Journal (2016)
https://monoskop.org/images/1/15/Knowles_Alison_The_House_of_Dust_Research_Journal_2016.pdf
Here is an example of output generated by Alison Knowles’ House of Dust (1967)

"A HOUSE OF WOOD
UNDER WATER
USING NATURAL LIGHT
INHABITED BY FRIENDS


A HOUSE OF LEAVES
IN A METROPOLIS
USING ALL AVAILABLE LIGHTING
INHABITED BY ALL RACES OF MAN REPRESENTED WEARING PREDOMINANTLY RED CLOTHING


A HOUSE OF ROOTS
IN AN OVERPOPULATED AREA
USING ELECTRICITY
INHABITED BY HORSES AND BIRDS…


A HOUSE OF WOOD
IN A METROPOLIS
USING ELECTRICITY
INHABITED BY FRIENDS AND ENEMIES"

Lejaren Hiller (pictured) and John Cage wrote their harpsichord, tape and computer work HPSCHD in 1967-69


Steve will talk briefly about the links between cybernetics, the Fluxus art movement and (media) ecology pioneers Ant Farm and Radical Software.

Steve's Notes on those issues here: Steve's Notes 3-11-25

  • 15:15-17:00 work on writing machines and/or annotations; preparation for the Worm event, A Mazing Machines.
Ant Farm's Media Van (c1971)