Projects SI 28: Difference between revisions

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== Writing Machine Ensemble ==
<noinclude>
''Participants'': [[User:SHRED|Ema]], [[User:Daanprincen|Daan]], [[User:Robin|Robin]], ([[User:Thijshijsijsjss|Thijs]]?)
[[Category: SI28]]
</noinclude>


==== Currently working on: ====
The following is a collection of the projects conceived for the main event of [[SI28|Special Issue 28]], that took place at Ubik, Rotterdam on 19<sup>th</sup> November 2025.


==== Description ====
== [[Projects SI 28/Writing Machine Ensemble|Writing Machine Ensemble]] ==
'''<big>Writing Machine Ensemble</big>'''
''Participants: [[User:Robin|Robin]], [[User:SHRED|Ema]], [[User:Daanprincen|Daan]]''


'''Explorations in Potential Musicality'''
=== Description ===
With the Writing Machine Ensemble, rhythm and repetition will be experienced in a radically new form. Explorations in Potential Musicality is a musical journey through the sonic qualities of printers—with a strong emphasis on improvisation, yet promising dramatic intensity.


With the Writing Machine Ensemble, rythm and repetition will be experienced in a radically new form. ''Explorations in Potential Musicality'' is a musical journey through the sonic qualities of printers—with a strong emphasis on improvisation, yet promising dramatic intensity.
Co-founded by its current members, is an international group of experimental musicians from around the XPUB Studio. Independent and idealistic, they focus on blending the role of 'instrument' and 'musician' in an assemblage of artistic creation, striving to find the essential musical quality in tools of writing.


'''Writing Machine Ensemble'''
=== Media ===
 
Performance with dot matrix printer, pen plotter, typewriters.
The Writing Machine Ensemble, co-founded by it's current members, is an international group of experimental musicians from around the XPUB Studio. Independent and idealistic, they focus on blending the role of 'instrument' and 'musician' in an assemblage of artistic creation, striving to find the essential musical quality in tools of writing. Since its debut in September 2025, the ensemble has performed once on WORM Radio, for the 5th edition of XPUB's Special Issue Radio show, where the group's unique live scoring method was born.
 
'''Members'''
 
Emanuele Arrigoni, Daan Princen, Robin de Haan,Thijs van Loenhout, Monica Olympia, Erika Model, N.E.C. (Dottie) Parson, Taxan X.Y. Plotter
 
==== Medium/Media ====
Performance (not naming the printers as medium is part of the concept)
 
(or, if possible, change formatting to that of a concert announcement, so no mention of medium)
 
[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Typewriter_Orchestra_(Robin,_Daan,_Ema)| Conversations with the curators]
 
''Keywords: Technical Assemblage, Live Scoring, Scores, Notation, Sound, Performance, Writing Machines, tools shape practice practice shape tool''
 
=== -> Input -> Output -> ===
INPUT: Finger movements that originate symbols and letters onto electronic devices.
 
OUTPUT[S]: the same input text BUT on long continuous sheets of paper, thanks to the use of ink that is both being sprayed onto the paper thanks to the marvellous technical engineering of a head that moves horizontally, and imprinted, thanks to the mechanical movements of engraved metal rods hitting the paper. --> This sums up into Printing, and those types of printing techniques produces noises. --> Together, noises and symbols on paper, leads people to wander into stuff called semiotics, thoughts and imagination through the use of interpretation.


== Gesture Machine ==
== Gesture Machine ==
Line 37: Line 20:
''Participants:'' [https://pzwiki.wdka.nl/mediadesign/User:Valentin97| Valentin]
''Participants:'' [https://pzwiki.wdka.nl/mediadesign/User:Valentin97| Valentin]


==== Currently working on: ====
=== Currently working on: ===
Experimentin with opensource motion capture datasets. Full body and hand gesture animation in blender as point clouds.
Experimenting with open source motion capture datasets in touchdesigner.
 
=== Description ===
N. Katherine Hayles’ Cognitive Assemblages: People and technology made by people performing cognitive functions together. Only certain technologies considered as cognitive machines: The ones are capable of interpreting information of its own environment and act on the changes of the environment therefore changing its own context which creates meaning.


==== Description ====
Volumetric Regimes are the industries that keep the technology 3D representation in a close circulation, iterating the same technology over and over again.
Volumetric Regimes are the industries that keep the technology 3D representation in a close circulation, iterating the same technology over and over again,  keeping the illusion of endless possible usage and slowly sedimenting itno many fields of application.
As a designer and amature animator I take the position to explore the above mentioned industry provided softwares
attempting to make stop-motion animation processes a more intuitive and less time consuming method. The project has different aspects that touches upon motion capture (mocap), augmented reality, and inverse kinematics in a form of an animation table.


[https://pzwiki.wdka.nl/mediadesign/GestureMachineProject_ARA| more info]
As a designer and amateur animator I take the position to make a cognitive animation table and attempting to explore free software provided by the above-mentioned industry through the lenses of Hayles’ Cognitive Assemblages.


==== Medium/Media ====
[https://pzwiki.wdka.nl/mediadesign/GestureMachineProject_ARA more info]
hologram, stop-motion armature, human body


[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Gesture_Machine_(Valentin)| Conversations with the curators]
=== Media ===
Hologram, stop-motion armature, human body


''Keywords:''
''Keywords:''
Line 56: Line 39:


=== -> Input -> Output -> ===
=== -> Input -> Output -> ===
Input: keywords or trigger words to trigger point cloud animation (gestures)
Input: hand gestures
<br>
<br>
Output: a holographic visual of these animated gestues (in a point cloud form)
Output: stop-motion animation


== A story in a story in a story ==
== [[Projects SI 28/A story in a story in a story|A story in a story in a story]] ==


''Participants: [[User:Youjung|Youjung]] [[User:Barbs|Barbs]] [[User:Kiki|Kiki]]''
''Participants: [[User:Youjung|Youjung]] [[User:Barbs|Barbs]] [[User:Kiki|Kiki]]''


==== Currently working on: ====
=== Description ===
aaaaaaaaaaaaaaa
 
==== Description ====
"A story in a story in a story" invites you into an interactive narrative that lets you explore, gather and plot. Wander around in the virtual environment, pick up what you resonate with and that is what you take with you at the end of the day and becomes a tiny part of you.
"A story in a story in a story" invites you into an interactive narrative that lets you explore, gather and plot. Wander around in the virtual environment, pick up what you resonate with and that is what you take with you at the end of the day and becomes a tiny part of you.


==== Medium/Media ====
=== Medium/Media ===
terminal, python, pen plotter, text adventure, fiction, paper & ink
terminal, python, pen plotter, text adventure, fiction, paper & ink


[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Youjung | Conversations with the curators]
== [[Projects_SI_28/The-Calm-Machine|The Calm Machine]] ==


''Keywords:''
''Participants: Lea & Sibyl''


=== -> Input -> Output -> ===
=== Description ===
 
The Calm Machine is a quiet and cozy island in the buzzing and bustling of this event. Hidden away from the other stations, it provides privacy and a moment of peace. Come in, sit down, touch, listen and observe. We then invite you to go for a psychogeographic walk. Walking is a form of reading. Through the act of walking, you interpret and rewrite the city. You are a gear in the mechanics of the Calm Machine—by interacting, you make it come to life! Connect with your senses and surroundings, and perhaps generate a new sensation.
== The Calm Machine ==
 
==== Participants: ====
 
Sibyl Zheng & Lea Binsfeld
 
==== Currently working on: ====
 
We want to make a cozy corner in the space of UBIK to rest and relax. It includes an interactive light and sound installation, that invites the audience to be more aware of their senses and surroundings. A "walking algorithm" printed on postcards then takes the visitors on a walk, to further connect with the immediate space around them. A narrative text guides them through the whole machine, trying to invoke a feeling of calmness and belonging as well as reflective thoughts on the experience of the whole event.
 
[https://etherpad.wikimedia.org/p/Event_in_November Etherpad]
 
[https://miro.com/app/board/uXjVJyq0W9g=/ Miro board]
 
==== Description ====
 
The Calm Machine is a quiet and cozy island in the buzzing and bustling of this event. Hidden away from the other stations, it provides privacy and a moment of peace. Come in, sit down, touch, listen and observe. We then invite you to go for a psychogeographic walk. Walking is a form of reading. Through the act of walking, you interpret and rewrite the city.


You are a gear in the mechanics of the Calm Machine—by interacting, you make it come to life. Connect with your senses and surroundings, and perhaps generate a new sensation.
=== Medium/Media ===
touchdesigner, touchboard, sound, desk lamp


==== Medium/Media ====
== [[User:Lucatorsera/Marginalia|Marginalia]] ==
 
* installation (light & sound)
* walking instructions printed on postcards
 
[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Lea Conversations with the curators]
 
[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Sibyl Conversations with the curators]
 
''Keywords:''
 
=== -> Input -> Output -> ===
 
== Marginalia | Textual Cartography ==


''Participants: [[User:Lucatorsera|Luca]]''
''Participants: [[User:Lucatorsera|Luca]]''


==== Currently working on: ====
=== Currently working on: ===
Scripting pipeline to convert texts to graphs; Editorial research on specific textual archives
Scripting pipeline to convert texts to graphs; Editorial research on specific textual archives


==== Description ====
=== Description ===
Writting does something when published. Writting worlds the world’s words, since the invention of letters as a memory machine. We tend to see writting as an universal evolution, as an idea of progress, as a necessary step in human kind, while forgetting that certain groups of people did not need writting, and came up with their own technological advancements to build civilization. For instance, memory flows through chants, bodies, adinkras. Text has therefore functioned throughout times to flatten out a plurality of worlds from history, performing domination, differentiation and justifying violence.
Writing does something when published. Since the invention of text, it has functioned to flatten out a plurality of worlds from history, performing domination, differentiation and justifying violence. Marginalia takes selected texts in different historical contexts, and transforms them in experimental annotations engraved in canonical books. The resulting visual language communicates semiotics of displacement and a cartography manufactured by hegemonic world views. As a performance, layers of text, speech, and distortion present a writing machine as sonic warfare.
 
Marginalia takes selected texts that defined hegemony in different historical contexts, and transforms them in graphs. The resulting visual language communicates semiotics of displacement and a cartography manufactured by hegemonic world views.
 
A top-down laser projection traces these graphs, in allusion to advanced aerial remote sensing practices. A series of books portray the violent process of writting history, reclaimed by the act of laser-engraving the graphs on them. The act brings out the violence in texts, counter-acted with acts of vandalism. The experimental annotation method centers the violence in them from a marginal perspective. In its performance version, ancient and current texts are layered with sound distortion. A writting machine becomes sonic warfare.
 
==== Medium/Media: ====
Printed Media & Laser Projection
 
[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Luca | Conversations with the curators]


''Keywords: Territory, Cartography, Text, Colonialism''
=== Media ===
 
Laser engraving on books, laser projection, live sound
=== -> Input -> Output -> ===


== Water Vessel: Dwelling in Temporality ==
== [[Projects SI 28/Water Vessel Dwelling in Temporality|Water Vessel: Dwelling in Temporality]] ==
[[File:DSC02976.jpg|thumb|312x312px]]
''Participants: Soda''
''Participants: Soda''


==== Currently working on: ====
=== Currently working on: ===
 
Exploring about this city and all the Europe
==== Description ====
This work begins with my personal experience of living in Rotterdam — a city that is structured and rhythmically defined by water. Surrounded by ponds, canals, and rainwater systems, I constantly sense a condition of ''floating dwelling'': a way of living that feels both anchored and adrift, stable yet impermanent.


In response to this environment, I started collecting abandoned wooden materials around the city. These wooden materials came from the furniture and wooden waste thrown out by the people living here, construction sites, and branches sawn off by gardeners. This act of gathering is not only a process of reclaiming the city’s discarded fragments, but also a gesture of ''re-dwelling'' — an attempt to reconnect with the material traces of the place. Each piece of wood, marked by time, humidity, and human touch, carries the city’s sedimented memory. Its textures and scars speak of erosion, adaptation, and survival — revealing what I call the ''temporality of dwelling'': the sense of being-in-time within unstable conditions.
=== Description ===
<big>''Rotterdam feels to me like a vast writing machine''</big>


Through joining, sanding, and bending these fragments, I assembled them into the form of a '''water vessel''' — a wooden pool suspended in mid-air. The vessel, as an object, embodies both containment and permeability. Water gives the vessel its meaning, yet constantly transforms its surface and temperature. Their coexistence suggests a reciprocal relationship between ''dwelling and being dwelled'': to inhabit and to be shaped by what we inhabit.
-its stories continuously inscribed by the people who live here.


For me, this vessel reflects the experience of living as an immigrant — of existing between lands, languages, and temporalities. In Rotterdam, a city of water and migration, this wooden container becomes a metaphor for ''temporary belonging'', for the fragile balance between stability and drift. It is a space where time gathers, where the act of dwelling is never complete but always in the process of becoming.
I collected discarded wood from streets and construction sites and reassembled it into a suspended wooden form. The varied origins and textures of these materials echo people from different backgrounds coming together to form a temporary place of dwelling.


==== Medium/Media ====
Water gives the form shape while constantly altering it, just as residents and the city mutually reshape one another.
Sculpture / Installation


[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Soda | Conversations with the curators]
This wooden structure becomes a metaphor for provisional belonging, capturing the fragile balance between drift and stability.


''Keywords: Fluidity, Temporality of Dwelling, Nonlinear Memory, Liminality, Fragmentation''
=== Medium/Media ===
Wood Sculpture / Installation
''Keywords:'' Fluidity, Temporality of Dwelling, Nonlinear Memory, Liminality, Fragmentation


== Love Machine ==
== [[Projects SI 28/Love Machine|Love Machine]] ==


''Participants: Phillip''
''Participants: [[User:Phillip_Kesumo|Phillip]]''


==== Currently working on: ====
=== Currently working on: ===
Picture storybook , comes with slides different images using AI and using my own word to tell the story of  my characters such as Clara.  
Picture storybook, comes with slides different images using AI and using my own word to tell the story of  my characters such as Clara.  


==== Description ====
=== Description ===
I use AI to write my novel, and then I use AI again to create images for a picture storybook. The prompts are heavily supervised by me, so it is based on my own plot, story, and characters. It includes original storyline as well, and some scenes in the picture storybook are not in my original novel.
I use AI to write my novel, and then I use AI again to create images for a picture storybook. The prompts are heavily supervised by me, so it is based on my own plot, story, and characters. It includes original storyline as well, and some scenes in the picture storybook are not in my original novel.


==== Medium/Media ====
== [[Projects SI 28/The Metathinking Metamachine|The Metathinking Metamachine]] ==
 
[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Phillip | Conversations with the curators]
 
''Keywords:''
 
=== -> Input -> Output -> ===
 
== The Metathinking Metamachine ==
 
''Participants:'' [[User:Tommi|Tommi]]
 
==== Currently working on: ====
 
* From [https://en.wikipedia.org/wiki/Zettelkasten Zettelkasten] to obsessing over personal knowledge management
* Software escatology


==== Description ====
[[File:Tommi’s Metathinking Metamachine.jpg|thumb|right|alt=Photo of Tommi next to the pen plotter, performing The Metathinking Metamachine]]


{{:Projects SI 28/The Metathinking Metamachine}}
''Participants: [[User:Tommi|Tommi]]''


==== Medium/Media ====
=== Description ===


''Installation'' made by a series of drawers for archives + ''monologue'' on tools hyperfocus.
A fictional seance with the <q>Gods of Tools</q>, using <q>The Ultimate Tool</q> to finally solve all Tommi’s software quests, utopian dreams, and issues.  


[https://pzwiki.wdka.nl/mediadesign/Curator_Conversations#Tommi | Conversations with the curators]
=== Media ===


''Keywords:'' [[Metathinking]], Knowledge management, tools shape practices shape tools…
Performance with pen plotter.
 
=== -> Input -> Output -> ===

Latest revision as of 00:45, 5 December 2025


The following is a collection of the projects conceived for the main event of Special Issue 28, that took place at Ubik, Rotterdam on 19th November 2025.

Writing Machine Ensemble

Participants: Robin, Ema, Daan

Description

With the Writing Machine Ensemble, rhythm and repetition will be experienced in a radically new form. Explorations in Potential Musicality is a musical journey through the sonic qualities of printers—with a strong emphasis on improvisation, yet promising dramatic intensity.

Co-founded by its current members, is an international group of experimental musicians from around the XPUB Studio. Independent and idealistic, they focus on blending the role of 'instrument' and 'musician' in an assemblage of artistic creation, striving to find the essential musical quality in tools of writing.

Media

Performance with dot matrix printer, pen plotter, typewriters.

Gesture Machine

Participants: Valentin

Currently working on:

Experimenting with open source motion capture datasets in touchdesigner.

Description

N. Katherine Hayles’ Cognitive Assemblages: People and technology made by people performing cognitive functions together. Only certain technologies considered as cognitive machines: The ones are capable of interpreting information of its own environment and act on the changes of the environment therefore changing its own context which creates meaning.

Volumetric Regimes are the industries that keep the technology 3D representation in a close circulation, iterating the same technology over and over again.

As a designer and amateur animator I take the position to make a cognitive animation table and attempting to explore free software provided by the above-mentioned industry through the lenses of Hayles’ Cognitive Assemblages.

more info

Media

Hologram, stop-motion armature, human body

Keywords: gesture, non-verbal communication, body language, animation, stop-motion

-> Input -> Output ->

Input: hand gestures
Output: stop-motion animation

A story in a story in a story

Participants: Youjung Barbs Kiki

Description

"A story in a story in a story" invites you into an interactive narrative that lets you explore, gather and plot. Wander around in the virtual environment, pick up what you resonate with and that is what you take with you at the end of the day and becomes a tiny part of you.

Medium/Media

terminal, python, pen plotter, text adventure, fiction, paper & ink

The Calm Machine

Participants: Lea & Sibyl

Description

The Calm Machine is a quiet and cozy island in the buzzing and bustling of this event. Hidden away from the other stations, it provides privacy and a moment of peace. Come in, sit down, touch, listen and observe. We then invite you to go for a psychogeographic walk. Walking is a form of reading. Through the act of walking, you interpret and rewrite the city. You are a gear in the mechanics of the Calm Machine—by interacting, you make it come to life! Connect with your senses and surroundings, and perhaps generate a new sensation.

Medium/Media

touchdesigner, touchboard, sound, desk lamp

Marginalia

Participants: Luca

Currently working on:

Scripting pipeline to convert texts to graphs; Editorial research on specific textual archives

Description

Writing does something when published. Since the invention of text, it has functioned to flatten out a plurality of worlds from history, performing domination, differentiation and justifying violence. Marginalia takes selected texts in different historical contexts, and transforms them in experimental annotations engraved in canonical books. The resulting visual language communicates semiotics of displacement and a cartography manufactured by hegemonic world views. As a performance, layers of text, speech, and distortion present a writing machine as sonic warfare.

Media

Laser engraving on books, laser projection, live sound

Water Vessel: Dwelling in Temporality

DSC02976.jpg

Participants: Soda

Currently working on:

Exploring about this city and all the Europe

Description

Rotterdam feels to me like a vast writing machine

-its stories continuously inscribed by the people who live here.

I collected discarded wood from streets and construction sites and reassembled it into a suspended wooden form. The varied origins and textures of these materials echo people from different backgrounds coming together to form a temporary place of dwelling.

Water gives the form shape while constantly altering it, just as residents and the city mutually reshape one another.

This wooden structure becomes a metaphor for provisional belonging, capturing the fragile balance between drift and stability.

Medium/Media

Wood Sculpture / Installation Keywords: Fluidity, Temporality of Dwelling, Nonlinear Memory, Liminality, Fragmentation

Love Machine

Participants: Phillip

Currently working on:

Picture storybook, comes with slides different images using AI and using my own word to tell the story of my characters such as Clara.

Description

I use AI to write my novel, and then I use AI again to create images for a picture storybook. The prompts are heavily supervised by me, so it is based on my own plot, story, and characters. It includes original storyline as well, and some scenes in the picture storybook are not in my original novel.

The Metathinking Metamachine

Photo of Tommi next to the pen plotter, performing The Metathinking Metamachine

Participants: Tommi

Description

A fictional seance with the Gods of Tools, using The Ultimate Tool to finally solve all Tommi’s software quests, utopian dreams, and issues.

Media

Performance with pen plotter.

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