|
|
| (177 intermediate revisions by 14 users not shown) |
| Line 1: |
Line 1: |
| This page is part of the Special Issue # 28 [[Writing Machines–Protocols–Feedback]]. It is provides a record of the various writing machines proposed or made during the production of that Special Issue.<br>
| | #REDIRECT [[Category: Writing Machines]] |
| [[Image:ExquisiteCorpseMachineOverview.jpg|thumb|Analog Exquisite Corpse Machine]]<br>
| |
| '''Writing Machine # 1'''<br>
| |
| Title: Analog Exquisite Corpse Machine (2025) by Steve Rushton<br>
| |
| Machine overview:<br>
| |
| Five columns of words which can slide up and down to form new sentences. A loose interpretation of the Surrealist Exquisite Corpse.<br>
| |
| Media: Paper; Libre Office; glue; alphabet (English)<br>
| |
| | |
| | |
| | |
| [[Image:ExquisiteCorpseMachine2.jpg]]<br>
| |
| [[Image:ExquisiteCorpseMachine3.jpg]]<br>
| |
| [[Image:ExquisiteCorpseMachine5.jpg]]<br>
| |
| [[Image:ExquisiteCorpseMachine4.jpg]]<br>
| |
| Machine output (example)<br>
| |
| <br>
| |
| Earlier output (1925-26). The first recorded stanza using this form (by André Breton and his Surrealist friends) is recorded as: “The-exquisite-corpse-will-drink-new-wine.”
| |
| <br>
| |
| <br>
| |
| '''Writing Machine # 2'''<br>
| |
| | |
| | |
| Title: The Writing Machine of...(2025) by Steve Rushton.<br>
| |
| Machine overview: A reworking of The House of Dust Redux by Nick Montfort<br>
| |
| Link:https://nickm.com/memslam/<br>
| |
| based on a 1967 work by Alison Knowles & James Tenney<br>
| |
| in Python 2/3<br>
| |
| | |
| Here is an example of output generated by Alison Knowles’ House of Dust (1967)
| |
| | |
| "A HOUSE OF WOOD<br>
| |
| UNDER WATER <br>
| |
| USING NATURAL LIGHT <br>
| |
| INHABITED BY FRIENDS <br><br><br>
| |
| | |
| A HOUSE OF LEAVES<br>
| |
| IN A METROPOLIS <br>
| |
| USING ALL AVAILABLE LIGHTING <br>
| |
| INHABITED BY ALL RACES OF MAN REPRESENTED WEARING PREDOMINANTLY RED CLOTHING <br><br><br>
| |
| | |
| A HOUSE OF ROOTS <br>
| |
| IN AN OVERPOPULATED AREA <br>
| |
| USING ELECTRICITY <br>
| |
| INHABITED BY HORSES AND BIRDS… <br><br><br>
| |
| | |
| A HOUSE OF WOOD <br>
| |
| IN A METROPOLIS <br>
| |
| USING ELECTRICITY <br>
| |
| INHABITED BY FRIENDS AND ENEMIES"<br><br>
| |
| | |
| ...and this is an example of the output from The Writing Machine of (2025)...
| |
| | |
| [[Image:WritingMachinePoem1.jpeg|Output: HTML page]]<br>
| |
| Output: HTML page of "self-generating poem"<br>
| |
| | |
| [[Image:DustCodeFragment.jpg|Python code of the above]]<br>
| |
| Output: Code of the above (fragment)<br>
| |
| | |
| '''Writing Machine # 3'''<br>
| |
| Title: Barthes Radio (c. 2023) Death of the Author (1967) by Roland Barthes read by Xpub + Xpub tutors (2023) <br>
| |
| Machine overview: Twenty-four sound files<br>
| |
| Output (a): [[BarthesRadio]]<br>
| |
| Output (b): Pad – text with list of readers: https://pad.xpub.nl/p/BarthesWormRadio
| |
| | |
| | |
| | |
| '''Writing Machine Group 3:''' The Interpersonal word chain (exquisite corpse)
| |
| [[File:Writing machine.png|thumb|The Interpersonal words chain]]
| |
| | |
| A chain of words, starting point is a word from someones personal notes from the class
| |
| | |
| Each person sees only the word of the person before them, and picks a word from the notes they associate with the previous word
| |
| The words are notated on one side of a notebook
| |
| | |
| The words are notated on one side of a notebook
| |
| | |
| The next round goes against reading direction
| |
| Words can be read in increments of 5 words, but also by order of the book.
| |
| | |
| Words can be read in increments of 5 words, but also by order of the book.
| |
| | |
| Sentences can be read per 5, the number of the people in the group
| |
| | |
| * Dialectics reflect distracted by design output
| |
| * Technotext liberating language the fragile restraints generate
| |
| * Dialectics techno text reflect liberating language distracted the fragile by design restraints output generate
| |
| * Generate output restraints by design the fragile distracted language liberating reflect techno text dialectics
| |
| * special issue writes meaningfully bleeds hungrily
| |
| * Government production terminate assemblages pre-existing
| |
| * special issue government writes production meaningfully terminate bleeds assemblages hungrily pre-existing
| |
| * Pre-exising hungrily assemblages bleeds terminate meaningfully production writes government special issue
| |
| * Dialectics techno text reflect liberating language distracted the fragile by design restraints output generate special issue pre-eshisting writes assemblages meaningfully terminate bleeds production hungrily government juxtapositions
| |
| | |
| [[Category: Writing Machines]] | |
