Notes during class SI25: Difference between revisions
(Created page with "Week 2 - 18/09/2024 Protocols for improvisation the post-script umanthology Rod Dickinson wiki page - protocols for improvisation directory Anthony Braxton notation notes Sun Ra - came from the 'magic city'. Re-translating real political problems into the transcendental. Scratch directory - also called rapid prototyping. Examples: Nature study notes. Treatise: Cornelius Cardew Protocols are blurring the difference between artist and professional musician, allowing for a...") |
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Protocols for improvisation | '''Week 2 - 18/09/2024''' | ||
the post-script umanthology | * Protocols for improvisation | ||
Rod Dickinson | * the post-script umanthology | ||
wiki page - protocols for improvisation directory | * Rod Dickinson | ||
Anthony Braxton notation notes | * wiki page - protocols for improvisation directory | ||
Sun Ra - came from the 'magic city'. Re-translating real political problems into the transcendental. | * Anthony Braxton notation notes | ||
Scratch directory - also called rapid prototyping. Examples: Nature study notes. | * Sun Ra - came from the 'magic city'. Re-translating real political problems into the transcendental. | ||
Treatise: Cornelius Cardew | * Scratch directory - also called rapid prototyping. Examples: Nature study notes. | ||
* Treatise: Cornelius Cardew | |||
Write a series of protocols | * Protocols are blurring the difference between artist and professional musician, allowing for a lot of threshold of skill. | ||
Perform | |||
Cover at least one | '''Exercise performed in class''' | ||
Scratch orchestra - the need to 'professionalise' such methods. | |||
Protocols | * Write a series of protocols | ||
* Perform | |||
* Cover at least one | |||
* Scratch orchestra - the need to 'professionalise' such methods. | |||
'''''Protocols''''' | |||
* Generative | |||
* We are not aware/ we do not propose - it generates itself. | |||
* Be open to what happens. | |||
* Difference in 'cover': one 'product' moving and the rest being interpreted differently. | |||
'''Protocols''' | |||
1. Generative | 1. Generative | ||
2. Rehearsal | 2. Rehearsal | ||
3. Groups | 3. Groups | ||
Field recording as material. | * Field recording as material. | ||
Rehearsal: How to make a 'longform' - think about duration (our orientation for Monday). | * Rehearsal: How to make a 'longform' - think about duration (our orientation for Monday). | ||
Revision as of 16:26, 18 March 2025
Week 2 - 18/09/2024
- Protocols for improvisation
- the post-script umanthology
- Rod Dickinson
- wiki page - protocols for improvisation directory
- Anthony Braxton notation notes
- Sun Ra - came from the 'magic city'. Re-translating real political problems into the transcendental.
- Scratch directory - also called rapid prototyping. Examples: Nature study notes.
- Treatise: Cornelius Cardew
- Protocols are blurring the difference between artist and professional musician, allowing for a lot of threshold of skill.
Exercise performed in class
- Write a series of protocols
- Perform
- Cover at least one
- Scratch orchestra - the need to 'professionalise' such methods.
Protocols
- Generative
- We are not aware/ we do not propose - it generates itself.
- Be open to what happens.
- Difference in 'cover': one 'product' moving and the rest being interpreted differently.
Protocols
1. Generative
2. Rehearsal
3. Groups
- Field recording as material.
- Rehearsal: How to make a 'longform' - think about duration (our orientation for Monday).