Special Issue 25: Difference between revisions
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= Protocols for Collective Performance = | <div class="left"> | ||
= | = Protocols for <span class="title_italic">Collective Performance</span> = | ||
[[ | <h2 class="invisible_web">Week 1</h2> | ||
[[SI25 Broadcast 1: Soundmapping|Broadcast 1: Soundmapping]] | |||
= | <h2 class="invisible_web">Week 2</h2> | ||
[[ | [[SI25 Broadcast 2: Soundmapping Rotterdam|Broadcast 2: Soundmapping Rotterdam]] | ||
= | <h2 class="invisible_web">Week 3</h2> | ||
[[ | [[SI25 Broadcast 3: Underwater Exploration|Broadcast 3: Underwater Exploration]] | ||
= | <h2 class="invisible_web">Week 4</h2> | ||
[[Protocols | [[SI25 Broadcast 4: Protocols to Freestyle|Broadcast 4: Protocols to Freestyle]] | ||
= | <h2 class="invisible_web">Week 5</h2> | ||
[[ | [[SI25 Broadcast 5: Protocols For Bad Customer Service|Broadcast 5: Protocols For Bad Customer Service]] | ||
= | <h2 class="invisible_web">Week 8</h2> | ||
[[ | [[SI25 Broadcast 6: Protocol to Free Britney|Broadcast 6: Protocol to Free Britney]] | ||
= | <h2 class="invisible_web">Week 9</h2> | ||
[[ | [[SI25 Broadcast 7: Improvisation|Broadcast 7: Improvisation]]<br> | ||
[https://hub.xpub.nl/cerealbox/SI25/ 20/11/2024 - Sounds of Making (event)] | [https://hub.xpub.nl/cerealbox/SI25/ 20/11/2024 - Sounds of Making (event)] | ||
[[SI25: Sounds of Making]] | [[SI25: Sounds of Making|Sounds of Making]] | ||
= | <h2 class="invisible_web">Week 10</h2> | ||
[[ | [[SI25 Broadcast 8: Lost Music|Broadcast 8: Lost Music]]<br> | ||
= | <h2 class="invisible_web">Week 11</h2> | ||
[[ | [[SI25 Broadcast 9: Event ReMix'd|Broadcast 9: Event ReMix'd]] | ||
= | <h2 class="invisible_web">Week 12</h2> | ||
[[SI25 Broadcast 10: The Final Broadcast|Broadcast 10: The Final Broadcast]] | |||
</div> | |||
<div class="right"> | |||
= About = | |||
Publication and documentation of XPUB1 for Special Issue 25 (2024) | |||
Through a series of experiments at Radio WORM, we’ve been asking ourselves: What is radio? What does it mean to “go live” and perform together? Imagine the thrill—and the nerves—of creating something live, using your voice, thoughts, and experimental sounds that use little to no conventional means of expression.<br><br> | |||
We invited you into a communal space in November 2024 for our first collective public appearance where such moments can be lived together, stretching the boundaries of connections through DIY sounds and self-made protocols. These protocols aren’t just guidelines telling us what to do; they’re creative proposals that open up space for improvisation and re-invention. We see them as tools for collaborative engagement, empowering all of us to create in the moment and transform live sound together. | |||
<br><br> | |||
Students: Alexandria, Charlie, Chrissy, Claudio, Eleni, Feline, Fred, Imina, Imre, Kiara, Kim, Martina, Melisa, Sevgi, Tessa, Wyn, Zuhui | |||
<br><br> | |||
🤍 Thanks to Ash, Joseph, Lídia, Manetta, Michael and Steve | |||
Latest revision as of 14:51, 25 February 2025
Protocols for Collective Performance
Week 1
Week 2
Broadcast 2: Soundmapping Rotterdam
Week 3
Broadcast 3: Underwater Exploration
Week 4
Broadcast 4: Protocols to Freestyle
Week 5
Broadcast 5: Protocols For Bad Customer Service
Week 8
Broadcast 6: Protocol to Free Britney
Week 9
Broadcast 7: Improvisation
20/11/2024 - Sounds of Making (event)
Sounds of Making
Week 10
Week 11
Week 12
About
Publication and documentation of XPUB1 for Special Issue 25 (2024)
Through a series of experiments at Radio WORM, we’ve been asking ourselves: What is radio? What does it mean to “go live” and perform together? Imagine the thrill—and the nerves—of creating something live, using your voice, thoughts, and experimental sounds that use little to no conventional means of expression.
We invited you into a communal space in November 2024 for our first collective public appearance where such moments can be lived together, stretching the boundaries of connections through DIY sounds and self-made protocols. These protocols aren’t just guidelines telling us what to do; they’re creative proposals that open up space for improvisation and re-invention. We see them as tools for collaborative engagement, empowering all of us to create in the moment and transform live sound together.
Students: Alexandria, Charlie, Chrissy, Claudio, Eleni, Feline, Fred, Imina, Imre, Kiara, Kim, Martina, Melisa, Sevgi, Tessa, Wyn, Zuhui
🤍 Thanks to Ash, Joseph, Lídia, Manetta, Michael and Steve