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Photography after conceptual art -  Diamuid Costello
Photography after conceptual art -  Diamuid Costello
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Latest revision as of 21:02, 19 April 2012

Text outline

In my essay I would like to discus the fact that we consider photography more real or objective than an image made by hand. Where does this claim of objectivity come from, where lies its origin and how does the objectiveness of photography relate to photography within the discourse of the fine arts?

Bibliography

Objectivity - Lorraine Datson & Peter Galison

The burden of representation – Joh Tagg

The Work of Art In The Age of Mechanical Reproduction – Walter Benjamin

Photography after conceptual art - Diamuid Costello