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(Created page with "== chapter 2== '''Material metaphors, Technotexts and Media-Specific Analysis''' * "metaphor" from root meaning "bearing across" (transfer of sense between two associated) * Hayles coins '''"Material Metaphor"''' foregrounds relation/ back and forth between words and physical artifacts ** take the book for example, so obvious we barely recognize it: *** page defines a unit of reading *** binding pages indicates, fixates order of reading *** opacity of paper defining if p...")
 
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'''MIT Press, 2002'''
== chapter 2==
== chapter 2==
'''Material metaphors, Technotexts and Media-Specific Analysis'''
'''Material metaphors, Technotexts and Media-Specific Analysis'''
* "metaphor" from root meaning "bearing across" (transfer of sense between two associated)
* "metaphor" from root meaning "bearing across" (transfer of sense between two associated)
* Hayles coins '''"Material Metaphor"''' foregrounds relation/ back and forth between words and physical artifacts
* Hayles coins '''Material Metaphor''' foregrounds relation/ back and forth between words and physical artifacts
** take the book for example, so obvious we barely recognize it:
** take the book for example, so obvious we barely recognize it:
*** page defines a unit of reading
*** page defines a unit of reading
*** binding pages indicates, fixates order of reading
*** binding pages indicates, fixates order of reading
*** opacity of paper defining if page appears linear, sequencial or interpenetrating and simultaneous
*** opacity of paper defining if page appears linear, sequencial or interpenetrating and simultaneous
* '''"inscription technologies"''' is device that initiate material changes that can be read as marks
* '''inscription technologies''' is device that initiate material changes that can be read as marks
** in print books: words are ink marks left on paper
** in print books: words are ink marks left on paper
** in computer text: computer changes electric polarities and correlates these changes with binary code
** in computer text: computer changes electric polarities and correlates these changes with binary code
* '''Technotexts''' connects technology that produces texts to the texts verbal constructions
** parallels to Hypertetxts (follows min. 3 characteristics: multiple reading paths, chunked text and linking mechanism)
* media constantly engage in recursive dynamic of imitating each other
<blockquote>
Media Specific Analysis insists that texts must always be embodied to exist in the world.
</blockquote>
* materiality emerges from interactions between physical properties and a works artistic strategies
== chapter 3 ==
'''Entering the Electronic Environment'''
<blockquote>
word was interwoven with world
</blockquote>
== chapter 4 ==
'''Electronic Literature as Technotext: Lexia to Perplexia'''
* computers are more than hardware and software: they produce environments
* hence the need for material metaphors, they control, direct and amplify traffic between physical actions and imaginative world a work creates
<blockquote>
reminding us that the computer is also a writer
</blockquote>
== chapter 6 ==
'''A Humument as Technotext: Layered Topographies'''
<blockquote>
Visually these rivers of whitespace trickle down the page, often branching into multiple pathways. Other devices creating hypertextual profusion are leaky borders.
</blockquote>
* two diemnsional page is stretched into something three dimensional, a topographic space
* text as a space to explore rather than a line to follow
== chapter 7 ==
'''Embodiments of Material Metaphors'''
<blockquote>
Even when the interface is rendered as transparent as possible, this very immediacy is itself an act of meaning-making that positions the reader in a specific material relationship
</blockquote>
<blockquote>
The implication for studies of technologies and literature is that the materiality of inscription thoroughly interpenetrates the represented world.
</blockquote>

Latest revision as of 21:56, 15 January 2025

MIT Press, 2002

chapter 2

Material metaphors, Technotexts and Media-Specific Analysis

  • "metaphor" from root meaning "bearing across" (transfer of sense between two associated)
  • Hayles coins Material Metaphor foregrounds relation/ back and forth between words and physical artifacts
    • take the book for example, so obvious we barely recognize it:
      • page defines a unit of reading
      • binding pages indicates, fixates order of reading
      • opacity of paper defining if page appears linear, sequencial or interpenetrating and simultaneous
  • inscription technologies is device that initiate material changes that can be read as marks
    • in print books: words are ink marks left on paper
    • in computer text: computer changes electric polarities and correlates these changes with binary code
  • Technotexts connects technology that produces texts to the texts verbal constructions
    • parallels to Hypertetxts (follows min. 3 characteristics: multiple reading paths, chunked text and linking mechanism)
  • media constantly engage in recursive dynamic of imitating each other

Media Specific Analysis insists that texts must always be embodied to exist in the world.

  • materiality emerges from interactions between physical properties and a works artistic strategies

chapter 3

Entering the Electronic Environment

word was interwoven with world

chapter 4

Electronic Literature as Technotext: Lexia to Perplexia

  • computers are more than hardware and software: they produce environments
  • hence the need for material metaphors, they control, direct and amplify traffic between physical actions and imaginative world a work creates

reminding us that the computer is also a writer

chapter 6

A Humument as Technotext: Layered Topographies

Visually these rivers of whitespace trickle down the page, often branching into multiple pathways. Other devices creating hypertextual profusion are leaky borders.

  • two diemnsional page is stretched into something three dimensional, a topographic space
  • text as a space to explore rather than a line to follow

chapter 7

Embodiments of Material Metaphors

Even when the interface is rendered as transparent as possible, this very immediacy is itself an act of meaning-making that positions the reader in a specific material relationship

The implication for studies of technologies and literature is that the materiality of inscription thoroughly interpenetrates the represented world.