User:ZUZU/Pre Assessment: Difference between revisions
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Through the Rain Receiver, we analyze the language of nature by receiving the frequency of rain to generate sounds. As survivors touch the Rain Receiver, they become part of the ongoing narrative. The act of touching the receiver is an intimate gesture, akin to the act of giving. This interaction triggers a cascade of experiences β the sound of rain, snippets of stories, and stream-of-consciousness memories collected from the community. | |||
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Specially designed for adults prone to embarrassment. EmoHooHoo supports the outward expression of unspoken emotions in public places; once you wear this device, it clumsily reflects your emotional changes, whether you like it or not π¨π¨π¨ In urban life, emotional expression is confined to specific occasions, often requiring an entry fee. To achieve emotional freedom in a consumer society, we must first dissolve this embarrassment. EmoHooHoo helps you break free from societal constraints. If burdened, attribute responsibility to our deviceπ¨π¨π¨ | |||
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While walking in Rotterdam and engaging in activities like observation lists and coded walking, I find unconventional behavioral patterns intriguing. I am exploring my connection with this city by deviating from traditional map representations, discovering how unconventional walking can forge connections within typical routes (such as from home to school or home to the market). | |||
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==<p style="font-size: 24px; text-align: center; color:white;text-shadow: 2px 2px 5px #0F81E8;font-family: monospace;">ππππ</p>== | ==<p style="font-size: 24px; text-align: center; color:white;text-shadow: 2px 2px 5px #0F81E8;font-family: monospace;">ππππ</p>== |
Latest revision as of 09:28, 27 November 2024
βΉββ‘β πΏππ π°πππππππππ βΉββ‘β
πππ’
πππ πππππππππππππ ππ ππ’ ππππππ’
This photo was taken in an apartment where I used to live for over three years. I like to capture moments when I notice elderly people wearing outfits with quirky or unusual patterns.At the time, this lady was waiting for the elevator with me, and I took this shot discreetly. |
πΌπ’ πππ ππππππ’ πππ-ππ
Through the Rain Receiver, we analyze the language of nature by receiving the frequency of rain to generate sounds. As survivors touch the Rain Receiver, they become part of the ongoing narrative. The act of touching the receiver is an intimate gesture, akin to the act of giving. This interaction triggers a cascade of experiences β the sound of rain, snippets of stories, and stream-of-consciousness memories collected from the community. |
Specially designed for adults prone to embarrassment. EmoHooHoo supports the outward expression of unspoken emotions in public places; once you wear this device, it clumsily reflects your emotional changes, whether you like it or not π¨π¨π¨ In urban life, emotional expression is confined to specific occasions, often requiring an entry fee. To achieve emotional freedom in a consumer society, we must first dissolve this embarrassment. EmoHooHoo helps you break free from societal constraints. If burdened, attribute responsibility to our deviceπ¨π¨π¨ |
While walking in Rotterdam and engaging in activities like observation lists and coded walking, I find unconventional behavioral patterns intriguing. I am exploring my connection with this city by deviating from traditional map representations, discovering how unconventional walking can forge connections within typical routes (such as from home to school or home to the market). |
ππππ
πππππππππ
Focuses on uncovering hidden rituals; participants share micro-stories of their lives or present daily performances in an alienated space
π ππππππππ· πΌπππ πΌπππππ: π΄πππππππ πππππππ
Mini Moment: Elevator Theater is an interactive exploration of how we inhabit shared spaces and express ourselves through body language and behavior. This project invites participants to reflect on their own experiences in the elevator, a small but intimate environment that often brings out different aspects of our personalities. |
π ππππππππΈ π²πππππππππ π½πππππ’ πππππ
Taking βCantinaβ as a space, I transformed it into a nail salon, here many of the nail technicians are Asian women who give the space a unique energy in their daily labour. By applying nail polish, sharing daily stories, and creating a mixed walk map, I invite participants to experience the β nearbyβ feeling and to express their personal and collective experiences of the β nearbyβ in this alienated space. |
π πππππππ ππ ππ ππππππππ
ππππ-ππππ ππππππππ
Based on the insights gained from thesis and workshops, I will continue to implement small, self-designed life protocols, experimenting with and documenting subtle changes in my everyday routines.
π΄πππππππ πππππππ ππ πΏπππππππ
Each time I step into an elevator, I will smile at everyoneβa simple yet often overlooked gesture. This is an experiment to observe how such a small action can transform the atmosphere in a confined, shared space. I will carefully document peopleβs reactions as I carry out this practice.
The aim is to explore proximityβwhat happens when we intentionally allow ourselves to be seen and acknowledge others during fleeting moments of shared presence. Elevators serve as a micro-theater of everyday life, and in this unscripted performance, I take on the role of the Sunflower.
ππππ-ππππ’ πππππ
In a fictional country, an unintelligible language will be spoken, a dice-rolling mechanism will be used to randomly assign identities, and the challenges faced by players will vary according to their assigned identities. These challenges will integrate my thesis findings, including exploring the daily lives of my female βinternet neighboursβ through personal interviews and data collection from Chinese social media.