|
|
(64 intermediate revisions by the same user not shown) |
Line 1: |
Line 1: |
| A walk from my house to PZI in pedestrian mode of 3DRotterdam
| | == /XPUB2/PROTOTYPING == |
| | | |
| | | 13-11-24 I just had my talk with Michael yesterday and I feel like I have stuff everywhere. From which I have to grab the best parts and divide them into what I want put in the thesis (outline) and the project (proposal). |
| | | ---- |
| | | ---- |
| = '''poinxs (points of inaccess) [working on it]''' = | | ---- |
| a... Portmanteau (do not quote me on that) of
| |
| | |
| POI = Point of Interest
| |
| | |
| and
| |
| | |
| INXS which borrows the abbreviation of the band, but this stands for '''in excess('''in overly large amounts), where I mean it as In-access (not accessible).
| |
| | |
| XS4ALL
| |
| | |
| I intent to counter map locations.
| |
| | |
| using a platform to use gps
| |
| | |
|
| |
| | |
| The locations aren't manoeuvrable.
| |
| | |
| With this project a way of countermapping could be marking certain points of the city.
| |
| | |
| Examples of tools to practice:
| |
| | |
|
| |
| | |
| <nowiki>https://leafletjs.com/</nowiki> leaflet js: an open-source JavaScript library
| |
| | |
| for mobile-friendly interactive maps
| |
| | |
| benchmarking (see next
| |
| | |
| | |
|
| |
| | |
| = '''--------Benchmarking-------''' = | |
| ''What does it mean to benchmark''
| |
| | |
| dictionaries will tell that it is
| |
| | |
| <code>1. a standard or point of reference against which things may be compared.</code>
| |
| | |
| <code>"the pay settlement will set a **benchmark for** other employers and workers"</code>
| |
| | |
| <code>2. ideal - a test designed to evaluate or compare the performance of computer hardware or software.</code>
| |
| | |
| <code>"we thought we'd run some benchmarks on the smartphone"</code>
| |
| | |
| <code>3. '''Benchmark is a surveyor's mark, cut on a rock, stone, wall or a building showing the height of that mark above sea level'''. Contours are lines shown in brown, joining places of equal height above the sea level. Heights of inaccessible areas are shown by contours drawn in broken lines called form lines.</code>
| |
| | |
| 4. or building and used as a reference point in measuring [altitudes]
| |
| | |
| 5. ==evaluate (something) by comparison with a standard.==
| |
| | |
| =="we are **benchmarking** our performance **against** external criteria"==
| |
| | |
| <nowiki>----------------------------------------------------------------------------------------------------------</nowiki>
| |
| | |
| In these definitions, it all comes down to defining standards and legitimizing / testing.
| |
| | |
| When I would look for a certain hard or software, I need to check either consumer platforms such as tweakers, reviewers on video platforms.
| |
| | |
| What do I mean with it?
| |
| | |
| I'm intrigued by the idea of sitting / being / loitering somewhere and look for the compatibility of platforms. Be it physical or mental. The accessibility meets disability in where the bar is set and the threshold is put. The threshold is both a place to fit a tool that grants access as it is a bar to closes access.
| |
| | |
| When walking around, make a pitstop at a bench. Just sit there in the middle part. Look forward. Make yourself comfortable and take an unlimited time to see evaluate the premise. What does the neighborhood look like, what is the demographic. How much is it designed? Is it possible for anyone to be there?' <center></center><center></center><center><code>''`Make a list of the specs.`''</code></center><center></center><center><code>''`Is there anything that could be tweaked?`''</code></center><center></center><center><code>''`Be your own tracking device`''</code></center><center></center><center><code>''`In a smart city, be a smart civilian, look at the surroundings`''</code></center><center></center><center><code>''`from your own point of critique, make notes`''</code> </center><center></center>Example:
| |
| | |
| Report to the gemeente
| |
| | |
| <nowiki>https://www.ongehinderd.nl/</nowiki>
| |
| | |
| <nowiki>https://www.notbored.org/UU.html</nowiki>
| |
| | |
| <nowiki>https://inaccessiblecities.ajcontrast.com/</nowiki>
| |
| | |
| ideas
| |
| | |
| ''Are there ways to report bugs on streetlevel? Be it websites or sites or ways to make cities more accessible?''
| |
| | |
| <nowiki>https://meldr.rotterdam.nl/</nowiki>
| |
| | |
| Is the city a circuit? (A brief discussion with Friedrich Kittler and Shannon Mattern between to bridge)
| |
| | |
| [working on this]
| |
| | |
| How to reconnect with the city in a empathetic way without framing myself as something ridiculous as an empath
| |
| | |
| Why do people like Susan Bijl bags (ASKING THE IMPORTANT QUESTIONS HERE)
| |
| | |
| [this is more an underbelly anti-yuppy level description]
| |
| | |
| Is a big city open enough for people with disabilities, is the manoeuvrability?
| |
| | |
| = Abstractifying the map =
| |
| Abstractifying the walk as the memory that it is,
| |
| | |
|
| |
| | |
| a blend of words, lines, colors and shapes
| |
| | |
|
| |
| | |
| as shape of personal drawing designs rather than monitored landscapes in schematically saved geolocations
| |
| | |
| This idea is about being your own tracking device. Making your walk into poetic visual rather than a monitored given. It's about looking at your route as a circuit. Would this circuit work? Are there stable connections, or are these broken?
| |
| | |
| - change your track into a circuit | |
| | |
| - note your tracks but without context | |
| | |
| - follow the lines of the map but don't save them | |
| | |
| - just draw them and symbolize your strolling | |
| | |
| The colours you use are based on the coördinates [[:File:WhatsApp Image 2024-05-15 at 11.32.53 4cd4be77.jpg|https://pzwiki.wdka.nl/mediadesign/File:WhatsApp_Image_2024-05-15_at_11.32.53_4cd4be77.jpg]]
| |
| | |
| Example:
| |
| | |
| <nowiki>#</nowiki>519167
| |
| | |
| <nowiki>#</nowiki>692299
| |
| | |
| <nowiki>#</nowiki>008052
| |
|
| |
|
| <nowiki>#</nowiki>445580 | | * ~!!!! IMPORTANTSELFNOTEPOEM |
| | * <code>''<sub><small>'''<u>[X] ONE THING AFTER THE OTHER.</u>'''</small></sub>''</code> |
| | * <code>''<sub><small>'''<u>[X] THERE ISSTILL TIME.</u>'''</small></sub>''</code> |
| | * <code>''<sub><small>'''<u>[X] YOU WANT TO HAVE EVERYTHING DONE BY YESTERYEAR AND YOU PUT A BIG PRESSURE ON YOU</u>'''</small></sub>''</code> |
| | * <code>''<sub><small>'''<u>[X] DONT BREATHEN'T</u>'''</small></sub>''</code> |
| | * <code>''<sub><small>'''<u>[X] DO THE THINGS BY THINGS AND THEN YOU SHARPEN</u>'''</small></sub>''</code> |
| | * <code>''<sub><small>'''<u>[X] DOUBT ONLY IS GOOD WHEN CRITICAL AND PREPARED, DOUBT IS NOT GOOD WHEN YOU DON'T HAVE ANYTHING DOUBTABLE</u>'''</small></sub>''</code> |
| | * <code>''<sub><small>'''<u>[X] WRITE IT OFF, WALK IT OFF, WORK IT OFF AND PROCEED.</u>'''</small></sub>''</code> |
| | * <code>''<sub><small>'''<u>[X] EVERYBODY IS CONFUSED, IT IS ALL FINE AND THE HECTICITY IS STARTING BUT ALSO PART OF IT.</u>'''</small></sub>''</code> |
| | * ~~!!!!!!!! |
| | ------ |
|
| |
|
| <nowiki>#</nowiki>906951
| |
|
| |
|
| <nowiki>#</nowiki>000346 | | <s><br /></s> |
|
| |
|
| take note: since these coördinates are short 4 numbers, add 2 x 00's
| | == /XPUB2/PROTOTYPING/COLLOQUIUM/ == |
| | | https://pad.xpub.nl/p/prototyping-colloquium-lorenzo |
| this is your colour spectrum per location
| | <gallery mode="packed-overlay"> |
| | | File:1.png |
| '''counter-flaneuring [working on it]'''
| | File:2.png |
| | | File:3.png |
| camouflage and not be seen
| | File:4.png |
| | |
| '''geoguessing [working on it]'''
| |
| | |
| *
| |
| | |
| = Pedestrian = | |
| ''What does it mean to be a pedestrian''
| |
| | |
| ''I can not ride a bike, that made me a "WALKER"''
| |
| | |
| '' ''
| |
| | |
| ''my .walking my way to get to places is not that interesting walking around to empty my brain''
| |
| | |
| ''When I'm saying to someone that I'm going to go for a walk, I sometimes get the response like: "Where to?" as if I always to need to reach a goal''
| |
| | |
| ''my parents used to ask me to do chores and favors because oh no why would I go on walks without any purpose, goals, or benefits''
| |
| | |
| ''walking just a way of getting out of my stuffy bubble in the house to empty my brain, to look around and just be zigzagging through the streets.''
| |
| | |
| '' ''
| |
| | |
| ''The purpose is more to walk something off rather than aiming towards a spot. It is away to maintain some space in the open''
| |
| | |
| ''I prefer walking to places if the weather isn't too extreme, I'm never in a hurry transport is for A-B, for 1 to 0 walking is for neither, rather aimless in direction but aimful in health it's good for clearing up inner storms''
| |
| | |
| ''either listening to the surroundings or closing off from them''
| |
| | |
| ''I feel where people do the flaneuring I tend to want to be unnoticed, accept for greeting / politeness but other than that I just temporarily claim my walking distances as I were to be alone in a train''
| |
| | |
| ''I talk about this walking because I feel that dull approach about what it means to be a pedestrian is rather bullshit. Plenty of people tend to want to ride their bikes, cars to get to places. I can not ride a bike due to balance problem, I never felt the urge to be the transporter vehiclist.''
| |
| | |
| ''As if being a pedestrian isn't productive enough, as if it is bad to be dull.''
| |
| | |
| ''What does it mean to be a pedestrian?''
| |
| | |
| = '''CybeRdam2077 - PolderPunk?''' =
| |
| 27-05-24 We have visited VONK <nowiki>https://www.vonkrotterdam.nl/</nowiki>
| |
| | |
| The innovation center of Rotterdam Municipality.
| |
| | |
| We had 3 talks:
| |
| | |
| - One about Behavioural Change / Nudging
| |
| | |
| - One about The Traffic Light system
| |
| | |
| - One about the RotterdamSimulation methods via VR / AR and digitizing the city to something equal to what they said "GTA" but I thought more of Cyberpunk 2077 or the Matrix open world
| |
| | |
| In the sense of the uprising industrialized neolights and hip city downfall of a city
| |
| | |
|
| |
| | |
| <nowiki>https://www.google.com/search?client=firefox-b-d&sca_esv=d65c73666fce9bae&sxsrf=ADLYWIKyNJxHTon7EPXo5NyopFHwNargVA:1716902557387&q=rotterdam+cyberpunk&uds=ADvngMgwiuRe_0AnQUg9C1BclBAHtUEh3Clh60Kan9kcyG3HPcnZfIAnqRyP3Ji96P8afcrGpKBA3aSAX9wZrJWioSvMWKrv1L_njJsfOiBA8sqhFXPzPSxSxFsjWG16Zz8ZFLAuelm6ynEBIvEJc0kxPOGdxTVxRxJkSCkIdFonudq4a-8B__nSzuioS4hhJKh2-CUziXPPpsBUKYgMNFaUsBhRGA2nN3Bn3uc47kvqC5dw1PGVdEwULxJB0M3ZL-X8-otKXYRHhYOQk0fruTbcYklGhGOCbjSqMwTTWHBUZDFPQ6quArBBuZQo76rxQHO5Z1m2gLXn&udm=2&prmd=ivnbz&sa=X&ved=2ahUKEwiu46-4uLCGAxWs9gIHHQo9A0YQtKgLegQIERAB&biw=1920&bih=995&dpr=1</nowiki>
| |
| | |
| NeoRotterdam, the idea of Rotterdam being so smart and innovative that it turns into a cybernetic dock station.
| |
| | |
| <nowiki>https://www.reddit.com/r/Cyberpunk/comments/13gdyi4/the_city_of_rotterdam/</nowiki>
| |
| | |
| (still working on this)
| |
| | |
| | |
| | |
| Since monday I have been thinking about the correlations between my spare time interests and the xpub topics. On monday, I was triggered or intrigued by the idea of future of Rotterdam. At VONK [the innovation center] they presented us with the three principles of the city, at least, the three principles they presented
| |
| | |
| | |
| - Nudging
| |
| | |
| - Controlling the traffic through soft and hardware that connects to the city sensors center.
| |
| | |
| - Rotterdam 3D /ARVRXR -> Looking at the city from / on a virtual perspective. "Gaaf zeg hey" as any person into tech and gadget and modern stuff would say.
| |
| | |
| The moment I saw the building and the modern gamification of the city, it reminded me of Night City in broad daylight. Night City is the place where Cyberpunk takes place.
| |
| | |
| | |
| It is very interesting to think about innovation, about the smartness of the city where I grew up. The city seems to be dangling in between
| |
| | |
| | |
| Cyberpunk
| |
| | |
| | |
| a genre of science fiction set in a lawless subculture of an oppressive society dominated by computer technology.
| |
| | |
| | |
| and
| |
| | |
| | |
| Solarpunk
| |
| | |
| | |
| a literary and artistic movement that envisions and works toward actualizing a sustainable future interconnected with nature and community.
| |
| | |
| | |
| | |
| the suffix -punk refers to the punk asin steampunk ('''a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics inspired by, but not limited to, 19th-century industrial steam-powered machinery'''.)
| |
| | |
| | |
| But to a Dutch degree, I always feel that a lot 'we' try to mimic or make our own, becomes a very watered down overly negotiated version of the actual thing. I'm talking about the Polder Model.
| |
| | |
| ''The polder model is a method of consensus decision-making, based on the Dutch version of consensus-based economic and social policymaking in the 1980s and 1990s. It gets its name from the Dutch word for tracts of land enclosed by dikes.''
| |
| | |
| Therefore, looking at the citymarketing / citybuilding / cityplanning idea of Rotterdam as some sort of PolderPunk starting to develop in 2025.
| |
| | |
| This kind of future city gives me some sort of future fictional idea. In a perfect world.
| |
| | |
| I'm afraid of this perfect world.
| |
| | |
| <nowiki>https://www.rotterdam.nl/_next/image?url=https%3A%2F%2Fbackend-dvg.rotterdam.nl%2Fsites%2Fdefault%2Ffiles%2Fstyles%2Fcontent_large%2Fpublic%2F2023-06%2Fartist-impressions-Hofplein-Aerial-Render.jpg%3Fh%3D8f74817f%26itok%3DwizvRIkp&w=828&q=75</nowiki>
| |
| | |
| = CITY AS A MACHINE =
| |
| ''Programmer and tech writer Paul McFedries explains this thinking:''
| |
| | |
| ''The city is a computer, the streetscape is the interface, you are the cursor, and your smartphone is the input device. This is the user-based, bottom-up version of the city-as-computer idea, but there’s also a top-down version, which is systems-based. It looks at urban systems such as transit, garbage, and water and wonders whether the city could be more efficient and better organized if these systems were ‘smart.’''
| |
| | |
| <nowiki>https://placesjournal.org/article/a-city-is-not-a-computer/</nowiki>
| |
| | |
| This idea came to mind because of the connections of both defintions of a port / terminal / transport / uploading and downloading / docking etc
| |
| | |
| = City as platform or Worldbuilding in games =
| |
| <code>Monday 27th of May 2024 our class had a tour in the municipality building at the halvemaan passage.</code>
| |
| | |
| It started with nudging en behavioral psychology, followed by traffic organising and then virtualizing Rotterdam.
| |
| | |
| The nudging idea is something I am still digesting, because it is passive agressive way to change behavior, I asked if the nudger is opened to be nudged and the reaction seemed open but didn't feel as open in the end.
| |
| | |
| The second presentation lead us to the hofplein roundabout, talking about the amount of sensors, cameras and networks.
| |
| | |
| The third presentation had a map
| |
| | |
| Word diving in my brain:
| |
| | |
| <code> </code>
| |
| | |
| <code> </code>
| |
| | |
| <code>American / EUROTruck Simulator</code>
| |
| | |
| <code>Going from a to b, delivering, being the the transmission / transaction / transport.</code>
| |
| | |
| <code>Chrono Trigger</code>
| |
| | |
| <code>JRPG story driven and mapped out game</code>
| |
| | |
| <code>DBZ Kakarot</code>
| |
| | |
| <code>Open World gamified version of Dragon Ball Z-series</code>
| |
| | |
| <code>Garry's Mod</code>
| |
| | |
| <code>a world making / modding program with open source game making.</code>
| |
| | |
| <code>Portal</code>
| |
| | |
| <code>a futurist manoeuvring game to finish levels through thinking</code>
| |
| | |
| <code>Zelda Breathe of the Wild</code>
| |
| | |
| <code>The first open world zelda game,</code>
| |
| | |
| <code>Tales of Symphonia</code>
| |
| | |
| <code>turn based rpg game that has geopolitics put into a story</code>
| |
| | |
| <code>Valheim</code>
| |
| | |
| <code>Surival / crafting game, make your own villlage / cities</code>
| |
| | |
| <code>house</code>
| |
| | |
| <code>Cyberpunk 2077</code>
| |
| | |
| <code>NeoTokyo-aestheticgame with the open world of Night City. A techno dystopian wolr</code>
| |
| | |
| <code>Pokémon Arceus / Violet</code>
| |
| | |
| <code>open world Pok'mon game</code>
| |
| | |
| == Route as circuit ==
| |
| the idea of mapping your location in the same idea as making a connection based electronic schematics and maps.
| |
| | |
| This is a way to see if there are connections missing, is your route an open or closed circuit.
| |
| | |
| Does an open route mean that everybody is welcome / public
| |
| | |
| Does a close route mean that it's exclusive / private
| |
| | |
| Is a detour a connection with extension cords?
| |
| | |
| I
| |
| | |
| = Geo-equalism =
| |
| Considering Latitudes and altitudes defined by the prime meridian and the equator
| |
| | |
| meridian meaning MidDay
| |
| | |
| Equator -> AeQuator -> circulus Aequator diei etonoctus
| |
| | |
| Circle equalizing day and night
| |
| | |
| make equal
| |
| | |
| equa
| |
| | |
| Timezones
| |
| | |
|
| |
| | |
| geopolitics
| |
| | |
| the production of space
| |
| | |
| performativity lefebreve (or how ever the fuck you spell this french name)
| |
| | |
| affordance : what are the possibilities?
| |
| | |
| capabilities / possibilities
| |
| | |
| hostile architecture
| |
| | |
| etvwiiln
| |
| | |
| <gallery>
| |
| File:WhatsApp Image 2024-05-15 at 11.32.53 4cd4be77.jpg
| |
| File:Pasted image 20240521115700.png
| |
| File:Pasted image 20240521115746.png
| |
| File:Pasted image 20240521120053.png
| |
| File:Pasted image 20240521120020.png
| |
| File:Pasted image 20240521120123.png
| |
| File:Pasted image 20240521120146.png
| |
| File:==? ??-?D?D.jpeg
| |
| </gallery>
| |
| | |
| 27/05/24 <syntaxhighlight lang="asc" line="1">
| |
| | |
| **** ***** ********** *********** **** ********** ******** **** ****** ****** ***** *** ******** ****** *** 0 0 0
| |
| �%%RRRRR�RRRRRRRRRR�RRRRRRRRRRR�RRRR�RRRR� RRҐ%%�H%%%�������������WK���5
| |
| **** ***** ********** **********��%%R�RRRRR��X%%%��RҐ%%%�����������������������������iring
| |
| **** ***** ********** ********����������䇐No GPS data received: check wiring
| |
| **** ***** ********** *********** **** ********** ******** **** ****** ****** ***** *** ******** ****** *** 0 0 0
| |
| No GPS data received: check wiring
| |
| **** ***** ********** *********** **** ********** ******** **** ****** ****** ***** *** ******** ****** *** 0 0 0
| |
| ����ɥ��5
| |
| **** ***** ********** *********** **** ***j�RRR�RRRRRR�H%%%%RRRRR҇�III RRRRR�R�$�RRRRRRRR�R�RR�RRR����������������������������j
| |
| | |
| </syntaxhighlight>
| |
| | |
| 15/05/24
| |
| | |
| mapping out everything I'm doing to find the lines.
| |
| | |
| Tool: [[Obsidian]]
| |
| | |
| Outcomes:
| |
| | |
| [https://hub.xpub.nl/chopchop/~lorenzo/PROJECTS%20AND%20WHERE%20TO%20LINK%20THEM.html HTML]
| |
| [[File:PDF from Canvas.pdf|thumb]]
| |
| | |
| | |
| | |
| <!-- [[File:==? ??-?D?D.jpeg|thumb]] -->
| |
| THINGS OF LIST I AM CURRENTLY READING AND WANT TO READ AND ALSO ARE REFERENCES I GOT FROM PL LIST
| |
| | |
| MARTINO:
| |
| | |
| '''Friedrich Kittler's The City is a Medium'''
| |
| | |
| https://monoskop.org/images/0/04/Kittler_Friedrich_1996_The_City_Is_a_Medium.pdf
| |
| | |
| '''Shannon Mattern's A City is Not a Computer'''
| |
| | |
| https://placesjournal.org/article/a-city-is-not-a-computer/
| |
| | |
| | |
| | |
| | |
| LIDIA:
| |
| | |
| ''Perhaps interesting to look at nudge theory: <nowiki>https://en.wikipedia.org/wiki/Nudge_theory</nowiki>''
| |
| | |
| ''And, related to that, this film by Harun Farocki about the human design/social engineering of shopping malls: https://www.harunfarocki.de/films/2000s/2001/the-creators-of-the-shopping-worlds.html''
| |
| | |
| ''The Real Lives game: https://reallivesworld.com/''
| |
| | |
| ORIT HALPHEN https://www.dukeupress.edu/beautiful-data
| |
| | |
| FLANEUR CRITICISM https://salvage.zone/salvaging-situationism-race-and-space/
| |
| | |
| RIVIERA:
| |
| | |
| Piepzna-Samarasinha, L. L. (2018) Care work: dreaming disability justice, Vancouver, Arsenal Pulp Press. https://web-p-ebscohost-com.hr.idm.oclc.org/ehost/detail/detail?vid=0&sid=03ca461f-92bd-4b52-8b86-646443bf4597%40redis&bdata=JkF1dGhUeXBlPWlwLGNvb2tpZSx1aWQmbGFuZz1ubCZzaXRlPWVob3N0LWxpdmUmc2NvcGU9c2l0ZQ%3d%3d#AN=1934092&db=e000xww
| |
| | |
| https://walkinglab.org/podcast/
| |
| | |
| <nowiki>https://www.tandfonline.com/doi/pdf/10.1080/14735789709366602</nowiki>
| |
| | |
| Knabb, K. (ed.) (2006) Situationist International anthology, Rev. and expanded ed., Berkeley, CA, Bureau of Public Secrets.
| |
| | |
| <nowiki>:</nowiki> https://web.mit.edu/allanmc/www/benjamin.pdf <gallery mode="packed">
| |
| File:WhatsApp Image 2024-05-06 at 12.38.06 4a19dab6.jpg | |
| File:WhatsApp Image 2024-05-06 at 12.38.06 cd5f4280.jpg | |
| File:WhatsApp Image 2024-05-06 at 12.38.06 e5dbd77e.jpg | |
| File:WhatsApp Image 2024-05-06 at 12.38.06 4fbd6cd2.jpg | |
| </gallery> | | </gallery> |
|
| |
|
| _verb_
| | ==== ''<u>REFLECTING:</u>'' ==== |
| | It is now 3,5 weeks ago since the colloquium. There was an interesting method I (subconsciously) started to develop. Asking the questions |
|
| |
|
| verb: **benchmark**; 3rd person present: **benchmarks**; past tense: **benchmarked**; past participle: **benchmarked**; gerund or present participle: **benchmarking**
| | <syntaxhighlight lang="qvto"> |
| | "Search for examples of city planning / marketing / maintenance of the city/village/township where you are from*" |
| | collect img / promises / memories |
| | then....... |
| | ask yourself / eachother "how does -location- relate to you as the inhabitant*?" |
| | aaand thennn |
| | ask yourself / eachother "how do you relate to -location-?" |
|
| |
|
| 1. evaluate (something) by comparison with a standard.
| | *free interpretation ofcourse, whatever feels the most comfortable |
| "we are **benchmarking** our performance **against** external criteria"
| | </syntaxhighlight> |
| When walking around, make a pitstop at a bench. Just sit there in the middle part. Look forward. Make yourself comfortable and take an unlimited time to see evaluate the premise. What does the neighborhood look like, what is the demographic. How much is it designed? Is it possible for anyone to be there?
| |
|
| |
|
| Make a list of the specs.
| | ====== '' This part was the most exciting to share because the reactions were interesting:'' ====== |
| | |
| Is there anything that could be tweaked?
| |
| | |
| Be your own tracking device
| |
| | |
| In a smart city, be a smart civilian, look at the surroundings
| |
| | |
| from your own point of critique, make notes
| |
| | |
| | |
| | |
| | |
| 1. What does it mean to be a [https://www.google.com/search?client=firefox-b-d&sca_esv=58ac0b011cee9c7d&sxsrf=ADLYWILWJ4vO1NT-na6Gh0ngujzBDNVREA:1714824007992&q=pedestrian&si=ACC90nyOnVY18Aw7zUtkWPYo5mTnt1W_SECZvMTUd0R4iizpZdP3OW8zKbZY96nFk6w5CgVvzAdNeECfu8VxhMDW9bX14vigg_1B9815g3RgZ_3T1t3d14s%3D&expnd=1&sa=X&ved=2ahUKEwiQuuSe-fOFAxXI_rsIHcQPBvoQ2v4IegUIGxCDAQ&biw=1407&bih=745&dpr=1.82 pedestrian]
| |
| | |
| [https://www.youtube.com/watch?v=r9KxqBiE_YQ "you see me walking coz I don't run fam"]
| |
| | |
| I can not ride a bike, that made me a "WALKER"
| |
| | |
| my .walking my way to get to places is not that interesting walking around to empty my brain
| |
| | |
| When I'm saying to someone that I'm going to go for a walk, I sometimes get the response like: "Where to?" as if I always to need to reach a goal
| |
| | |
| my parents used to ask me to do chores and favors because oh no why would I go on walks without any purpose, goals, or benefits
| |
| | |
| walking just a way of getting out of my stuffy bubble in the house to empty my brain, to look around and just be zigzagging through the streets.
| |
| | |
| The purpose is more to walk something off rather than aiming towards a spot. It is away to maintain some space in the open
| |
| | |
| I prefer walking to places if the weather isn't too extreme, I'm never in a hurry transport is for A-B, for 1 to 0 walking is for neither, rather aimless in direction but aimful in health it's good for clearing up inner storms
| |
| | |
| either listening to the surroundings or closing off from them
| |
| | |
| I feel where people do the flaneuring I tend to want to be unnoticed, accept for greeting / politeness but other than that I just temporarily claim my walking distances as I were to be alone in a train
| |
| | |
| I talk about this walking because I feel that dull approach about what it means to be a pedestrian is rather bullshit. Plenty of people tend to want to ride their bikes, cars to get to places. I can not ride a bike due to balance problem, I never felt the urge to be the transporter vehiclist.
| |
| | |
| As if being a pedestrian isn't productive enough, as if it is bad to be dull.
| |
| | |
| I recently made a thing about public transport. _link to previous_
| |
| | |
| | |
| On the subject of a to b
| |
| | |
| When I want to be mindless, I play Eurotruck Simulator 2 and American Truck Simulator.
| |
| | |
| Which are a games that are about transporting goods.
| |
| | |
| It gives some sort of weird satisfaction of doing something as just hours of virtual driving.
| |
| | |
| It's the part of the machine, part of the connection. Being an arrow on a map
| |
| | |
| looking at the maintenance points being on the road.
| |
| | |
| | |
| It is something that truly gives me a very lay back setting. However it does give me a meta layer of these circuits connecting capital(ist) interfaces.
| |
| | |
| | |
| Looking at cities as if they were chips.
| |
|
| |
| Maps as schematics
| |
| | |
| roads as (Short) Circuits
| |
|
| |
| short circuiting when connection can not be established
| |
|
| |
| | |
| Progressive metal/ Dance/Electronic music recording artist Remi Gallégo aka The Algorithm has [https://thealgorithm.bandcamp.com/music album covers] that resemble what I mean
| |
| | |
| https://f4.bcbits.com/img/a3435944551_10.jpg
| |
| | |
| | |
| https://f4.bcbits.com/img/a1940868113_10.jpg
| |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| 1. Benchmarking as loitering practice
| |
| | |
| benchmark:
| |
| | |
| a standard or point of reference against which things may be compared.
| |
| | |
| "the pay settlement will set a **benchmark for** other employers and workers"
| |
| | |
| h
| |
| | |
| Similar:
| |
| | |
| standard point of reference
| |
| | |
| basis
| |
| | |
| gauge
| |
| | |
| criterion
| |
| | |
| specification
| |
| | |
| canon
| |
| | |
| convention
| |
| | |
| guide
| |
| | |
| guideline
| |
| | |
| guiding principle
| |
| | |
| norm
| |
| | |
| touchstone
| |
| | |
| yardstick
| |
| | |
| test
| |
| | |
| litmus test
| |
| | |
| barometer
| |
| | |
| indicator
| |
| | |
| measure
| |
| | |
| model
| |
| | |
| exemplar
| |
| | |
| classic example
| |
| | |
| pattern
| |
| | |
| paradigm
| |
| | |
| archetype
| |
| | |
| prototype
| |
| | |
| 1. ideal - a test designed to evaluate or compare the performance of computer hardware or software.
| |
|
| |
| "we thought we'd run some benchmarks on the smartphone"
| |
|
| |
| 2. 2.
| |
| a surveyor's mark cut in a wall, [pillar](https://www.google.com/search?client=firefox-b-d&sca_esv=67fc9792c54ce1a9&sxsrf=ADLYWIJNRzh4v8X6axoHo4fRYYZQ_q9rAw:1714820162357&q=pillar&si=ACC90nwzNcbSj6HKgPz_Y9fzn5jc8K7Z6dCAS352LRopcmWq3oQfzH2HKqTOhsvQYPAib2sS6u6GYeOnij1HnnEyxdlQJss4uQ%3D%3D&expnd=1&sa=X&ved=2ahUKEwiS04X16vOFAxVAgv0HHa0KAD4QyecJegQIOBBD), or building and used as a reference point in measuring [altitudes](https://www.google.com/search?client=firefox-b-d&sca_esv=67fc9792c54ce1a9&sxsrf=ADLYWIJNRzh4v8X6axoHo4fRYYZQ_q9rAw:1714820162357&q=altitudes&si=ACC90nytWkp8tIhRuqKAL6XWXX-NlfdwPdSSQAnG374XrO3m9R-PZkSgmtUTLwxOKxlEiHWmYbSZaRZgpTdivYP7SllfTBy9YFtOYpHSoRZjQ5DRrFknl6E%3D&expnd=1&sa=X&ved=2ahUKEwiS04X16vOFAxVAgv0HHa0KAD4QyecJegQIOBBE).
| |
|
| |
| | |
| | |
| 2. POINXS - POINTS OF INACCESS
| |
| | |
| | |
| | |
| LINK TO PMMNBENEBEBIJFNBNBSDDF?<gallery mode="slideshow">
| |
| File:WhatsApp Image 2024-04-24 at 14.06.43 097080c0.jpg|No pedestrian?! pic made by Thijs :))))
| |
| File:WhatsApp Image 2024-04-24 at 14.06.44 a77cb6c7.jpg
| |
| File:WhatsApp Image 2024-04-24 at 14.09.33 6883b728.jpg
| |
| </gallery>
| |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| [[Lorenzo's Projects that May/Mayn't|Projects that May/Mayn't]]
| |
| | |
| | |
| | |
| | |
| <code> <pre>
| |
| Reader:
| |
| | |
| - Eigen Welzijn Eerst - Roxane van Iperen
| |
| | |
| | |
| | |
| - Synopsis
| |
| An Ourobouros: the snake biting it's own tail. == the circle that the writer intended to go through:
| |
| 1. Equality as a starting point
| |
| 2. The rise of Nativism in NL == the ideas of a first class and second class citizen (the end of equality)
| |
| 3. The fear of falling (meaning the middle class being afraid of falling back to a / the lower class, being pressure with the future perspective of an offspring not being able to enjoy the privileges of their parents)
| |
| 4. The Closed Circle of the middle class (The Country Club Mentality, so creating your own little clubs to gain exclusivity)
| |
| 5. Wellness-Right (The radicalization of the group within the middle class)
| |
| | |
| this 5-step program plays with of the ourobouros, the snake biting its own tail in the sense of progress.
| |
| idea 'we have reached emancipation, we can now claim our superiority'
| |
|
| |
|
| | === Bernadette & Rosa https://pad.xpub.nl/p/prototyping-colloquium-lorenzo-2 === |
| | <blockquote> |
| | > Rotterdam and Riesa |
|
| |
|
| | > they looked at merchandise and marketing |
|
| |
|
| | ''Marketing is produced outside of the marketed city. Rotterdam has popular merchandise'' |
| | | |
| | ''Riesa uses German mythological creatures and story to profile its city.'' |
|
| |
|
| Paraphrased from the website: https://www.roxanevaniperen.nl/eigenelzijn-eerst
| | # ''"No strong feelings against city marketing. Marketing is not known to address a city's issues. Promoting a city doesn't hide its issues."'' |
| | | # ''City Marketing is a very subjective perspective on a city, optimistic so it sells better ofcourse.'' |
| <blockquote>
| |
| | |
| Nederland heeft lang een zelfbeeld van openheid en tolerantie gehad. Dat beeld kwam voort uit het naoorlogse optimisme van de middenklasse, die geloofde in kansengelijkheid, ongeacht afkomst of achternaam, en het belang van goede publieke voorzieningen. Zo zou elke nieuwe generatie het beter krijgen dan de vorige.
| |
| Het geloof in vooruitgang is de afgelopen jaren afgebrokkeld en heeft onder invloed van de politiek plaatsgemaakt voor een sterke hang naar zelfbehoud, met extreme sentimenten tot gevolg. In Eigen welzijn eerst laat Roxane van Iperen op prikkelende wijze zien hoe dit heeft kunnen gebeuren, en spreekt ze de hoop uit dat de middenklasse opnieuw de vooruitgangsgedachte omarmt.
| |
| | |
| Rond het verschijnen van Eigen welzijn eerst op 10 mei gaf Roxane interviews aan De Telegraaf en Het Financieele Dagblad en sprak ze met Leon Verdonschot voor Linda: lees het hier. Ook schoof ze aan bij de Zelfspodcast en de talkshow Khalid & Sophie. Het essay werd gepresenteerd in De Rode Hoed en stond vier maanden in de Bestseller60, waar het de 2e plaats bereikte.
| |
| | |
| ‘Een messcherp pamflet en een klassiek essay brengen het hedendaagse egoïsme in kaart… In Eigen welzijn eerst zet schrijfster Roxane van Iperen zeer effectief de kettingzaag in het gedrag van yogamoeders en andere spirituele kruidenheksen die Facebook en omstreken opstoken met deskundologische wijsheden over opvoeding of huidverzorging. Wat we denken te zien is een sociale media-gezondheidsbeweging, met mooie foto’s van moeders met kinderen aan de borst en tegeltjeswijsheden over nachtrust. Wat we moeten zien is ‘wellness-rechts’, een agressieve marketingmachine die extreem-rechts gedachtengoed normaliseert. Men schakelt in die contreien nu in één moeite van anti-vaccinatie naar pro-Poetin. Tussen ‘eigen lijf eerst’ en ‘eigen volk eerst’ zit weinig licht.’
| |
| | |
| **** Menno Hurenkamp, NRC Handelsblad
| |
| | |
| ‘Dat is wat mij betreft het belangrijkste inzicht uit het boek: laat de vooroordelen los, en probeer je voor te stellen hoe het kómt dat een groep mensen bang is en zich zorgen maakt. Dat hoeft niet te betekenen dat je dan ook alles wat die groep zegt en doet goedpraat, maar het betekent wél dat je probeert te achterhalen wat er achter die uitspraken schuilgaat. Dan pas kun je de voedingsbodem voor die angst aanpakken.’
| |
| / Dilara Bilgic, De Correspondent
| |
| | |
| </blockquote> | | </blockquote> |
|
| |
|
| - Why is this text important to my research/work
| | === Anita & Riviera https://pad.xpub.nl/p/lorenzo-colloquium-anita-and-riviera === |
| It deals with normality and the rise of neoliberalism. The mechanism of what we define as 'wellness' and 'normal' and 'fit'.
| | <blockquote><u>'''> Anita looked at the city of Treviso, Italy on its own and its digital entrance'''</u> |
| I wanted this book for the idea of Wellness Right-critique. It speaks about the classes towards health being something you are in charge of. Which is an unfair statement to people with disabilities / illness. My graduation project was a work about the wellness, spirituality industry. Another big source was the Conspirituality podcast.
| |
| | |
| | |
| - Annotations and notes
| |
|
| |
|
| --> format: up to you (transclusion optional!)
| | ''Anita: there seems to be restricted access to the website unless you currently live there, but you can also log in with social media. The information behind this barrier is none. There is a live stream of one of the main squares of the city you can watch'' |
|
| |
|
|
| | ''I think it is quite hard for me to be critical and analyse Treviso now, as I have not lived there for 5 years and am lacking a lot of information of living there now. I am a tourist when I go back and so much has changed since I moved away. I remember there being quite a lack of cultural activities and specifically activities for teenagers that did not involve drinking or just hanging out in the 'loggia dei cavalieri' or 'buranelli''' |
|
| |
|
| - Pick 2 or 3 references (they are not fixed or set in stone, don't spend too much time picking the best references)
| | '''<u>> Riviera focussed more on city planning and criteria via the official channels</u>''' |
|
| |
|
| | ''Context: the planning process in the UK is longwinded and complex. There are a lot of slow-moving parts so it takes a long time to get anything done. Camden is a region in the North of London.'' |
|
| |
|
| | ''There's a planning search tool (Currently in beta) where applications can be searched for according to the following criteria:''</blockquote> |
| | ''Application Number / Applicant Name / Agent Name / Site Address / Street Name / Proposal Key Word / Ward / Application Type / Development Type / Status'' |
| | <blockquote>'''''Co-ordinates of planning in Camden Council''''' |
|
| |
|
| | ''I would take account of listed properties, use cases, comments from the public, objections, proposals, opinions, agreements, appeals, communities, councils, parishes, areas of outstanding natural beauty, the greenbelt, the brownbelt, people who protest "Not in my back yard!" and others who want to build absolutely nothing anywhere near anybody. And, of course, planning applicants who want planning permission.''</blockquote> |
|
| |
|
| | === Wang, Alessia & Maria https://pad.xpub.nl/p/wam === |
| | <blockquote><u>'''> Maria looked at the pavements, ever changing town square per government change in Athens, Greece'''</u> |
|
| |
|
| | ''Touristic areas is treated differently (maintenance wise)'' |
|
| |
|
| - Write a synopsis (even if you haven't read it
| | ''Floods in Athens because of problematic city planning'' |
|
| |
|
| | '''''Proposed changes for livability:''''' |
|
| |
|
| | '' 1. Create specific paths around the city for pedestrians, elderly people and people with disabilities or strollers and add a layer on (google) maps with these paths.'' |
|
| |
|
| - Why this is important to you | | '' 2. Allow pets on public transport'' |
| This essay is a historical / political / socially / critically accurate book. It shows the dangers of nostalgic elements in political populist beliefs "Before THEY came it was BETTER", it shows how the most progressive 'looking' people having conservative values: "Father with beard and tattoos and modern fashion and mother with purple long hair and a nose piercing and a hippie dress maintaining conservative thoughts like not vaccinating their kids because of political biases".
| |
|
| |
|
| | '''<u>> Alessia looked at Venice, how tourism is, again, more important than maintenance</u>''' |
|
| |
|
| | ''It's a sinking city, melancholic city.'' |
|
| |
|
| | ''The population is melancholic too.'' |
|
| |
|
| | ''It's not a city for anyone with any kind of disability, accesibility is not something the politics care about, the preservation of the city aesthetic is the most important thing.'' |
|
| |
|
| | ''High water, Syrens system for the high water, soundscape of the city, Demographic index of Venice population Depopulation, Disneyfication of the city ---> Venice is not disneyland, on social media as an archive of city memories and complaints. Venice is built on logs.'' |
|
| |
|
| - If you're drawing blanks/not sure about a reference, browse the bootleg library
| | '''<u>> Wang looked at ChongQing, analyzing its heights and depths, considering it is a mountain area city.</u>''' |
| bibliography
| |
|
| |
|
| | ''ChongQing is a city in the East-South part of China, it is a city build on a mountain, some say ChongQing is a 8D city because all the roads, buildings streets are overlapping, sometimes when you get off from the 1st floor but you're actually at the 20st floor of another building.'' |
|
| |
|
| | ''It is a very interesting city for travel and food(where the hot pot comes from), but a nightmare for drivers and uber eats.''</blockquote> |
|
| |
|
| | === Michel, Mania & Zuzu https://pad.xpub.nl/p/michel-mania-zuzu === |
| | <blockquote><u>'''> Mania looked at the promises of a better developed square in Warsaw'''</u> |
|
| |
|
| | ''For so many years we have been waiting in promise for better development of the square in the very center of Warsaw. I remember growing up with this promise that museum of modern art will be build there. The first thing you see after leaving the central station is a huge parking lot. An exhibition hall was built on the Vistula River - intended to serve as a temporary museum. And even though we finally have a museum in the center (it opens in October), the museum on the Vistula River remains - cause it became an absolutely fantastic spot.'' |
|
| |
|
| | ''In addition, Warsaw is full of advertisements that scream non-stop! There are also plenty of street markets and kitsch. Previously, I was annoyed by the lack of control and any restrictions regarding advertising and the onslaught of information in public spaces, but now, living in a country where the streets seem so perfect, I miss the kitsch present in my hometown.'' |
|
| |
|
|
| |
|
| | ''If I could change something in my Home town I would definitely add more '''bike paths.''' I see its already improving but still I dont feel very safe cycling there. That would be the first thing on my list. Once I was hit by a car while cycling in a pouring rain . But I have to admit that the rental bike Veturilo works great.'' |
|
| |
|
| Reader:
| |
|
| |
|
| - Collection of texts/works (in whichever way you would like to include it (section/whole text/...), How is the original present in the reader?)
| |
|
| |
|
| | '''<u>> Michel wrote about food in Taipei, Taiwan but also the mobility and overcrowdedness</u>''' |
|
| |
|
| Ten Theses on Life Hacks - Former XPUB1
| | ''Din Tai Fung based in Taipei, Taiwan. It is known internationally for its paper-thin wrapped xiaolongbao with 18 folds.'' |
|
| |
|
|
| |
|
| | ''I lived at the bottom of a steep hill. Every time I wanted to get to the center it took forever and I had to carry my bike up the hill. There is a better, less steep driveway that goes a little further, but there is no bicycle path and the road is quite narrow and uncomfortable among cars. However, going down a steep heel is great and I loved coming home along that route, accelerating to wild speed and screaming while going down.'' |
|
| |
|
|
| |
|
| "Life Hacks in general aren’t taken too seriously. The ten theses
| | ''Foe my perspectives, it would be nicer if there’s less population in Taipei. Now the estimated population is nearly 3 million(2,766,330) and the size is 271.80 km2 which is the similar size to Amsterdam(243.65 km2), but the population is only around 1 million (1,182,000). I've always struggle to live in a crowed city like this. Also there are too many motorcycles and cars in the city so the government doesn’t focus on the rights of pedestrians and bikers. I always feel unsafe when I cycling or walking on the streets in Taipei, perhaps it is one of the reasons for me in order to have a better lifestyles and living quality in other places.'' |
| in this document are meant to provide a widened perspective on
| |
| Life Hacks, and on their relationship to our collective experiences
| |
| and reflections. The criteria listed in first thesis allow us to test
| |
| whether something is a Life Hack or not. The remaining theses
| |
| present extended arguments, supported by examples, that
| |
| identify specific features of Life Hacks, the environments they
| |
| exist within, and the kind of culture they foster.
| |
| This publication’s format incorporates the Life Hack ethos. With
| |
| the addition of a series of holes, each loose page can be seen as | |
| a hackable surface. We invite you to collate and bind them, | |
| making an eclectic choice from a range of unorthodox materials." Copy of p1.
| |
|
| |
|
|
| |
|
| - Synopsis
| | '''<u>> Zuzu described Shanghai, its temples and the urban development(or decay) and the tensions that could establish between the inhabitants</u>''' |
|
| |
|
| | ''Jing'an Temple in Shanghai, situated in a highly coveted and expensive area of the city center, has preserved a Buddhist site amidst the urban sprawl. This has given rise to many urban legends, such as claims related to feng shui, with some believing that the temple's presence boosts the prosperity of the surrounding commercial district.'' |
|
| |
|
| It seems that this text is looking at worthless and very meme-able lifehacks that could make your life easier but 9/10 times don't really do that.
| | ''Strangely enough, in stark contrast, there's a saying that Shanghai has the most vibrant Halloween atmosphere in the world.'' |
|
| |
|
| - Why is this text important to my research/work
| | ''There is a growing need to establish boundaries between people, especially in public spaces. Perhaps this is something that can be cultivated, though I am not entirely sure how. People seem to clash so easily, quick to anger. The last time I stayed in Shanghai, I was there for barely a week, and I felt an overwhelming urge to escape. Maybe it was the summer heat—it magnified my senses, and I became more irritable, more sensitive to everything around me.'' |
|
| |
|
| Selling the interaction 'doing nothing' as a life changing product is shit. (I wanted to say is just something I would really disagree with, but then my fingers wrote shit and that was a better tl;dr definition.)
| | ''At the same time, I long for it to lessen the political overtones—the large, slogan-like banners on the streets, the uniformity of shop signs. There’s a sense of rigidity in it all, a subtle pressure that lingers, making the everyday feel more controlled, less free.''</blockquote> |
|
| |
|
| I speculate that these theseseses have an echo chambery effect on me but I might just read a lot of their sources.
| | === Thijs & Victor https://pad.xpub.nl/p/oslo&duiven === |
| | <blockquote><u>'''> Victor viewed the buildings, international appeal, (re)branding'''</u> |
|
| |
|
| | ''A city with many faces?'' |
|
| |
|
| - Annotations and notes
| | ''barcode – early 2000 financial district modern late capitalist vibe'' |
|
| |
|
| --> format: up to you (transclusion optional!)
| | ''this area is where a lot of new fancy architecture is being displayed, as it is right by the water it is kind of the face outwards of Oslo, or an attempt at this. this area is a bit touristy and not really a place most Oslo people hang out.'' |
|
| |
|
|
| | ''prides itself in being a "environment-capital" – whatever that means..'' |
|
| |
|
| - Pick 2 or 3 references (they are not fixed or set in stone, don't spend too much time picking the best references)
| | ''to appeal to international business or something'' |
|
| |
|
| - Write a synopsis (even if you haven't read it yet)
| | ''has pretty good public transport, but it has been a bit mis-managed, for example they redid the tram tracks like twice in 5 years because of new trams that were to heavy when for the tracks when they first renovated.'' |
|
| |
|
| - Why this is important to you
| | ''this is a bit typical I feel, that they undertake ambitious projects that always go over time and over budget'' |
|
| |
|
|
| | ''poster making tool released in relation to overhaul of Oslo visual identity: which embraces flat illustration and very simplified geometric visuals.'' |
|
| |
|
| - If you're drawing blanks/not sure about a reference, browse the bootleg library
| | ''the rebranding caused a controversy regarding some lettering on a sports stadium'' |
|
| |
|
| | ''slogan from the city herladic'' |
|
| |
|
| [[File:You may not have a purpose when you do nothing.jpg|thumb]]
| | ''Unanimiter et constanter – «Enig og standhaftig». something like unified and resilient'' |
|
| |
|
| https://www.roxanevaniperen.nl/eigen-welzijn-eerst
| | ''old city with stone-age settlements'' |
| </pre> </code>
| |
|
| |
|
| [[File:How to seem like you know what you are doing.jpg|center|thumb]]
| | ''growing up in the suburbs of Oslo playing outside with immidiate vicinity to the forest was defining.'' |
| [[File:Do Nothing.jpg|left|thumb]]
| |
|
| |
|
| | ''has a strong sense of east/west division marked by the "Akers-elva" a river that was the epicenter of industry in the 1800's. Now adays most of the areas that used to be considered "rough" in the city pre 2000 have been heavily gentrified and is now the hippest trendiest most neo-liberal areas in particular "Grünerløkka"'' |
|
| |
|
| | <u>'''> Thijs dove into the municipality of Duiven, its portraits, planning, project renders, identity, mapping, weapon(shield?)'''</u> |
|
| |
|
| | ''Mix of old town (for a Dutch town this size) and 'quiet suburb from Arnhem', situated in an area with lots of rivers, and remnants of the Roman Limes (region is also called Liemers)'' |
|
| |
|
| | ''Sketch from Duiven from 1742'' |
|
| |
|
| | ''Municipality Duiven consists of 3 towns, Duiven, Loo and Groessen''</blockquote> |
| | ''In zilver 3 duiven van azuur, de eerste bedekt door een vrijkwartier van keel, beladen met een karbonkel van goud en over alles heen een hartschild van zilver'' |
| | <blockquote>''In the last 10 years, the 'town center' has seen an overhaul, now called 'Vitaal Centrum' (funny as most people living in the center are elderly, and there are a lot of 'vitality centers' around. Part of these plans include 45 'sociale huurwoningen' for people ages 55+. Some humble bouwplannen near De Ploen 'Projectfasen' only have 1 phase''</blockquote> |
|
| |
|
| == <code>MIKROKONTROLLER == | | === Notes I got from Manetta: === |
| | <blockquote>((Expressions of gratitude))<syntaxhighlight lang="f#"> |
| | Obsession/research/question |
|
| |
|
| convo w/ arduino <pre>
| | postcard utopianism |
| Hello World
| | "best scenario" |
| World
| | city marketing |
| Hello World
| |
| Hello World
| |
| Hello World
| |
| �����䤅����
| |
| �������������get that coffeeeeeee
| |
| get that coffeeeeeee
| |
| ����ݟ�ی��ی�ی�����������ݟݚ��������H���������ݟݚ�֝֘˘֝���������ېۘ����ې���ݛݟ��ݚ��ݟ��H����ې��������錏ݟ���������ݟ�ם֝֝֝��������������������get that coffeeeeeee
| |
| ���ט�ݛ���㌏�ט�H�get that coffeeeeeee
| |
| �א���ی��㌏��ݚݛ��ݚݛ����get that coffeeeeeee
| |
| ������ݟ����ݚ������������ۘ���get that coffeeeeeee
| |
| ��������H����㌏����֝�ݚݚ��������������˘���H�����ݚ�ېې�����ݟݛݚ�������ݟ������ݟ��L�������������㌏����get that coffeeeeeee
| |
| ��ݟH���ݛ����������ݟ��������֝���������ݟ��������阋���������ݟ�����ۜ������挏��������get that coffeeeeeee
| |
| get that coffeeeeeee
| |
| �����錏��������ݚ�������ݟ�ݛ������ݟ������L����H���ی�������ی�ۜ���get that coffeeeeeee
| |
| ������M,��]N�[��L�����5�d����������@����`�����6y��6y��6Y��M,������you know what, make it 2
| |
|
| |
|
| | "where you come from": how does this city profile itself? |
| | "what do you want to change": which axes do you want to add? |
|
| |
|
| | athens: infrastructural tours |
| | oslo: visual identity; we just copy paste a typeface everywhere, not adopt it to a specific place |
|
| |
|
| </pre>
| | - "collective jam session for research" nice |
| </code>
| | - pretty open session... intentionally? |
| | - from the municipality pov... from the specific needs pov... |
| | - from which perspective do you speak? |
| | issue of time gaps, not living there anymore, .. interestingly brings up the specificness of perspective |
| | tourists (alessia), youth (anita), disabilities (maria), city marketing (bernadette), pets (maria), city design (victor/zuzu), history (mania), biggest/tallest records (mania), advertisements (mania), city planning (riviera) |
| | - |
|
| |
|
| LDR NOIZE
| | - unpack! |
| | - video municipality.. time to observe together? |
| | - quote Jara Rocha + Femke Snelting |
| | - xyzt axes, what do they do, where are they used? |
|
| |
|
| int ldr = A0;
| | How will collected material be used? Why are we doing this? Work towards concrete outputs? |
|
| |
|
| void setup() {
| |
|
| |
|
| Serial.begin(115200); // USB
| | Personal perspective works! |
| | Moment of sharing after first part would work |
|
| |
|
| pinMode(ldr, INPUT); // LDR == input
| | --- |
|
| |
|
| }
| | XYZT+? as a method |
| | method to critique + reflect (!) |
| | building infrastructure for this method as a way to circulate it |
| | </syntaxhighlight></blockquote>[[File:Questionmarkeyes.jpg|thumb|Question Mark Eyes]] |
| | <br />TIMESTAMPS AND ANALYSIS |
| | <small>Notes: 10-11: Groups are made, people are invested, I think people are going for it and are enjoying themselves. There were some questions but not changing in context or so.People were really focussing and so I added a few minutes.<br /> |
| | Notes 11.15 - 12.15: There were some confusions about how to apply the second part. There were some thinking eyes as if I were in a forest and owls are all looking at me from the dark hahaha. Overall, people were sharing anecdotes and arguments<br /> |
| | around 11:45 I went for a walk around to see how things are going :))</small> |
|
| |
|
| void loop() {
| | === REFLECTION OF THIS SESSION: === |
|
| |
|
| int value = analogRead(A0);
| | === i === |
| | The first part of this colloquium was by far the most successful. Because people were invested in going in to groups, even though it took some seconds to get into the zone of diving into their places of origin. I intended to make this a collective jam sessions for research, I was a bit too deep with my head into Rotterdam and I wanted to see how other people would go into their own places. |
|
| |
|
| Serial.println(value);
| | === ii === |
| | The second part of the colloquium was something I was invested in at the time but not sure how I would adapt this. Because I aiming towards 3D renders specifically. It would have been better to review this in the second part. |
|
| |
|
| delay(100);
| | === !? === |
| | Moments of sharing after first part would have worked better. |
|
| |
|
| }
| | The ?? I had myself and also were ?? in the room: |
|
| |
|
| LED X 1
| | * Personal perspectives, stories and observation give so much more context and understanding about the places we are in, rather than the ideas that are being shared from municipalities and commercial outputs. There is a nuance to be found in municipalities. Marketing is about attracting audiences, so it uses the products best qualities to attract. Urban planning is more of a gamble and analysis. How will a municipality grow, what zones are there, do they fit (all?!) needs, etc. ''"predicting population growth, zoning, geographic mapping and analysis, analyzing park space, surveying the water supply, identifying transportation patterns, recognizing food supply demands, allocating healthcare and social services, and analyzing the impact of land use."'' The visuals that come with the planning, relate to X(width), Y(height) Z(depth) & T(time). But where do the needs go? What kind of method would showcase these needs? Not only to critique but also (maybe even more) to reflect. |
|
| |
|
| int ledPin = 12; //the int ledPin is 12
| | === <sup>''<code>What kind of infrastructure would work in ways of circulation. Getting the questionmarks around?</code>''</sup> === |
|
| | <sup>''<code>city planning as annotation / drawing out loud method?</code>''</sup> |
| void setup() {
| |
| pinMode(ledPin,OUTPUT); //ledPin is a OUTPUT
| |
| }
| |
|
| |
| void loop() {
| |
| digitalWrite(ledPin,HIGH); //turns pin 12 on
| |
| delay(500); //stops the loop for 500 milliseconds
| |
| digitalWrite(ledPin,LOW); //turns pin 12 off
| |
| delay(500); //stops the loop for 500 milliseconds
| |
| }
| |
|
| |
|
| LED X 2
| | [ ] public moment [[File:Renderplotter.jpg|thumb|pen plottered pamphplet|left]] |
| <br />int RedLedPin = 8; //the int RedLedPin is 13 | |
| int GreenLedPin = 12; //the int GreenLedPin is 12
| |
|
| |
| void setup() {
| |
|
| |
| pinMode(RedLedPin,OUTPUT); //ledPin is a OUTPUT
| |
| pinMode(GreenLedPin,OUTPUT); //ledPin is a OUTPUT
| |
| }
| |
|
| |
| void loop() {
| |
| digitalWrite(GreenLedPin,HIGH); //turns green led on
| |
| delay(5000); //stops the loop for 5000 milliseconds
| |
| for(int i = 0; i < 5; i++){ //this for loop gets 5 times repeated
| |
| digitalWrite(GreenLedPin,LOW); //turns green led off
| |
| delay(500); //stops the loop for 500 milliseconds
| |
| digitalWrite(GreenLedPin,HIGH); //turns green led off
| |
| delay(500); //stops the loop for 500 milliseconds
| |
| }
| |
|
| |
| digitalWrite(GreenLedPin,LOW); //turns green led off
| |
| digitalWrite(RedLedPin,HIGH); //turns red led on
| |
| delay(5000); //stops the loop for 5000 milliseconds
| |
| digitalWrite(RedLedPin,LOW); //turns red led on
| |
| }
| |
|
| |
|
| <br />
| | == /XPUB2/PROTOTYPING/PUBLICMOMENT == |
| | 13-11-24 |
|
| |
|
| <code>LDR NOIZE<pre>
| | This presentation felt like I was presenting multiple things all at once in a sort of mess. I had some conversations and there were good points and cases. I wanted to talk with people but I felt like I 'had nothing to show'. I was showing my own research but I did not feel like this was the right way of showing things. I hadn't fully processed and reflected on the Colloquium and the tutorial with Manetta. So I had a feeling of just standing next to something which I didn't fully support. I felt less 'prepared' than others because I have not felt security and agency over the mess I was trying to sort out. I have a lot to work with but again, narrowing down is het most important part. |
|
| |
|
| int ldr = A0;
| |
| int pinTone = 11;
| |
|
| |
|
| | ====== 06-11-24 ====== |
| | Looking back from the previous few weeks. I went from the personal accessibility to the rendering image of where I live. I am a bit in between the hyperpersonal and the macropoetic feelings. |
|
| |
|
| void setup() {
| | The feedback story of my life is I need to start narrowing down.[[File:The setup for the public moment.jpg|thumb|the setup for the public moment]] |
| Serial.begin(115200); // USB
| |
| pinMode(ldr, INPUT); // LDR == input
| |
| }
| |
|
| |
|
| void loop() {
| | The public moment had a positive outcome. I talked <s>too much</s> a lot and there were some nice conversations, however I felt like I needed to defend something. |
| int value = analogRead(A0);
| |
| tone (pinTone, value*0.2);
| |
| Serial.println(value);
| |
| delay(100);
| |
| }
| |
|
| |
|
| </pre></code>
| | The inputs and interests were analyzing and gave me some nice references. [[File:Bellebows-tiktok (bellebows4117).gif|thumb|I just recovered from my flu shit, barely digested the colloquium and feedback + tutorial I had 21-10-24. This public moment felt like I was sharing my own questionmarks with other people. As if I exposed things in a way too premature state. ]]There was one feedback that kinda just got me REALLY frustrated -----> someone asked of 'isn't that just part of living in a big city everywhere?' and it just felt like it was a mood killer. Whilst my points were about making new city planning, marketing imagery while the things that we don't see rendered are still there. |
|
| |
|
| NOIZE POTENTIOMETER
| | There was also a remark, asking if I was working with the municipality. |
| int poti = A0;
| |
|
| |
| void setup() {
| |
| Serial.begin(115200); // USB
| |
| pinMode(poti, INPUT); // LDR == input
| |
| }
| |
|
| |
| void loop() {
| |
| int value = analogRead(poti);
| |
| tone (10, value*0.5);
| |
| Serial.println(value);
| |
| delay(10);
| |
| }
| |
|
| |
|
| | I need(ed) to digest and reflect and the public moment was a good moment to reflect if I am clear or not. I was sharper at the colloquium. |
|
| |
|
| | I have bought books, I still want to buy one more. I am also thinking about how to continue developing a method.<gallery> |
| | File:Render pamphlet.jpg |
| | File:Beyourselfcosmetics.jpeg |
| | File:Renderflat1.jpeg |
| | File:WhatsApp Image 2024-06-20 at 12.00.12 e4895242.jpg |
| | </gallery> |
|
| |
|
| <code><pre>
| | == meeting with Michael == |
| | | The moment I reflected with Michael, I was rambling a bit in the beginning. How things were going and then looking at what I have done for the project proposal until now. |
| int BUTTON = A0;
| |
| int speaker = 10;
| |
| | |
| | |
| void setup() {
| |
| Serial.begin(115200); // USB
| |
| pinMode(BUTTON, INPUT); // LDR == input
| |
| }
| |
| | |
| void loop() {
| |
| bool value = digitalRead(BUTTON);
| |
| if (value){
| |
| Serial.println ("ALARMSTART");
| |
| for(int peter = 0; peter < 5; peter++){
| |
| for(int frequency = 500; frequency<1200; frequency++){
| |
| tone(speaker, frequency);
| |
| delay(0.5);
| |
| }
| |
| noTone(speaker);
| |
| delay(1);
| |
| }
| |
| Serial.print ("ALARM END");
| |
| }
| |
| else{
| |
| Serial.println ("DEPRESSED");
| |
| noTone (speaker);
| |
| }
| |
| }
| |
| //tone (10, value*0.5);
| |
| //Serial.println(value);
| |
| //delay(10);
| |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| </pre></code>
| |
| | |
| | |
| | |
| | |
| <code><big>H e l l o and well come to the.......................................................................</big></code>
| |
| | |
| == 🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉 ==
| |
| <big>== '''Assesmental Presentental Wikipageroo aka Lorenzo Quint's''' ==</big>
| |
| | |
| = ''*airhorn sounds* == '''BEST OF XPUB1 TRIMESTER 1 & 2 = Protocolastic Quiltessential Boogaloo''' == *that windows celebrational noise.mp3*'' =
| |
| | |
| == 🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉 ==
| |
| BEFORE WE START I WOULD LIKE TO say that this is a type of presentation format I'm just playing with. Everything is in one place on this page. I will scroll back and forth, I will reflect and whilst making this I'm overthinking about this being the right way, but there is no right way. Anyway let's get on with the show->>>>>
| |
| | |
| | |
| <big>This is the page you will be watching whilst experiencing the process I went through. It will be a bit on the linear chronological side. As an old wise cliché once said whilst gazing to the inevitable sunburn:</big>
| |
| | |
| <image of a mountain.jpeg> <some wacky pseudoscientific font.otf>
| |
| | |
| <big>''You need to look backwards in order to look forwards. (Or if you want to use a cheat code up up down down left right left right B BA RT LT left X O spacebar spacebar spacebar epic backspace)''</big>
| |
| | |
| | |
| | |
| so before we ask ourselves: [[How did we get here?]] / Transport / /DOOR/PORT.html
| |
| | |
| I'm first going to talk about the first trimester.
| |
| | |
| == SI22 -> Graveyard - > Questionnairerasure / protocols for passive hoarding / Marie KonDON'T -> ByteNoise: Sound You See Me, Sound You Don't ==
| |
| <blockquote>'''THE GRAVEYARD METAPHOR'''
| |
| | |
| When we were working in the WordHole and thinking about metaphors for the archive.
| |
| | |
| The state of grief influenced me about how to deal with an archive. We were talking talking about ways to work with amounts of data and my Metaphor came about a graveyard as an 'archive' with the 'datasets' on the stones. The idea was about having a place where we could 'bury' the files that were not used in order to give some honour to the effort concerning the making of the radio worm.
| |
| | |
| I said in my recording that at some point you just need to let it go because it's not coming back. The things that would be thrown away in the recycle bin folder, were still on the hard drive.
| |
| | |
| A proposition I made back then was "maybe we just leave it as is and just delete them and have a radio memorial service as a last salute rather than saving it for maybe later purposes without knowing when or if it would be used."
| |
| | |
| And I was clearly stating it as NOT Marie Kondo'ing it but just for the sake of cleaning up > maintenance.
| |
| | |
| Cleaning out the space, what is important?
| |
| | |
| Active archiving -> the 'worm' goes into the ground and there is stuff everywhere but 'worm' just goes where there is food. All the other things in the ground are dissolving and rotting away anyway.
| |
| | |
| To look at the idea of do we need this later, No. </blockquote>during a methods class with Steve, we were doing an exercise that was about 'free for all typing' considering our thoughts on the special issue in order to create a narrative (from what I can still remember). It became a poem that with the format of the codeblock presented as some sort of net-poem. <syntaxhighlight lang="abap">
| |
| <i> Questionnairerasure
| |
| | |
| Are worm a space a radio and a place and more
| |
| | |
| I listen in / to worm
| |
| | |
| I go out I listen I read and I archive. Through the pipeline |
| |
| | |
| can’t keep anything that is clutter but need to keep the importance and dance.
| |
| | |
| not the snake, am the wormoborous the community that feeds on ourshelves.
| |
| | |
| Leave the archive as to what is important rather than imported. leave files
| |
| | |
| And will come around and eat the cookies the crumbs lost. !important
| |
|
| |
|
| Use the space for the next to continuity in unity of the worm
| | === Trying to get my brain a bit more structured and searching for distinction between one and the other === |
|
| |
|
| Prepare for leaving but never for farewell. Say goodbye to what you usen’t.
| |
|
| |
|
| Is het kunst of kan het weg?
| | I want to make choices |
|
| |
|
| meaning
| | <big><sup>'''''what goes in the project proposal? | what goes into the thesis outline'''''</sup></big><small>?</small> |
|
| |
|
| Is it art or can it be thrown in the trash
| | <small>is the proposal an outline of the method? | do I criticize renders in the thesis?</small> |
|
| |
|
| Can we empty the bin
| | <small>Is the visual essay a project | or is this visual essay the thesis</small> |
|
| |
|
| In order to begin where our wormhole left us
| | <small><nowiki>I want to use drawing as an alternative ~~~~~~ | ~~~~~~~~~~ to the hollowness of the 3D renderings and other visuals</nowiki></small> |
|
| |
|
| If moved from here to there to then from now
| | <small>visualize the tensions /// | Is the tension something I describe in the thesis?</small> |
|
| |
|
| What is taken
| | <small>a method as a human touch as reminder of the human complications | the 3d renderings that are calculated based on over simplifications</small> |
|
| |
|
| What is taken into consideration
| | <sup>how does this method look like?</sup> | <small>Is the visual essay of the project proposal more the output for the thesis, rather than the project? Did my confusion develop here?</small> |
|
| |
|
| In what state is the open city, In which state lies it and how do you leave it
| | <small>Is it a pamphlet? cartoon? | or are those illustrations that will end up in the thesis?</small> |
|
| |
|
| The space as the wormhole through the wordhole takes us into the active archivalry.
| | <small>will it result into a form of countermapping and an anti-campaign? | Do I even have to be (de)finite about this or am I overthinking this?</small> |
|
| |
|
| The physicality contradicts the practicality, being pragmatic of fragments
| | <small>SHOWING THE LACK THAT IS BINDING / CRACKS. | BUT THEN ALSO WITH WORDS</small> |
|
| |
|
| Being pragmatic over the roots of the space into the data trees
| | <small>developing this method, granting myself multiple reasons and ways to start experimenting | critique / reflection of the city, start with a tile...</small> |
|
| |
|
| What can be erased? In order to digest, what is there
| | <small><nowiki>Is this a drawing ? ~~~~ | a first location from the smallest tile (at home) to zooming out / 3d renderings that show the big picture. | ~!!!~~ or a chapter¿</nowiki></small> |
|
| |
|
| It should be clear, or cleared or ´klaar´ which means done
| |
|
| |
|
| You can store it elsewhere but that isn’t viable over the long run, worms don’t run, they crawl and feed on what is there.
| | [ ] I need to make |
|
| |
|
| This is no calling for to be sterile or a vote for marie kondo, please kondon’t, but only the wormunity can understand what needs to be kept
| | [ ] I need to read |
|
| |
|
| Who are the worms, do they want to keep everything?
| | [ ] I need to write |
|
| |
|
| Are they capable of leaving recordings behind?
| | [ ] the project proposal specs / examples |
|
| |
|
| Is it a doom scenario to delete stuff to remain active in archive
| | [ ] thesis outline specs / examples |
|
| |
|
| Or does cluttering / hoarding / keeping storage in servers and clouds fit the idea or the worm
| | [ ] continue writing the first essay and drawing the first drawing for Steve's commissioning. |
| | |
| | 06-11-24 I feel like I am in a bit of a slump. There was a very nice process I was in. I have good things going on but I just feel like I am stuck for a second. |
|
| |
|
| Will the worm be worn out because of the ecological ideas of the worm
| |
|
| |
| The worm can’t proceed while being stuck, the worm needs to crawl in order to move, to breathe through the space, how does the worm think of using the space,
| |
|
| |
| How do you conserve if conservation can harm the soil, maybe digging a bit too deep in these old gardened graveyards but if we wish to make an apocalyptic doomsday protocol, we must show tough love about the institution of the open city. How do we maintain traffic in a city if the city is blocked and clogged?
| |
|
| |
| Making the worm accessible and open implies that space is made. In what order does the worm make space for achieving an active archive rather than proceeding as the hoarding worm.
| |
|
| |
| Consider this an open call for an open city, an open space for an open mind where questions are open food for thought that the worm can digest again and let its excrements be dissolved in the past. </i>
| |
| </syntaxhighlight>
| |
| | | |
| This poem then lead as on of the backbones to
| | == XPUB2/PROTOTYPING/F(L)OSS == |
| | PS -> GIMP |
|
| |
|
| == ''Byte Noise: Sound you see me? Sound you don't'' (w/ Senka) ==
| | INDD -> SCRIBUS |
| [[File:SI22 Launch image Byte Noise 1.jpg|thumb|© Florian Cramer]]
| |
|
| |
|
| |
|
| {{User:Lor.ensō/Lorenzo's Byte Noise project process page}}
| | AI -> INKSCAPE |
|
| |
|
| == METHODS IN TRIMESTER 1 Jo Freeman's The Tyranny of Structurelessness / my reflections on the ideas of alternatives or at least the idea(l)s of alternative ==
| | PREMIERE -> OPENSHOT/OLIVE/KDENLIVE/SHOTCUT? |
|
| |
|
|
| |
|
| This text was something that really stuck to me in many ways. I was born in a 'red nest' and I have always considered myself a leftist (and no this is not a story about me being a liberated ancap libertarian, barf.) and part of subcultural scenes and supporter of autonomous spaces and the ideas of alternatives.
| | == /XPUB2 == |
|
| |
|
| However, I have my doubts on the ideas of alternatives. In the text (and I'm paraphrasing now) the idea of community living is raised and questioned, the idea of a non-hierarchical community seems amazing, yet some sort of power structure or better put 'order' is inevitable. The more self-aware and critique friendly the better.
| |
|
| |
|
| The text spoke to me as well because this idea of a big united group of ideology seems like an [oppositional] utopia. Especially in this time of online politics / meme culture wars.
| | Now what do I need to do |
|
| |
|
| I have been thinking about the idea of an alternative doesn't mean that the alternative is actually the better alternative, yet the idea of an alternative could be.
| | <s>- get better</s> |
|
| |
|
| Especially during covid (oh no a reference to my gradwork) it became visible that people who appeared to be critical thinkers fell for the conspiracy theories. Or that the ideas of a big pharma are given such a horror scenario that wellness (that makes way more money than pharma) is pushing left-leaning progressives via the anthroposophisticated homeopathic tunnel towards the conservative church of health hazards and [forgot the word]
| | - buy / rent Rene Boer - Smooth City |
|
| |
|
| even though the internet is not all responsible for this but also the education and environmental influences that result people to go into their programmed minds. (I think that if you come from a space where certain beliefs are rooted, could easily influence you in your daily life even though you're agnostic or atheist but still have the coping mechanism of the circles or 'bubbles' you were raised in. )
| | - <s>decide between buying year subscription adobe or</s> go F(L)OSS hmmmmmm |
|
| |
|
| <blockquote>'''Confirmation bias'''
| | - GRS -> see page |
|
| |
|
| Tim Minchin [comedian / artist] had a bit on [https://youtu.be/G1juPBoxBdc confirmation bias] where he talks about how search engine algorithms and social media feeds on our assumptions, (pre-existing) beliefs and fuels it with even more related content specifically aimed to these beliefs.
| | - make a prototype for essay, play with formats |
| | == /GRADUATION RESEARCH SEMINAR == |
|
| |
|
| He points out that 'we' would do ANYTHING BUT the idea of intellectual heavylifting to change our minds. Which refers to the fact that (online) discourse has been pushing people apart not only from progressive to conservative or from left to right but also within the borders of political ideology where every movement is watched, recorded and frowned upon.
| | * [[User:Lor.ensō/Lorenzo's Projects that May/Mayn't|PMoMMs: <progress is found here, but order was never an option>]] |
| | * [[COMMISSIONED/ESSAY/AREA|COMMISSIONED ESSAYAREA]] [[Renderdam|Rapid Prototypes: <Renderdam> /]] [[Spiritual media psychosis|Obsessive Catalogue of Madness:Spiritual Media Psychosis]] B2BALESSIA |
| | * [[Lor.ensō/projectproposal|Draft project proposal]] |
| | * [[User:Lor.ensō/thesis-outline|Thesis outline]] |
|
| |
|
| '''Tribalism'''
| | == [[/ReaderThatMayOrMayNot(Be)Read]] == |
| | Currently reading |
|
| |
|
| Minchin speaks about how human beings love to be in herds and part of a group / a city or a community and how the internet is making distance between tribes and becoming more binary.
| | == [[/XPUB1]] == |
| | | dir.../Lor.ensō/[[User:Lor.ensō/XPUB1|XPUB1]]/ |
| the main point I was going to share in relation to structurelessness and my concerns as a leftist towards current state of 'the left' is portrayed by Minchin perfectly in the sense of kindness in modern day discourse is not being presented by (generalized) right wing christian pro gun anti-vaxx conservatives but that modern progressives (with an assumed degree in higher education) are missing the idea of kindness as well as
| |
| | |
| ''A future of more empathy and understanding for more and more people''
| |
| | |
| instead, he claims that everybody that is not on 'their' side of the 'line' is immediately a fascist.
| |
| | |
| '''BUBBLES WITHIN BUBBLES WITHIN BUBBLES WITHIN BUBBLES'''
| |
| {| class="wikitable"
| |
| |+
| |
| !'''BUBBLES WITHIN'''
| |
| ! '''BUBBLES WITHIN'''
| |
| ! '''BUBBLES WITHIN'''
| |
| ! '''BUBBLES'''
| |
| |-
| |
| |"I can't believe you still follow J.K. Rowling on Twitter"
| |
| |"why are you saying ''not all men?!"''
| |
| |"Why do you use the F slur in your song?"
| |
| |"Why are you sharing pictures of your manicure when you should be posting black squares, which means you are a racist"
| |
| |-
| |
| | colspan="4" |
| |
| |}
| |
| As an alternative he says that
| |
| | |
| ''showing humility''
| |
| | |
| ''mentioning not everybody has had the opportunity to read the books you have and learnt the lessons that you have learned''
| |
| | |
| ''practicing the principle of charity''
| |
| | |
| ''and not assume that anyone that disagrees has a nefarious intent and try to hear their arguments''
| |
| | |
| is rejected by the idea of tone policing as he is put into place as a straight white male and that he needs to check his privilege in which he keeps in his satirically put "library on a mahogany shelf next to his BMW keys" and as he ''checks'' his privileges he concludes that this way of thinking is still ''ffing'' wrong.
| |
| | |
| He stresses that it ''can not be'' that progressives progress forward into a future of more empathy and understanding for more people
| |
| | |
| it ''can not be'' that the primary mechanism by which we approach this future is the suppression of empathy and understanding for anyone that doesn't align with our beliefs.
| |
| | |
| it ''can not be'' that unmitigated expression of furious outrage will alchemize into a future of peace and love.
| |
| | |
| ofcourse there is reason to want justification and be righteously furious about things and he can be as furious as cis gender straight white male with privileges being pissed off about 700 things before breakfast but it doesn't matter if it's not helping. And it's not helping that these aforementioned tribes are being pushed further and further apart.
| |
| | |
| The moral is that it is hard to change peoples minds but it's not impossible. However, if you would tell someone that they were a fascist and publicly shame them for what they believe, you've lost them and prioritized your need to express outrage and if we're honest, signalling your virtue over the possibility that you could utilize your educational privilege to reach across this algorithmic casm.
| |
| | |
| Src: https://youtu.be/G1juPBoxBdc</blockquote>
| |
| | |
| [https://www.youtube.com/watch?v=O-qcXpapsoY <br /> | |
| Just after this post I got a insta reel with Daniel Sloss also saying this: https://www.youtube.com/watch?v=O-qcXpapsoY]
| |
| | |
| | |
| Another result is my utter discontent towards how the left parties in the Netherlands have perfectly shown the state of leftism in the Netherlands.
| |
| | |
| I was talking to a friend and we evaluated the elections.
| |
| | |
| I said that
| |
| | |
| ''"The lesson that left leaning NL needs to learn, is that political parties being tiny power structures is a very bad example of an alternative.''
| |
| | |
| ''the two parties I'd vote for (bij1 / animal party) but also GL/PVDA. I.e. migration is also a very typical thing at the moment''
| |
| | |
| ''This morning (26/11/23) I was watching WNL op Zondag (conservative rightwing talkshow, my mother believes that you need to watch and listen to your opponent in order to understand and grow over their beliefs to unravel their beliefs)''
| |
| | |
| ''One of the guests was the controversial Lale Gül and other names like (former left turned right leaning) Zihni Özdil were mentioned that represent 'migrants that who do not want to be viewed as pathetic minorities at all' and the sad soul crushing fact that people that lived here for (more than) 3 generations even voted for Geert Wilders [PVV]''
| |
| | |
| ''It made me think, I kinda get the why. The populist belief of "hey, screw your migration, could I be helped first?"''
| |
| | |
| ''I heavily disagree with this, but I 'kinda get' why. No human is illegal and there's a humanitarian crisis. However the left here is way too individualistic and fighting between the bubbles, instead of actually uniting as worthy block of strong left (or something) instead of the effing bullshit of moralistic wee measuring whilst the status quo is destroying everything through aggressive neoliberalism.''
| |
| | |
| ''I love to see PvdD en Bij1 as strong parties but I just get so sick of this corrupted management system. Fix it between eachother and it was also the worst timing ever right before the elections. I voted for one of them. But with less motivation than before.''
| |
| | |
| ''TL;DR the dutch left should really start reflecting and start building, repairing and mobilizing.`''
| |
| | |
| Lastly, as I was thinking about all of these things.
| |
| | |
| that also inspired me in this structurelessness
| |
| Dead Kennedys - Where do ya draw the line?
| |
| | |
| ''Seems like the more I think I know / The more I find I don't / Every answer opens up / So many questions''
| |
| ''Anarchy sounds good to me / Then someone asks, "Who'd fix the sewers?" / "Would the rednecks just play king/ Of the neighborhood?"''
| |
|
| |
| ''How many liberators / Really want to be dictators? / Every theory has its holes / When real life steps in''
| |
| ''So, how do we feed and make room for / All the people crowded on our earth / And transfer all that wealth / From the rich to those who need it?''
| |
|
| |
| ''Where do ya draw the line? I'm not telling you; I'm asking you''!
| |
|
| |
| ''Ever notice hardline radicals can go on star trips, too? Where no one's pure and right except themselves?''
| |
| ''"I'm cleansed of the system" ('Cept when my amp needs electric power) Or, "The party line says, 'No Feminists can't wear fishnets'"''
| |
|
| |
| ''Where do ya draw the line? I'm not telling you; I'm asking you!''
| |
| | | |
| ''You wanna help stop war? Well, we reject your application. You crack too many jokes and you eat meat''. ''What better way to turn people off than to twist ideas for change. Into one more church that forgets we're all human beings?''
| |
|
| |
| https://www.youtube.com/watch?v=-14-Y5bU0QE
| |
|
| |
|
| |
| Dead Kennedys - Chickenshit Conformist.
| |
| ''Punk's not dead; it just deserves to die when it becomes another stale cartoon''
| |
| A closed-minded, self-centered social club. Ideas don't matter; it's who you know
| |
| ..
| |
| Who drive the bright people out of our so-called scene till all that's left is just a meaningless fad
| |
| | | |
| Hardcore formulas are dogshit, change and caring are what's real. Is this a state of mind or just another label? | | /* Here lie the tombs and ruins of my works and processes of my XPUB1 year divided by three trimesters |
| '''The joy and hope of an alternative has become its own cliché'''
| |
| ...
| |
| Walk tall, act small, only as tough as gang approval
| |
| Unity is bullshit when it's under someone's fat boot
| |
| Where's the common cause?
| |
| Too many factions safely sulk in their shells:
| |
| ''"Agree with us on everything or we won't help with anything" That kind of attitude just makes a split grow wider''
| |
| | | |
| No one's ever the best once they believe their own press | | XPUB1 SI22 - SI23 - SI24 |
| "Maturing" don't mean rehashing mistakes of the past
| |
| The more things change, the more they stay the same
| |
| We can't grow when we won't criticize ourselves
| |
| The '60s weren't all failure, it's the '70s that stunk
| |
| As the clock ticks, we dig the same hole
| |
| Music scenes ain't real life, they won't get rid of the bomb
| |
| Won't eliminate r### or bring down the banks
| |
| Any kind of real change takes more time and work
| |
| Than changing channels on a TV set
| |
| | | |
| So, why are we so eager to please peer pressure decrees? | | */ |
| So eager to please peer pressure decrees
| |
| Make the same old mistakes, again and again
| |
| Chickenshit conformist like your parents
| |
|
| |
|
| https://www.youtube.com/watch?v=aTXkVVqw9ng<br />
| | == /RANTS THOUGHTS WORRIES AND OTHER AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA'S == |
| src: [[User:Lor.ensō/si22|SPECIAL ISSUE TWENTY TWO PERSONAL CONSTRUCTION SITE]] (enter if you want to see a messy room, if you don't, just keep listening)
| |
|
| |
|
|
| |
|
| ==REFLECTION # EXPERIMENTAL PROCESSING OF INFORMATION. WORDHOLE/BLACKHOLE== | | === '''''PMOMM GRADUATION PROTOTYPING WHAT DO I DELIVER''''' AND WHY AM I AGAIN IN MASS CONFUSION ABOUT WHAT WHO WHERE HUH === |
|
| |
|
|
| |
|
| I have to admit, I kinda didn't knew what XPUB was gonna be like. I recently graduated from KABK / IMD. A different institution and a different course. I knew that another IMD alumni parttook in XPUB. So this first trimester was a bit of a fresh new start for my practice. 'kind of' stepping away from what shaped my graduation project ''Happytalism'' which revolves around the idea of wellness / new age and spirituality industries to be open for business, making more money than big pharma and being a safe haven for charlatans, disinformation weaponizing pseudo health claims.
| | '''''I go to bed early, wake up early, I go to seminars, I try to read but it is just the movement again of''''' |
| | | <code>E X E C U T I V E D Y S F U N C T I O N</code> |
| I stepped into this fresh new environment with new people and overall a to me new programme. And right after the first weeks of XPUB my life turned around and I needed to reconfigure everything for myself (as I am still kind of doing of course) During the first trimester it was a bit difficult to me to kind of 'find a way' to get back on track. I wanted to deliver something productive. The changes in my life of course had an immediate effect on my way of thinking. | |
| | |
| We were talking about the ideas of what it means to keep an archive and what protocols there should be made.
| |
| | |
| My counterthought was about Protocols for passive hoarding.
| |
| | |
| As an idea of "we might need this later".
| |
| | |
| The questions that I / We raised were 'do we really need to preserve everything? What do we take with us?'
| |
| | |
| From this point, Senka and I started talking about the questions that were raised about to think about ideas protocols for active archiving. I read that personally as if we were responsible for the maintenance of the Radio Worm's archive. Instead, we made a work that asks for reflection.
| |
| | |
| With both having made some critical essays / poems, we decided to make a video work because we wanted to visualize the amount of archives. No sound, just video. In these videos, we portray the radio worm from the apocalyptic narrative of SIGNAL LOST: ARCHIVE UNZIPPED.
| |
| | |
| Where Senka shows the vessel of the radio station, I show the amount of data and sounds and players and information that actually go 'live'.
| |
| | |
| | |
| | |
| Struggle This was something I was thinking about, concerning the fact I was just *there.*
| |
| | |
| To be honest, I had some imposter syndrome, experiencing whilst being around.
| |
| | |
| | |
| The idea of the wordhole or actually the first trimester struck to me as a black hole
| |
| | |
| | |
| ''Once inside the black hole's event horizon, '''matter will be torn apart into its smallest subatomic components and eventually be squeezed into the singularity'''. As the singularity accumulates more and more matter, the size of the black hole's event horizon increases proportionally.''
| |
| | |
| https://www.uu.edu/dept/physics/scienceguys/2001Aug.cfm
| |
| | |
| | |
| I felt that the matter of xpub/si22 etc was floating around me and I was there like some intergalactic fly on a meteorite. Just being there. Trying to make the best of it with the understanding of things. | |
| | |
| | |
| If I would think of a 'better scenario', I'd say I'd go more around the PZI /Wdka and join things. But back then my life was pure chaos and I made the decision to do my best and also taking step back in order to be a fly on the wall since I wasn't fully able to work on the SI22. Keeping the condition in mind that I would do more in the second trimester. It was hard to get back though.
| |
| | |
| | |
| Looking back I didn't really experiment with i.e. printing / terminal related things but more on the ideas of publication and mostly thinking about alternatives
| |
| | |
| | |
| However I was proud of myself of starting the narrative in the radio show as our improv ideas started.
| |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| ==SI23 / COUNTERMAPPING / PUBLIC TRANSPORT / /DOOR/PORT "How did we get here?" ==
| |
| [[File:INTERACTIVE_CLOTH.jpg|thumb|300x300px]]
| |
| | |
| | |
| | |
| Ideas session for SI23_________________________________________________________
| |
| | |
| | |
| -(con)text adventure games, where limitations are there in the game (up down south east west north and other commands) and also the limitations offline could be implemented in case / scenarios |
| |
| | |
|
| |
| | |
| KEEP IN MIND THIS IS JUST A BRAINDUMP / NO(okmaybesome) CONCRETE THINGS
| |
| | |
| ...// booting mind>>>>>>>>>>
| |
| | |
| general comment:
| |
| | |
| we have so much we can work with (all the readings / prototyping) /
| |
| | |
| imagemagick / python / html css javascript / web / ascii art
| |
| | |
| ghost host parasite server etc / the wordquilt / code of conduct etc etc etc
| |
| | |
| ..
| |
| | |
| ''first; '' Maria X mentioned the word '''''question''''' but the connection broke it into '''quest-'''''ion'', which could be a happy accident to use the storyline to ask questions that may have come up in the reading and prototyping of previous weeks. QuiltQuestionQuest or somethin.
| |
| | |
| ..
| |
| | |
| ''second :'' based on the adventure txt and fictionalizing human computer something(very paraphrased from a previous text we read)
| |
| | |
| /
| |
| | |
| you see what you type -> person a speaks
| |
| | |
| person b does walk compass-like
| |
| | |
| limiting the options "You can't open cabinet" said by person c
| |
| | |
| /
| |
| | |
| the narrator in this part could read it out either non-linear or linear depending on the 'script' so if the person does something not according to script, the narrator will go to bottom of script
| |
| | |
| ..
| |
| | |
| ''third'' --> something I have been thinking about[[User:Lor.ensō#Concept:%20Where%20do%20ya%20draw%20the%20line%3F|https://pzwiki.wdka.nl/mediadesign/User:Lor.ens%C5%8D#Concept:_Where_do_ya_draw_the_line?]]
| |
| | |
| I am kind of using the idea of Google maps step by step and using the linear story and fictionalizing / gamifying the inaccessible process from A to B (this is more a political thing and I might just do it for myself on the side)
| |
| | |
| this could also just be a personal side ''quest''
| |
| | |
| using 1-3 cases with the idea of connections servers protocols etc
| |
| | |
| ..
| |
| | |
| ''fourth:'' yesterday's class reminded me of the dos games / old mac games and the actual collosal cave adventure: Roberta Williams as inspiration https://www.mobygames.com/game/2029/the-roberta-williams-anthology/
| |
| | |
| https://www.linuxadictos.com/wp-content/uploads/colossal-adventure.jpeg.webp :)))))
| |
| | |
| https://upload.wikimedia.org/wikipedia/commons/a/a0/Mystery_House_-_Apple_II_render_emulation_-_2.png
| |
| | |
| https://thehanslickgirls.files.wordpress.com/2018/07/kings-quest-e1532887176786.png
| |
| | |
| I have this with me in the studio btw vvvvvv
| |
| | |
| https://cdn.mobygames.com/covers/4209788-the-roberta-williams-anthology-dos-front-cover.jpg
| |
| | |
| https://www.mobygames.com/game/2029/the-roberta-williams-anthology/
| |
| | |
| ..''fifth,'' make the special issue somewhat like an webquilt arcade? out of ideas, mind will close down for maintenance
| |
| | |
| _____
| |
| | |
| 250224 update / looking back it was more a cool reference than a work to make, I think?
| |
| | |
| | |
| | |
| | |
| | |
| | |
| ==COUNTERMAPPING =BUGS OF MISCONDUCT==
| |
| [[File:Game research.jpg|left|thumb]]
| |
| Walking around in the neighbourhood thinking and defining (counter)mapping I walk in this space that used to be a prison complex in the north of rotterdam, The area has changed into a hip area that flirts with truman show type of aesthetics. I have been thinking about the infrastructures and how things are not working in this city. I have many objections into city planning and I'm wildly attracted to ideas of who owns the city.
| |
| | |
| As I stroll my sunday gloom away, mending the shapes of spaces I read or hear something along the lines of Codes of Conduct, earlier today I was watching the sitcom parks and recreation, which is a based at a local government in America and the shows the bureaucracy ''sometimes.''
| |
| | |
| I am wrestling with my ideas on what I want to do and I am doing these things justice and or the right way.
| |
| | |
| A bubble came up in opposition to a Code of Conduct and I thought about Bugs of Misconduct.
| |
| | |
| Dividing the definitions:<blockquote>BUGS:
| |
| | |
| informal: a harmful microorganism, typically a bacterium. "their ham was found to be contaminated with food bugs"
| |
| | |
| an illness caused by a microorganism.
| |
| | |
| "he'd just recovered from a flu bug"
| |
| | |
| | |
| Similar: illness, ailment, infection, disease, disorder, sickness, affliction, malady, complaint, upset, condition, infirmity, indisposition, malaise, bacterium, germ, virus, bacillus, microorganism. microbe. lurgy
| |
| | |
| an enthusiastic interest in something.
| |
| | |
| "they caught the sailing bug"
| |
| | |
| Similar: obsession, enthusiasm, craze, fad, mania, rage, passion, fixation, hobby, interest, pastime thing
| |
| | |
| 2.
| |
| | |
| North American
| |
| | |
| a small insect.
| |
| | |
| "a thick green scum which crawls with bugs, centipedes, and worse"
| |
| | |
| h
| |
| | |
| Similar:
| |
| | |
| insect. flea. mite. midge. creepy-crawly, beastie, minibeast
| |
| | |
| 3.
| |
| | |
| Entomology
| |
| | |
| an insect of a large order distinguished by having mouthparts that are modified for piercing and sucking.
| |
| | |
| 4.
| |
| | |
| a concealed miniature microphone, used for secret eavesdropping or recording.
| |
| | |
| "they cleaned out the bugs and wiretaps"
| |
| | |
| h
| |
| | |
| Similar:
| |
| | |
| listening device, hidden microphone, receiver, transmitter, wire, wiretap, phone tap, tap, bugging device
| |
| | |
| 5.
| |
| | |
| an error in a computer program or system.
| |
| | |
| "a custom program we used developed a bug"
| |
| | |
| h
| |
| | |
| Similar: fault, error, defect, flaw, imperfection, failing, breakdown, virus, glitch gremlin, snarl-up
| |
| | |
| verb
| |
| | |
| verb: bug; 3rd person present: bugs; past tense: bugged; past participle: bugged; gerund or present participle: bugging
| |
| | |
| 1.
| |
| | |
| conceal a miniature microphone in (a room or device) in order to listen to or record someone's conversations secretly.
| |
| | |
| "their offices, homes, and telephones were bugged"
| |
| | |
| record or listen to (a conversation) using a concealed microphone.
| |
| | |
| "she fears that her conversations were bugged"
| |
| | |
| h
| |
| | |
| Similar:
| |
| | |
| record
| |
| | |
| tap
| |
| | |
| listen in on, eavesdrop on, spy on, overhear, wiretapmonitorm, phone-tap, snoop on
| |
| | |
| 2.
| |
| | |
| informal
| |
| | |
| annoy or bother (someone).
| |
| | |
| "a persistent reporter was bugging me"</blockquote><blockquote>noun: '''misconduct'''
| |
| | |
| /ˌmɪsˈkɒndʌkt/
| |
| #1. unacceptable or improper behaviour, especially by an employee or professional person. "she was found guilty of professional misconduct by a disciplinary tribunal and dismissed" h Similar: wrongdoing, delinquency, unlawfulness ,lawlessness ,crime ,felony,criminality,sin,sinfulness,evil,evil-doing,unprofessional behaviour,unprofessionalism,unethical behaviour,malpractice,maladministration,dereliction of duty ,negligence,breach of ethics,impropriety,immorality,abuse,malversation,misbehaviour, bad behaviour,misdeeds. misdemeanours,disorderly conductbadnessmischief
| |
| naughtiness
| |
| #rudeness
| |
| #*Hockey a penalty assessed against a player for unsportsmanlike conduct. plural noun: '''misconducts''' "Smith got a game misconduct for spearing Nick Kypreos"
| |
| #2. mismanagement, especially culpable neglect of duties. "the general was pardoned for misconduct of the war"
| |
| ''verb''
| |
| | |
| verb: '''misconduct'''; 3rd person present: '''misconducts'''; past tense: '''misconducted'''; past participle: '''misconducted'''; gerund or present participle: '''misconducting'''
| |
| | |
| /ˌmɪskənˈdʌkt/
| |
| #1. behave in an improper manner. "the committee reprimanded two members who were found to have misconducted themselves"
| |
| #2. mismanage (an activity). "there is no evidence that the premises were being misconducted"</blockquote>Thinking about the bugs of misconduct, it's a great ethical dilemma because it is, if I am correct, a bit of a contronym/auto-antonym/Janus term. OR a homonym.
| |
| | |
| To me, bugs of misconduct are an error in the system. The cracks that appear to be loopholes or invite to squat. It opens for alternative opportunities as a crack in the wall. The bugs go in and start to acclimatize to the space, showcasing the cracks and the errors as fundament. For what idk yet. I'm in need of looking at the readings of previous weeks and to show.
| |
| | |
| another of countermapping is to showcase hostile architecture, or infrastructure, maybe that is what I have been doing earlier with locating the steps from one person in a scootmobile / wheelchair to another by public transport.
| |
| | |
| A bug of misconduct is potentially a parasite that leeches off the host.
| |
| | |
| ==PUBLIC TRANSPORT==
| |
| | |
| This was a sideproject that comes from my best inspiration: frustration <3
| |
| ====Concept: Where do ya draw the line?====
| |
| 1. "Public transport: From A to B via Metroline E and Tram 7."
| |
| | |
| A personal observation based on the limitations concerning accessibility, usability concerning healthcare, <u>public</u> transport.
| |
| | |
| Since XPUB is focused on making things public, I'm thinking about some stuff.
| |
| | |
| Public Transport, How do you make Transport Public? Or more public
| |
| | |
| I'm just thinking about the idea of the public service for the transport from an accessible / disability point of view. This case is quite personal but also inspirational from my critical thinking designartresearchblabla point of view.
| |
| | |
| So, let's say my mother wants to go to my brother. What needs to be done? For this ''method'' I'm using the google maps standard*/ **
| |
| #Go out of the house
| |
| #Unlock the scootmobile
| |
| #Uncover the scootmobile
| |
| #Put the cover inside
| |
| #move the bicycle
| |
| #position the basket and possible bags
| |
| #start scootmobile
| |
| #go to end of street
| |
| #wait for traffic lights / or if you're lucky it's green but it's always in favour of the cars.
| |
| # once you crossed the street, go to the elevator
| |
| #check in at port **
| |
| #push the button
| |
| #wait for elevator
| |
| # possibly wait for people to exit the elevator
| |
| #enter the elevator***
| |
| #wait until you are at the platform
| |
| #exit elevator to right side(need to confirm this)
| |
| #wait for the metro
| |
| #search for the good entrance without the metal poles in the middle ^
| |
| #be in metro for one stop
| |
| #reach central station
| |
| #pull back to exit metro
| |
| #go back or forward to elevator
| |
| #push button and wait for elevator / if you are lucky it'll be there already
| |
| #enter the elevator ***
| |
| #wait til you reach centraal station begane grond
| |
| #go back or forward to exit elevator
| |
| # check out at port **
| |
| # ride towards third tram platform
| |
| #enter third tram platform
| |
| #wait for tram 7 towards woudestein? (need to be confirmed)
| |
| # in the meantime, guess on what half of the platform the tram will stop
| |
| #inevitably ride or race through crowd to reach the middle / center of tram****
| |
| #enter tram in transit ^
| |
| #position yourself
| |
| #wait until you reach you reach your destination
| |
| #try to get out of the tram
| |
| #check out as well
| |
| #you can finally breathe again
| |
| #enjoy your visit
| |
| #when it is time to leave, leave*
| |
| #go back to the tram
| |
| #search for the right port on the other side of the street
| |
| #inevitably ride or race through crowd to reach the middle / center of tram****
| |
| #step / check in
| |
| #it might be possible that there is a parent and a baby carriage in the space that is also meant for wheelchair and rollator
| |
| #wait in discomfort
| |
| #person with baby carriage needs to get out, instead of going to another exit, this person insists to get out the door they came in, they lift the scootmobile and you are in even more discomfort
| |
| #you need to wait some more time
| |
| # finally you are at Rotterdam Centraal
| |
| #struggle to get out of the tram once again**
| |
| #head to the metro port
| |
| #check in and somehow also drive towards the elevator***
| |
| # push the button of the elevator
| |
| #position yourself in the metro at the place with no metal poles in the middle
| |
| #wait one stop
| |
| #get out the metro
| |
| #go to elevator
| |
| #go up
| |
| #go out
| |
| # go home
| |
| #place all the stuff back
| |
| #recover
| |
| <nowiki>*</nowiki>before you go, think about leaving at least 10-15 minutes in advance
| |
| | |
| <nowiki>**</nowiki> might need someone else to do it because it closes again in a certain timeframe
| |
| | |
| <nowiki>***</nowiki> this means the elevator works
| |
| | |
| <nowiki>****</nowiki> there might be a parent with child, cyclist, person in wheelchair, other person in scootmobile there
| |
| | |
| ^ take into consideration the doors are literally timeframes so you better have someone with you to hold the door
| |
| | |
| Example: --------
| |
| | |
| The Rotterdam Electric Tram has multiple Entrances -> Ports<div style="text-align: center;">
| |
| Port asin the doors
| |
| | |
| Port asin checkin / outs
| |
| | |
| [] PORT 1
| |
| | |
| [] PORT 2
| |
| | |
| [] PORT 3
| |
| | |
| | |
| =='''''<u> <<<<< <big>(_□___□▯▯__□__▯▯_□__▯▯_□_)>>>>>></big></u>'''''==
| |
| DRIVER | BEGIN | MIDDLE | END
| |
| | |
| | FRONT | CENTER | BACK
| |
| | |
| [PORT1] | [PORT2] | [PORT3]
| |
| | |
| check I / O | I / O | I / O
| |
| | |
| FOOTABLE | FOOTABLE | FOOTABLE
| |
| | |
| KIDABLE | KIDABLE | KIDABLE
| |
| | |
| | WHEELABLE |
| |
| | |
| FOR CONTEXT
| |
| | |
| CENTRAAL STATION TRAM STOP
| |
| | |
| <big>(_□___□▯▯__□__▯▯_□__▯▯_□_) / (_□___□▯▯__□__▯▯_□__▯▯_□_)</big>
| |
| | |
| _______________________________________________________________________________________
| |
| | |
| <big>(_□___□▯▯__□__▯▯_□__▯▯_□_) / (_□___□▯▯__□__▯▯_□__▯▯_□_)</big>
| |
| | |
| _______________________________________________________________________________________
| |
| | |
| <big>(_□___□▯▯__□__▯▯_□__▯▯_□_) / (_□___□▯▯__□__▯▯_□__▯▯_□_)</big>
| |
| | |
| _______________________________________________________________________________________
| |
| </div>
| |
| | |
| | |
| | |
| Words:https://codepen.io/lor_enso/pen/LYvxYbd
| |
| | |
| | |
| https://research.wdka.nl/index.php/news-activities/counter-mapping-autonomy-workshop-2-29-02-2024/
| |
| | |
| | |
| | |
| | |
| [[File:Former hover version of -door-port.gif|frameless|600x600px]]
| |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| ===''' /PORT'''===
| |
| [[File:Mapping out the words in obsidian.png|thumb|Trying to map out words in Obsidian]]
| |
| | |
| | |
| | |
| eurotruck/american truck simulator as a reference for being in a process of sharing files -> gaming for the relaxation and accepting the absurdity of simulator but also understand the educational value of these peculiar games
| |
| | |
| as a part of the /door group (w/ Victor and Mania)
| |
| | |
| I was thinking about how to grasp all of the words we (both as Quilt INC and as the entire class), collected, discussed and try to understand and define in one big web/map of words, thinking about the [https://runme.org/ runme.org example] as shown in Aymerics lecture. My thought rise to the idea of
| |
| | |
| | |
| <gallery mode="slideshow"> | |
| File:WhatsApp Image 2024-03-30 at 17.35.34 928d192fS.jpg
| |
| File:WhatsApp Image 2024-03-30 at 17.35.34 75f8fb04.jpg
| |
| File:WhatsApp Image 2024-03-30 at 17.35.34 5a28f39d.jpg
| |
| File:WhatsApp Image 2024-03-30 at 17.35.34 4e072b4e.jpg
| |
| File:WhatsApp Image 2024-03-30 at 17.35.34 5f466a75.jpg
| |
| File:WhatsApp Image 2024-03-30 at 17.35.34 071eb5c9.jpg
| |
| File:Keywordcloud.jpg
| |
| File:Screenshot 2024-03-30 173238.jpg
| |
| File:Mapping out the words in obsidian.png
| |
| File:Mapping out the words2.png
| |
| File:-PORT 1.jpg
| |
| File:-PORT2.jpg
| |
| File:Wordseam structure how it became.jpg
| |
| File:Mapping out the words2.png
| |
| </gallery>
| |
| | |
| ==[[Quilt INC]] / METHODOLOGY==
| |
| | |
| Methods remark:
| |
| ==Method(ol(atry)ogy) is a way of surviving experience==
| |
| {{:Quilt INC./Method(ol(atry)ogy) is a way of surviving experience|Method(ol(atry)ogy) is a way of surviving experience}}
| |
| | |
| | |
| | |
| | |
| | |
| | |
| ==REFLECTION # trimester 2 SI23==
| |
| ----
| |
| The second trimester was nice to start. With the winter break behind me, I could really just start up again without the constant feeling of running a treadmill version of imagining Sisyphus happy. During this trimester it was quite interesting to dive deeper in the ideas of servers and datacenters.
| |
| | |
| My focus came back and I attended more events, I still felt a bit alienated but felt the xpubbery of things going into my bloodstream as I finally put up my little desk next to the door.
| |
| | |
| If I'd be very critical to myself, I would say that I would have liked to have more energy next to the things happenings during the XPUB days. Life was just exhausting but it got better on a week per week basis. I done the tasks I needed to do but at the same time my body and mind just claimed for me to touch grass, go outside, do other things because the per week load was sometimes a bit too much to grasp. In the end it streamlined to some more coherent (as I used my /port to but all the meanings and projects in 1 page with the perspective of the SI23 and also with the wonderful pre-tag.
| |
| | |
| Not to be smashing my work to the ground I also am very happy that the group project with Mania and Victor was this nice. Our forces combined made this amazing metaphysical paper-to-web-and-back-again work
| |
| | |
| I wanted to dive into Python, ImageMagick and in the end I was doing something completely: going back to my HTML / CSS experience and instead of working with the things I already (but ofcourse implementing then) I started just playing from the perspective of Seamfulness. I had a talk once with a fellow Unity-maker and we shared memes based on the fact that it does not matter if the code isn´t working properly and filled with my glitches and error, as long as it does what it needs to do. And that's how I approached the /port. I wanted to make it this raw interpretation of the terminal but then making it more welcoming and a space where information is exchanged with the limited access and the visitor is being presented with not only as huuuuge glossary but also context and the input to continue to the other project. It was my intent to show the seams but not literally linking all the things together. Because my first plan was to use the window (based on Alice's window mapping) to put all the words in the window frame as the 'port' to the space, using cables and jacks and such to 'make the connection'. Also for the sense of making something with for me experimental printing on transparent paper, but as I reflected on this idea. I changed from the window frame to the screen, since the visitor might not even know that there were connections and that might have given it an accessible touch.
| |
| | |
| My research was based on the understandings of methodology in general as discussed in and about Susan Leigh Star's piece.
| |
| The ideas of using more ways to look at things finally struck to me and I felt inspired by frustration that I as a carer/family member/former user of social transportation. Both the A to B-U turning and also the trevvel story are very interesting to me because the amount of interactions, requests, errors and bureaucratic features from the both social code to the actual code of systems seem very intriguing to dive deeper in for a Thesis and Graduation Project. Accessibility and Disability from the privatized perspective from both bureaucratic as well as technologically governed institutions. While I am writing this, I'm also thinking "can't we do something lighter or different?" and I like to listen to that train of thought. An idea of publishing this would be to show and relate to making these difficult and unneededly overcomplicated made processes and making these more tangible and understandable.
| |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| | |
| As an entertainment element related to the issue, I started watching Silicon Valley again. A series that gets an extra layer with the readings we have done.
| |
| | |
| | |
| | |
| | |
| Mania and I were sharing our findings on the street.
| |
| | |
| <gallery>
| |
| File:Glass fiber meets cloud infrastructure.jpg
| |
| File:Contrast box 2 .jpg
| |
| File:Contrast electric box.jpg
| |
| File:Another colossal electricity cabinet .jpg
| |
| File:Smol fibre.jpg
| |
| File:WhatsApp Image 2024-03-25 at 09.15.11 d9efd6dc.jpg
| |
| File:Sprouts .jpg
| |
| File:Perfect garden .jpg
| |
| </gallery>
| |
|
| |
|
| We intended to make a paper / glass / transparent type of essay with her and my imagery* and looking at these 'infranatural'
| | beep boop brain not participating .../ am not functioning. Can't seem to focus, find a point to start but just crashing a bit. [Grief] It has already been almost a year and my head is just not there. I just want to be healthily productive but that is impossible if I force start myself into doing this. But I als W A N T to be productive and AaAaAaA [/Grief] {crash report: I need to calm down} |
|
| |
|
|
| |
|
| *I only included my images in this part.
| |
|
| |
|
|
| |
|
/XPUB2/PROTOTYPING
13-11-24 I just had my talk with Michael yesterday and I feel like I have stuff everywhere. From which I have to grab the best parts and divide them into what I want put in the thesis (outline) and the project (proposal).
- ~!!!! IMPORTANTSELFNOTEPOEM
[X] ONE THING AFTER THE OTHER.
[X] THERE ISSTILL TIME.
[X] YOU WANT TO HAVE EVERYTHING DONE BY YESTERYEAR AND YOU PUT A BIG PRESSURE ON YOU
[X] DONT BREATHEN'T
[X] DO THE THINGS BY THINGS AND THEN YOU SHARPEN
[X] DOUBT ONLY IS GOOD WHEN CRITICAL AND PREPARED, DOUBT IS NOT GOOD WHEN YOU DON'T HAVE ANYTHING DOUBTABLE
[X] WRITE IT OFF, WALK IT OFF, WORK IT OFF AND PROCEED.
[X] EVERYBODY IS CONFUSED, IT IS ALL FINE AND THE HECTICITY IS STARTING BUT ALSO PART OF IT.
- ~~!!!!!!!!
/XPUB2/PROTOTYPING/COLLOQUIUM/
https://pad.xpub.nl/p/prototyping-colloquium-lorenzo
REFLECTING:
It is now 3,5 weeks ago since the colloquium. There was an interesting method I (subconsciously) started to develop. Asking the questions
"Search for examples of city planning / marketing / maintenance of the city/village/township where you are from*"
collect img / promises / memories
then.......
ask yourself / eachother "how does -location- relate to you as the inhabitant*?"
aaand thennn
ask yourself / eachother "how do you relate to -location-?"
*free interpretation ofcourse, whatever feels the most comfortable
This part was the most exciting to share because the reactions were interesting:
> Rotterdam and Riesa
> they looked at merchandise and marketing
Marketing is produced outside of the marketed city. Rotterdam has popular merchandise
Riesa uses German mythological creatures and story to profile its city.
- "No strong feelings against city marketing. Marketing is not known to address a city's issues. Promoting a city doesn't hide its issues."
- City Marketing is a very subjective perspective on a city, optimistic so it sells better ofcourse.
> Anita looked at the city of Treviso, Italy on its own and its digital entrance
Anita: there seems to be restricted access to the website unless you currently live there, but you can also log in with social media. The information behind this barrier is none. There is a live stream of one of the main squares of the city you can watch
I think it is quite hard for me to be critical and analyse Treviso now, as I have not lived there for 5 years and am lacking a lot of information of living there now. I am a tourist when I go back and so much has changed since I moved away. I remember there being quite a lack of cultural activities and specifically activities for teenagers that did not involve drinking or just hanging out in the 'loggia dei cavalieri' or 'buranelli'
> Riviera focussed more on city planning and criteria via the official channels
Context: the planning process in the UK is longwinded and complex. There are a lot of slow-moving parts so it takes a long time to get anything done. Camden is a region in the North of London.
There's a planning search tool (Currently in beta) where applications can be searched for according to the following criteria:
Application Number / Applicant Name / Agent Name / Site Address / Street Name / Proposal Key Word / Ward / Application Type / Development Type / Status
Co-ordinates of planning in Camden Council
I would take account of listed properties, use cases, comments from the public, objections, proposals, opinions, agreements, appeals, communities, councils, parishes, areas of outstanding natural beauty, the greenbelt, the brownbelt, people who protest "Not in my back yard!" and others who want to build absolutely nothing anywhere near anybody. And, of course, planning applicants who want planning permission.
> Maria looked at the pavements, ever changing town square per government change in Athens, Greece
Touristic areas is treated differently (maintenance wise)
Floods in Athens because of problematic city planning
Proposed changes for livability:
1. Create specific paths around the city for pedestrians, elderly people and people with disabilities or strollers and add a layer on (google) maps with these paths.
2. Allow pets on public transport
> Alessia looked at Venice, how tourism is, again, more important than maintenance
It's a sinking city, melancholic city.
The population is melancholic too.
It's not a city for anyone with any kind of disability, accesibility is not something the politics care about, the preservation of the city aesthetic is the most important thing.
High water, Syrens system for the high water, soundscape of the city, Demographic index of Venice population Depopulation, Disneyfication of the city ---> Venice is not disneyland, on social media as an archive of city memories and complaints. Venice is built on logs.
> Wang looked at ChongQing, analyzing its heights and depths, considering it is a mountain area city.
ChongQing is a city in the East-South part of China, it is a city build on a mountain, some say ChongQing is a 8D city because all the roads, buildings streets are overlapping, sometimes when you get off from the 1st floor but you're actually at the 20st floor of another building.
It is a very interesting city for travel and food(where the hot pot comes from), but a nightmare for drivers and uber eats.
> Mania looked at the promises of a better developed square in Warsaw
For so many years we have been waiting in promise for better development of the square in the very center of Warsaw. I remember growing up with this promise that museum of modern art will be build there. The first thing you see after leaving the central station is a huge parking lot. An exhibition hall was built on the Vistula River - intended to serve as a temporary museum. And even though we finally have a museum in the center (it opens in October), the museum on the Vistula River remains - cause it became an absolutely fantastic spot.
In addition, Warsaw is full of advertisements that scream non-stop! There are also plenty of street markets and kitsch. Previously, I was annoyed by the lack of control and any restrictions regarding advertising and the onslaught of information in public spaces, but now, living in a country where the streets seem so perfect, I miss the kitsch present in my hometown.
If I could change something in my Home town I would definitely add more bike paths. I see its already improving but still I dont feel very safe cycling there. That would be the first thing on my list. Once I was hit by a car while cycling in a pouring rain . But I have to admit that the rental bike Veturilo works great.
> Michel wrote about food in Taipei, Taiwan but also the mobility and overcrowdedness
Din Tai Fung based in Taipei, Taiwan. It is known internationally for its paper-thin wrapped xiaolongbao with 18 folds.
I lived at the bottom of a steep hill. Every time I wanted to get to the center it took forever and I had to carry my bike up the hill. There is a better, less steep driveway that goes a little further, but there is no bicycle path and the road is quite narrow and uncomfortable among cars. However, going down a steep heel is great and I loved coming home along that route, accelerating to wild speed and screaming while going down.
Foe my perspectives, it would be nicer if there’s less population in Taipei. Now the estimated population is nearly 3 million(2,766,330) and the size is 271.80 km2 which is the similar size to Amsterdam(243.65 km2), but the population is only around 1 million (1,182,000). I've always struggle to live in a crowed city like this. Also there are too many motorcycles and cars in the city so the government doesn’t focus on the rights of pedestrians and bikers. I always feel unsafe when I cycling or walking on the streets in Taipei, perhaps it is one of the reasons for me in order to have a better lifestyles and living quality in other places.
> Zuzu described Shanghai, its temples and the urban development(or decay) and the tensions that could establish between the inhabitants
Jing'an Temple in Shanghai, situated in a highly coveted and expensive area of the city center, has preserved a Buddhist site amidst the urban sprawl. This has given rise to many urban legends, such as claims related to feng shui, with some believing that the temple's presence boosts the prosperity of the surrounding commercial district.
Strangely enough, in stark contrast, there's a saying that Shanghai has the most vibrant Halloween atmosphere in the world.
There is a growing need to establish boundaries between people, especially in public spaces. Perhaps this is something that can be cultivated, though I am not entirely sure how. People seem to clash so easily, quick to anger. The last time I stayed in Shanghai, I was there for barely a week, and I felt an overwhelming urge to escape. Maybe it was the summer heat—it magnified my senses, and I became more irritable, more sensitive to everything around me.
At the same time, I long for it to lessen the political overtones—the large, slogan-like banners on the streets, the uniformity of shop signs. There’s a sense of rigidity in it all, a subtle pressure that lingers, making the everyday feel more controlled, less free.
> Victor viewed the buildings, international appeal, (re)branding
A city with many faces?
barcode – early 2000 financial district modern late capitalist vibe
this area is where a lot of new fancy architecture is being displayed, as it is right by the water it is kind of the face outwards of Oslo, or an attempt at this. this area is a bit touristy and not really a place most Oslo people hang out.
prides itself in being a "environment-capital" – whatever that means..
to appeal to international business or something
has pretty good public transport, but it has been a bit mis-managed, for example they redid the tram tracks like twice in 5 years because of new trams that were to heavy when for the tracks when they first renovated.
this is a bit typical I feel, that they undertake ambitious projects that always go over time and over budget
poster making tool released in relation to overhaul of Oslo visual identity: which embraces flat illustration and very simplified geometric visuals.
the rebranding caused a controversy regarding some lettering on a sports stadium
slogan from the city herladic
Unanimiter et constanter – «Enig og standhaftig». something like unified and resilient
old city with stone-age settlements
growing up in the suburbs of Oslo playing outside with immidiate vicinity to the forest was defining.
has a strong sense of east/west division marked by the "Akers-elva" a river that was the epicenter of industry in the 1800's. Now adays most of the areas that used to be considered "rough" in the city pre 2000 have been heavily gentrified and is now the hippest trendiest most neo-liberal areas in particular "Grünerløkka"
> Thijs dove into the municipality of Duiven, its portraits, planning, project renders, identity, mapping, weapon(shield?)
Mix of old town (for a Dutch town this size) and 'quiet suburb from Arnhem', situated in an area with lots of rivers, and remnants of the Roman Limes (region is also called Liemers)
Sketch from Duiven from 1742
Municipality Duiven consists of 3 towns, Duiven, Loo and Groessen
In zilver 3 duiven van azuur, de eerste bedekt door een vrijkwartier van keel, beladen met een karbonkel van goud en over alles heen een hartschild van zilver
In the last 10 years, the 'town center' has seen an overhaul, now called 'Vitaal Centrum' (funny as most people living in the center are elderly, and there are a lot of 'vitality centers' around. Part of these plans include 45 'sociale huurwoningen' for people ages 55+. Some humble bouwplannen near De Ploen 'Projectfasen' only have 1 phase
Notes I got from Manetta:
((Expressions of gratitude))
Obsession/research/question
postcard utopianism
"best scenario"
city marketing
"where you come from": how does this city profile itself?
"what do you want to change": which axes do you want to add?
athens: infrastructural tours
oslo: visual identity; we just copy paste a typeface everywhere, not adopt it to a specific place
- "collective jam session for research" nice
- pretty open session... intentionally?
- from the municipality pov... from the specific needs pov...
- from which perspective do you speak?
issue of time gaps, not living there anymore, .. interestingly brings up the specificness of perspective
tourists (alessia), youth (anita), disabilities (maria), city marketing (bernadette), pets (maria), city design (victor/zuzu), history (mania), biggest/tallest records (mania), advertisements (mania), city planning (riviera)
-
- unpack!
- video municipality.. time to observe together?
- quote Jara Rocha + Femke Snelting
- xyzt axes, what do they do, where are they used?
How will collected material be used? Why are we doing this? Work towards concrete outputs?
Personal perspective works!
Moment of sharing after first part would work
---
XYZT+? as a method
method to critique + reflect (!)
building infrastructure for this method as a way to circulate it
TIMESTAMPS AND ANALYSIS
Notes: 10-11: Groups are made, people are invested, I think people are going for it and are enjoying themselves. There were some questions but not changing in context or so.People were really focussing and so I added a few minutes.
Notes 11.15 - 12.15: There were some confusions about how to apply the second part. There were some thinking eyes as if I were in a forest and owls are all looking at me from the dark hahaha. Overall, people were sharing anecdotes and arguments
around 11:45 I went for a walk around to see how things are going :))
REFLECTION OF THIS SESSION:
i
The first part of this colloquium was by far the most successful. Because people were invested in going in to groups, even though it took some seconds to get into the zone of diving into their places of origin. I intended to make this a collective jam sessions for research, I was a bit too deep with my head into Rotterdam and I wanted to see how other people would go into their own places.
ii
The second part of the colloquium was something I was invested in at the time but not sure how I would adapt this. Because I aiming towards 3D renders specifically. It would have been better to review this in the second part.
!?
Moments of sharing after first part would have worked better.
The ?? I had myself and also were ?? in the room:
- Personal perspectives, stories and observation give so much more context and understanding about the places we are in, rather than the ideas that are being shared from municipalities and commercial outputs. There is a nuance to be found in municipalities. Marketing is about attracting audiences, so it uses the products best qualities to attract. Urban planning is more of a gamble and analysis. How will a municipality grow, what zones are there, do they fit (all?!) needs, etc. "predicting population growth, zoning, geographic mapping and analysis, analyzing park space, surveying the water supply, identifying transportation patterns, recognizing food supply demands, allocating healthcare and social services, and analyzing the impact of land use." The visuals that come with the planning, relate to X(width), Y(height) Z(depth) & T(time). But where do the needs go? What kind of method would showcase these needs? Not only to critique but also (maybe even more) to reflect.
What kind of infrastructure would work in ways of circulation. Getting the questionmarks around?
city planning as annotation / drawing out loud method?
[ ] public moment
/XPUB2/PROTOTYPING/PUBLICMOMENT
13-11-24
This presentation felt like I was presenting multiple things all at once in a sort of mess. I had some conversations and there were good points and cases. I wanted to talk with people but I felt like I 'had nothing to show'. I was showing my own research but I did not feel like this was the right way of showing things. I hadn't fully processed and reflected on the Colloquium and the tutorial with Manetta. So I had a feeling of just standing next to something which I didn't fully support. I felt less 'prepared' than others because I have not felt security and agency over the mess I was trying to sort out. I have a lot to work with but again, narrowing down is het most important part.
06-11-24
Looking back from the previous few weeks. I went from the personal accessibility to the rendering image of where I live. I am a bit in between the hyperpersonal and the macropoetic feelings.
The feedback story of my life is I need to start narrowing down.
the setup for the public moment
The public moment had a positive outcome. I talked too much a lot and there were some nice conversations, however I felt like I needed to defend something.
The inputs and interests were analyzing and gave me some nice references.
I just recovered from my flu shit, barely digested the colloquium and feedback + tutorial I had 21-10-24. This public moment felt like I was sharing my own questionmarks with other people. As if I exposed things in a way too premature state.
There was one feedback that kinda just got me REALLY frustrated -----> someone asked of 'isn't that just part of living in a big city everywhere?' and it just felt like it was a mood killer. Whilst my points were about making new city planning, marketing imagery while the things that we don't see rendered are still there.
There was also a remark, asking if I was working with the municipality.
I need(ed) to digest and reflect and the public moment was a good moment to reflect if I am clear or not. I was sharper at the colloquium.
I have bought books, I still want to buy one more. I am also thinking about how to continue developing a method.
meeting with Michael
The moment I reflected with Michael, I was rambling a bit in the beginning. How things were going and then looking at what I have done for the project proposal until now.
Trying to get my brain a bit more structured and searching for distinction between one and the other
I want to make choices
what goes in the project proposal? | what goes into the thesis outline?
is the proposal an outline of the method? | do I criticize renders in the thesis?
Is the visual essay a project | or is this visual essay the thesis
I want to use drawing as an alternative ~~~~~~ | ~~~~~~~~~~ to the hollowness of the 3D renderings and other visuals
visualize the tensions /// | Is the tension something I describe in the thesis?
a method as a human touch as reminder of the human complications | the 3d renderings that are calculated based on over simplifications
how does this method look like? | Is the visual essay of the project proposal more the output for the thesis, rather than the project? Did my confusion develop here?
Is it a pamphlet? cartoon? | or are those illustrations that will end up in the thesis?
will it result into a form of countermapping and an anti-campaign? | Do I even have to be (de)finite about this or am I overthinking this?
SHOWING THE LACK THAT IS BINDING / CRACKS. | BUT THEN ALSO WITH WORDS
developing this method, granting myself multiple reasons and ways to start experimenting | critique / reflection of the city, start with a tile...
Is this a drawing ? ~~~~ | a first location from the smallest tile (at home) to zooming out / 3d renderings that show the big picture. | ~!!!~~ or a chapter¿
[ ] I need to make
[ ] I need to read
[ ] I need to write
[ ] the project proposal specs / examples
[ ] thesis outline specs / examples
[ ] continue writing the first essay and drawing the first drawing for Steve's commissioning.
06-11-24 I feel like I am in a bit of a slump. There was a very nice process I was in. I have good things going on but I just feel like I am stuck for a second.
XPUB2/PROTOTYPING/F(L)OSS
PS -> GIMP
INDD -> SCRIBUS
AI -> INKSCAPE
PREMIERE -> OPENSHOT/OLIVE/KDENLIVE/SHOTCUT?
/XPUB2
Now what do I need to do
- get better
- buy / rent Rene Boer - Smooth City
- decide between buying year subscription adobe or go F(L)OSS hmmmmmm
- GRS -> see page
- make a prototype for essay, play with formats
/GRADUATION RESEARCH SEMINAR
Currently reading
dir.../Lor.ensō/XPUB1/
/* Here lie the tombs and ruins of my works and processes of my XPUB1 year divided by three trimesters
XPUB1 SI22 - SI23 - SI24
*/
/RANTS THOUGHTS WORRIES AND OTHER AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA'S
PMOMM GRADUATION PROTOTYPING WHAT DO I DELIVER AND WHY AM I AGAIN IN MASS CONFUSION ABOUT WHAT WHO WHERE HUH
I go to bed early, wake up early, I go to seminars, I try to read but it is just the movement again of
E X E C U T I V E D Y S F U N C T I O N
beep boop brain not participating .../ am not functioning. Can't seem to focus, find a point to start but just crashing a bit. [Grief] It has already been almost a year and my head is just not there. I just want to be healthily productive but that is impossible if I force start myself into doing this. But I als W A N T to be productive and AaAaAaA [/Grief] {crash report: I need to calm down}