User:Mania/Project Proposal: Difference between revisions
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I’m drawn to zine festivals, to playing with paper, images, and text. To quick, spontaneous zines, made together with others because they bring so much fun. I love festivals around printed matter and how they create a community of people sharing a common passion, while also contributing to the decentralization of knowledge, exchanging references, inspiring each other, and learning from one another. I love this environment and want to derive from it, but also be a part of it. | |||
Because it allows me to walk without any apparent purpose | Why I want to read a city? | ||
Because its an act againts efficiency at all cost | |||
Because I can encounter unexpected objects | Because it allows me to walk without any apparent purpose | ||
Because I never know where it will take me | |||
Because it's inspiring | Because its an act againts efficiency at all cost | ||
Because I can practice different walking patterns | |||
Because I can see from perspective of someone else | Because I can encounter unexpected objects | ||
Because I can find places for play | |||
For reflection | Because I never know where it will take me | ||
For rest | |||
Because I find places that otherwise I woulnt find | Because it's inspiring | ||
Because it encourages me to talk with strangers | |||
Because there is so much beauty | Because I can practice different walking patterns | ||
Because I want friction | |||
Surprise | Because I can see from perspective of someone else | ||
Unpredictability | |||
Because it made me notice houses that look like they are hugging the one in the middle | Because I can find places for play | ||
Bacause reading the city helps to see connections | |||
Because I can notice others who are present in the space | For reflection | ||
Because it gives me time to observe "angry sky" | |||
Because it allows to learn from each other | For rest | ||
Because I find places that otherwise I woulnt find | |||
Because it encourages me to talk with strangers | |||
Because there is so much beauty | |||
Because I want friction | |||
Surprise | |||
Unpredictability | |||
Because it made me notice houses that look like they are hugging the one in the middle | |||
Bacause reading the city helps to see connections | |||
Because I can notice others who are present in the space | |||
Because it gives me time to observe "angry sky" | |||
'''Because it allows to learn from each other''' | |||
I'm intrested in collective resistance against efficiency, and success at all costs. In spaces collectively organised, shifting towards care, generosity, and attention rather than efficiency and perfection. Maybe a sense of humour and unlearning practices can help us mobilize us collectively, embrace differences and celebrate our individuality. Therefore I find it important to question how we learn and from whom. Thats why for now I want to continue with the topic of Learning City, and the question of how knowledge production can be more horizontal. | |||
Revision as of 13:48, 3 October 2024
1. What do you want to make ?
- general introduction ( what is it, a book? A film, an instalation
What audiance it aim for, what location, describe any specifics you can
A magazine that has several issues and forms a continuation. It does not begin with the intention of ultimately reaching a specific destination, but rather takes the form of continuous observation, exchange, conversation, layering, searching for meanings, adding notes, jotting between the lines, fragmenting images, and rearranging them anew.
The magazine focus on the act of observing and participating by displaing fragments of reality noticed through simple paper machines/ devices, viewing frames.
I wold like to opened up the potential for different narratives. Without favoring any of them, simply giving space for everyone to share what we see and how the myriads of stories constitute an urban environment.
2. How do you plan to make it?
How you will go about conducting your research and practice ( COMBINING, READING, WRITING AND PRACTICE) steps ill make to realise it
Steps what steps ill take to realise it
- Paper machines devices
- Turn a room into camera obscura ( seeing, participation, describing what you see and checking with others what they see)
- Join a workshop on collective writing
- Invite people to play with paper machines, consider what we are paying attention to
- Work on a magazine
3. What is your time table
Steps and how it tranlstate to timetable
Order in which thinks will be done
Think about your audience, how you will approach them Include that in your plan
4. Why do you want to make it? What might other people find relevant about this project ?
I’m drawn to zine festivals, to playing with paper, images, and text. To quick, spontaneous zines, made together with others because they bring so much fun. I love festivals around printed matter and how they create a community of people sharing a common passion, while also contributing to the decentralization of knowledge, exchanging references, inspiring each other, and learning from one another. I love this environment and want to derive from it, but also be a part of it.
Why I want to read a city?
Because it allows me to walk without any apparent purpose
Because its an act againts efficiency at all cost
Because I can encounter unexpected objects
Because I never know where it will take me
Because it's inspiring
Because I can practice different walking patterns
Because I can see from perspective of someone else
Because I can find places for play
For reflection
For rest
Because I find places that otherwise I woulnt find
Because it encourages me to talk with strangers
Because there is so much beauty
Because I want friction
Surprise
Unpredictability
Because it made me notice houses that look like they are hugging the one in the middle
Bacause reading the city helps to see connections
Because I can notice others who are present in the space
Because it gives me time to observe "angry sky"
Because it allows to learn from each other
I'm intrested in collective resistance against efficiency, and success at all costs. In spaces collectively organised, shifting towards care, generosity, and attention rather than efficiency and perfection. Maybe a sense of humour and unlearning practices can help us mobilize us collectively, embrace differences and celebrate our individuality. Therefore I find it important to question how we learn and from whom. Thats why for now I want to continue with the topic of Learning City, and the question of how knowledge production can be more horizontal.
I'm curious what can be done through text. I'm inspired by uncreative writing where words are shared, reused, recycled, duplicated, gifted, reorganized. How the layering of these words can serve to overturn hierarchies and seek new meanings. How these words can convey someone's individual experience.
5. Who can help you and why?
Anyone that can help you with the project Stimlate yo to think about the netwprk around you that can help you with that project
De Boog,
People that share passion for print and doing things together
6. Relation to previous practice
How it builds upon the previous practice
The topic of Learning city - I see it as a continuation of themes that last year that I still want to learn more about \
7. Relation to a larger context Whre you situate your work in relation to other aryists or theory
Paragraph where you can pinpoint atoms of what is out there, showing the awareness of broasder context
8. References
Works taht inform your work
Bibliography
(wikipedia is not a reference to mention)
Use harvard method