User:Kim/reading/Basta Now: Difference between revisions
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From the chapter '''3. Rec''' | From the chapter '''3. Rec''' | ||
<ul style="float: right; max-width: | <ul style="float: right; max-width: 40%;"> | ||
A list of names mentioned: | A list of names mentioned: | ||
: Beatriz Ferreyra | : Beatriz Ferreyra | ||
: Kate Carr | : Kate Carr | ||
:: Hybrid Soundscapes: Recording the Ecotones + Edge Effects in (non)Human Landscapes | |||
: Vanessa Rosetto | : Vanessa Rosetto | ||
:: "she strives to reveal the network of narrative threads that underlie everyday life" | :: "she strives to reveal the network of narrative threads that underlie everyday life" | ||
:: "sourced by existing in the world" | |||
: Jana Winderen | : Jana Winderen | ||
: Hildegard Westerkamp | : Hildegard Westerkamp | ||
Revision as of 14:15, 28 September 2024
Women, Trans and Non-Binary in Experimental Music
Fanny Chiarello
From the chapter 3. Rec
-
A list of names mentioned:
- Beatriz Ferreyra
- Kate Carr
- Hybrid Soundscapes: Recording the Ecotones + Edge Effects in (non)Human Landscapes
- Vanessa Rosetto
- "she strives to reveal the network of narrative threads that underlie everyday life"
- "sourced by existing in the world"
- Jana Winderen
- Hildegard Westerkamp
- Helena Gough
- Felicia Atkinson
- "My studio is Nomadic and swallows the landscape it crosses."
- "I use machines in an empirical way."
- Berangere Maximin
- Izabela Dłużyk
- Ecka Mordecai
- Karen Vogt
- Karen Gwyer
- Martyna Basta
- Ellen Band
- Gaël Segalen
- SoS Gunver Ryberg
- Andy Guthrie
- Dali de Saint Paul
- Nour Mobarak
- Nyokabi Kariuki
(Why) Labels:
- Can adopting label mean a guarantee within elitist music landscape?
- does label allow women composers to escape suspicion for amateurism and illegitimacy?
- diversity of forms invented by these women composers is measured in dogma ("as if creation had something to do with a nomenclature decided by a handful of white men in suits")