✩FINAL ASSESSMENT ADA: Difference between revisions
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|love notes | |love notes | ||
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form design and shipping letters back. | form design and shipping letters back. | ||
|i fell in love | |i fell in love | ||
|[[File:Screenshot_2023-11-08_at_13.14.24.png|frameless|250x250px]] | |||
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|cake intimacy | |cake intimacy | ||
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|collected memories | |collected memories | ||
about cake and the internet | about cake and the internet | ||
|[[File:Cake!!.png|frameless|250x250px]] | |||
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|AMRO: internet mediumship | |AMRO: internet mediumship | ||
|using mediumship as a way to nurture intimacy, if you tell me about you i'll try to tell you more about you. talking about the internet in the context of feelings, of memory. | |using mediumship as a way to nurture intimacy, if you tell me about you i'll try to tell you more about you. talking about the internet in the context of feelings, of memory. | ||
|performance, mediumship | |performance, mediumship | ||
|collected memories | |collected memories about strong feelings on the internet | ||
about strong feelings on the internet | |[[File:Mediumshipagain.png|frameless|250x250px]] | ||
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|'''Backplaces''' | |'''Backplaces''' | ||
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|a website as a format for a play, comments as publishing platforms for poetry | |a website as a format for a play, comments as publishing platforms for poetry | ||
|[https://vulnerable-interfaces.xpub.nl/backplaces A WEB PLAY] | |[https://vulnerable-interfaces.xpub.nl/backplaces A WEB PLAY] | ||
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"Backplaces" is my exploration into intimacy beyond the body. Through poems and stories, I question what our bodies contribute to intimacy and what happens when physicality is absent. This anthology pays tribute to those who, like me, share vulnerable emotions online. | "Backplaces" is my exploration into intimacy beyond the body. Through poems and stories, I question what our bodies contribute to intimacy and what happens when physicality is absent. This anthology pays tribute to those who, like me, share vulnerable emotions online. | ||
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<nowiki>**</nowiki>Hermit Fantasy** is a whimsical short story inspired by survey responses on seeking emotional support online. It explores the desire for solitude in a hyper-connected world through letters and digital interactions. | <nowiki>**</nowiki>Hermit Fantasy** is a whimsical short story inspired by survey responses on seeking emotional support online. It explores the desire for solitude in a hyper-connected world through letters and digital interactions. | ||
<nowiki>**</nowiki>Cake Intimacies**, developed over a year, gathers stories from shared cake-eating moments and digital predictions. Each story merges physical and digital narratives, celebrating human connection. | <nowiki>**</nowiki>Cake Intimacies**, developed over a year, gathers stories from shared cake-eating moments and digital predictions. Each story merges physical and digital narratives, celebrating human connection. | ||
Revision as of 13:35, 14 June 2024
00. | ----> to now |
---|---|
social science research on media and technology | python, generating poetry, making cards and books, printing |
illustration | web design, html, css, javascript and php |
baking as a trade | baking as part of my artistic practice |
"I hope this course will help me become a contextually aware artist able to challenge audiences
by producing work that is both self-reflexive and that questions oppressive societal structures." |
bootleg book making and glue-binding |
artistic license making | |
prototyping as a bigger part of my artistic practice | |
more confidence in my creative writing, gained methods for it | |
station skills: i learnt so much about laser cutting, printing, ceramic making,
tried wood and metal working and created a more playful approach to the materials I use. |
01. contributions to the special issues (reading, writing & prototyping practice)
Special Issue 19: Garden Leeszal
Reading & Writing
- gardening python rules
- catalog, archival document of the event
Prototyping
Special Issue 20: Console
Reading & Writing
- python games
- modding oracles: oracolotto
- paged.js for book
- laser cutting boxes
- license on rituals
Prototyping
Special Issue 21: TTY
Reading & Writing
- unicode encoding
- worm entanglement, coming up with rules
- - learnt how to code from scratch, learnt python, html, css, javascript - web to print! - using open source, giving up when you really can't, different ways to be on the internet - glue binding - using a terminal - laser cutting cards - receipt printers
Prototyping
After school
summer = nyu summer school: interactive telecomunnications program (ITP)
- finished work on entangled matter with friendship bracelet and algae knitting
- collect call = reimagining a modern web call trhough our visit at the telecom museum. A js switchboard that opens up a two way webcam to call xpub from new york.
04. thesis (only a brief overview)
All intimacy is about bodies. Is this true? Does it matter? I doubt it. Do you know? Let’s find out, maybe.
In my thesis, I explored digital intimacies, questioning whether physical presence is truly necessary for intimacy. I also looked at how identities can fluidly exist across both human and digital realms. Instead of trying to resolve the tensions between virtual and real-life experiences, I used personal stories and shared experiences to show how online interactions can go beyond physical limitations and reshape who we are.
I focused on the idea of a digital body—a representation of ourselves similar to a dream version of our physical form. Through this concept, I discussed how digital bodies can offer relief for people in types of pain that is stigmatised, and how they can foster healing connections for diverse individuals. At the same time, I examined how prolonged use of digital intimacy can have negative effects.
0. DIGITAL BODIES
a. what is a digital body?
b. body vs. computer
c. bot-feelings
1.DIGITAL COMFORT
a. comfort care
b. uncomfortable comfort
c. unbearable intimacy
Stories that are hard to tell and hard to hear and even more, maybe, hard to understand. I have loved these stories and I have loved telling them to you. I hope you understand that my goal was for you to live these questions, to feel these stories in their confusion. My digital body, my bot-feelings, my divergent communities. I have given them to you, so they may live longer, like an obsolete but beloved cyborg shown in a museum. Look: I was here, Look: I was loved, Look: I was saved.
05. Backplaces: graduation project and research
thematic explorations | methodologies | results | ||
---|---|---|---|---|
love notes | digital forms on paper, anonimity as an exploration
of intimacy. |
workshop/performance,
form design and shipping letters back. |
i fell in love | |
cake intimacy | does being aware of our bodies change the way we talk
about the internet and our memories, does seeing each other's bodies inform that? |
performance, memory baking | collected memories
about cake and the internet |
|
AMRO: internet mediumship | using mediumship as a way to nurture intimacy, if you tell me about you i'll try to tell you more about you. talking about the internet in the context of feelings, of memory. | performance, mediumship | collected memories about strong feelings on the internet | |
Backplaces | using a collective voice to tell personal stories, using a personal voice to tell collective stories, embodied and disembodied intimacy. | a website as a format for a play, comments as publishing platforms for poetry | A WEB PLAY |
"Backplaces" is my exploration into intimacy beyond the body. Through poems and stories, I question what our bodies contribute to intimacy and what happens when physicality is absent. This anthology pays tribute to those who, like me, share vulnerable emotions online.
I've created three distinct online spaces within "Backplaces": **Solar Sibling**, **Hermit Fantasy**, and **Cake Intimacies**. Each originates from unique projects merging personal and shared experiences.
**Solar Sibling** is an ongoing performance blending TikTok poetry comments with my reflections on departure and sibling bonds. It concludes with participants whispering their emotions as the sun rises.
**Hermit Fantasy** is a whimsical short story inspired by survey responses on seeking emotional support online. It explores the desire for solitude in a hyper-connected world through letters and digital interactions.
**Cake Intimacies**, developed over a year, gathers stories from shared cake-eating moments and digital predictions. Each story merges physical and digital narratives, celebrating human connection.
As "Backplaces" concludes, I invite the audience to a final act: consuming digital stories like sweets. It's a playful gesture blurring virtual and physical intimacy, reflecting on the transformative power of storytelling in our digital age.