User:Aitana25: Difference between revisions

To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.

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-significaciones prescriptas
+==GRADSHOW==
+'''This year'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM
+'''Last years page'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM
+'''Writing'''
+https://pad.xpub.nl/p/Grad_Show_LB_2024
+'''Spatial needs'''
+https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0
+==Seminars==
+[[Graduate Seminar 2023-2024 | Graduate seminar - Main page]]
-==Reading and Writing & Research Methodologies==
+[[Graduate Seminar 23-24 Aitana | Thesis]]
-===Texts on practice===
-[[Session1 - What/how/why | #1 What/how/why]]
-[[Session2 -  Interview | #2 Interview ]]
+==Allumni Illuminata==
+[[ Alumniiilluminata3 Alumni Illuminata' 3rd edition]]
-Session3 Scratch
+Schedule
-[[Session3 - Exploring a relevant question | #4 Exploring a relevant question]]
+https://pzwiki.wdka.nl/mediadesign/Calendars:Networked_Media_Calendar/Networked_Media_Calendar/26-06-2024_-Event_5
-[[AitanaAnnotation |#5 and #6 Annotation Session]]
+https://typotheque.genderfluid.space/ductus-mono.html
-[[Subliminar vocabulary Aitana | Subliminal vocabulary]]
+https://fonderie.download/garamondt.html?ref=uncut.wtf
-[[Aitana text on practice - | #7 and #8 Text on practice Session 1 and 2]]
+==Self directed research==
-===On books===
+[[Make it work Aitana | Ongoing research]]
-[[Aitana's reading list]]
+Notes:
-[[Aitana's reading notes]]
+'''MATERIAL STATION'''
-==Seminars / Workshops==
+:'''LASER CUTTING'''
-[[Complicating the Subject by RES Aitana | #2 Complicating the Subject]]
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter
+:https://ps.wdka.nl/wiki/Quickstartguide:Laser_Cutter#General_Settings
-[[Is it possible Aitana | #3 Is it possible to talk about power...]]
+:'''CNC'''
-[[Decoloniality and film Aitana | #4 Decoloniality and film]]
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill
-[[Thematic History & practice of the photo-essay & photo book Aitana | #5 Thematic History & practice of the photo-essay & photo book]]
+:https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado
-==Projects in construction / Research==
+==On books==
-[[Yalou and Aitana | Yalou and Aitana (Closed) ]]
+[[Aitana's reading list]]
-[[Eye project Aitana | Eye project (Closed) ]]
+[[Aitana's reading notes]]
-[[Make it work Aitana | Work in progress ]]
+==[[Aitana 2022/2023 | 2022/2023 ]]==
 ==[[Notes by Aitana | Notes ]]==
-se puede llegar a lo cultural desde lo biográfico,
+DOK LEIPZIG
-vidas mediadas por maquinas
+https://desistfilm.com
+significaciones prescriptas
+freethesaurus.com
+https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad
-Simone Veil, La condición obrera
+: Programs:
-Cathy O'Neil, armas de destrucción matemática -> bucles de retroalimentación
-Los privilegiados son leídos por personas, las masas son y serán cada vez mas leídas bajo fuerzas monetarias.
-Maquinas que nos permiten opciones. Para poder avanzar en los procesos se nos pide aceptar.
+/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina
-Letra pensada no para ser leída, si no para salvaguardar unos derechos de las empresas que proporcionan ese itinerario
+/1111-close-up-jessica-sarah-rinland
-Ojos y capital - como hemos normalizado visibilizar el mundo pero se nos invisibilidad como lente. En los 90 acceder a internet, creando internet, ver lo que hacíamos desde el código, ese estrato no visible
+/181-israel_palestine
-PODEMOS VER, PERO LAS LENTTES NO SE NOS HACEN VISIBLES
+/830-ethnographic-documentaries
-la precariedad de los privilegiados, han tenido trabajo, tuvieron oportunidades y tuvieron expectativas
+/785-in-the-mood-for-shorts
-entasis de la cultura tecnocapitalista
+/755-documentary-portraits
-bases de datos como entes invisibles que lo median todo
+/14342-the-washing-society
-datos no solo poder descriptivo sino anticipatory: se favorecen esos bucles retroalimentación perniciosa (Cathy ONeil)
+/196-chiledoc
-Homogeneizacion (ejemplo de los olivos)
+/707-music-unseen
-Laury Penny IGUALIARNOS EN LA VULNERABILIDAD
+/668-cinema-masters
-La idea de lo dificilmente narrrable, tiene que ser ayudado por la poesía
+To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.