User:Aitana25: Difference between revisions

To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.

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-significaciones prescriptas
+==GRADSHOW==
+'''This year'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM
-==Reading and Writing & Research Methodologies==
+'''Last years page'''
-===Texts on practice===
+https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM
-[[Session1 - What/how/why | #1 What/how/why]]
-[[Session2 -  Interview | #2 Interview ]]
+'''Writing'''
+https://pad.xpub.nl/p/Grad_Show_LB_2024
-Session3 Scratch
+'''Spatial needs'''
+https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0
-[[Session3 - Exploring a relevant question | #4 Exploring a relevant question]]
+==Seminars==
-[[AitanaAnnotation |#5 and #6 Annotation Session]]
+[[Graduate Seminar 2023-2024 | Graduate seminar - Main page]]
-[[Subliminar vocabulary Aitana | Subliminal vocabulary]]
+[[Graduate Seminar 23-24 Aitana | Thesis]]
-[[Aitana text on practice - | #7 and #8 Text on practice Session 1 and 2]]
+==Allumni Illuminata==
+[[ Alumniiilluminata3 Alumni Illuminata' 3rd edition]]
-===On books===
+Schedule
-[[Aitana's reading list]]
+https://pzwiki.wdka.nl/mediadesign/Calendars:Networked_Media_Calendar/Networked_Media_Calendar/26-06-2024_-Event_5
-[[Aitana's reading notes]]
+https://typotheque.genderfluid.space/ductus-mono.html
-==Seminars / Workshops==
+https://fonderie.download/garamondt.html?ref=uncut.wtf
-[[Complicating the Subject by RES Aitana | #2 Complicating the Subject]]
+==Self directed research==
-[[Is it possible Aitana | #3 Is it possible to talk about power...]]
+[[Make it work Aitana | Ongoing research]]
-[[Decoloniality and film Aitana | #4 Decoloniality and film]]
+Notes:
-[[Thematic History & practice of the photo-essay & photo book Aitana | #5 Thematic History & practice of the photo-essay & photo book]]
+'''MATERIAL STATION'''
-==Projects in construction / Research==
+:'''LASER CUTTING'''
-[[Yalou and Aitana]]
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter
+:https://ps.wdka.nl/wiki/Quickstartguide:Laser_Cutter#General_Settings
-[[Eye project Aitana | Eye project ]]
+:'''CNC'''
-=Notes=
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill
-Aitana: [no title yet] Are we having a conversation? / Do you understand what I am saying?
+:https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado
-sneak into a vague and hardly visible world
-This short film invites to sneak into a vague and hardly invisible world and asks the question "do you understand what I am saying?"
-words describe things but also
+==On books==
-words are "performative speech act" an invitation is an insert invite. Communicating something that may change the world, it has more meanings than the simplified fact of describing. Invitations are questions about performative things, they are acting the world.
-A series of films that pose a series of questions. It stabilises it in that frame.
+[[Aitana's reading list]]
-Requiremets:
+[[Aitana's reading notes]]
-Title
-Invitation
-Question
-How generous am I going to be to the reader? How do we do that today in a very short and concise way.
+==[[Aitana 2022/2023 | 2022/2023 ]]==
-"We ask the questions"
+==[[Notes by Aitana | Notes ]]==
-Performativity in what we are doing. Words are very active in the world.
+DOK LEIPZIG
-Questionnaire.
+https://desistfilm.com
-{{vimeo|319459960}}
+significaciones prescriptas
-[[https://www.youtube.com/watch?v=g13q0w0aysQ]]
+freethesaurus.com
-Notes on Eye On Art: Sexual Unease
+https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad
-- Marilyn Monroe as symbol of female oppression in film: women can only become a tragedy. The beautiful lady being killed by her fame. Her appearance is most important. Struggling woman that always was controlled by a man. - Gender unease works both ways. Both stereotypical representations keep the others intact.
+: Programs:
-'LIST'
-https://iffr.com/en/iffr/2023/films/mudos-testigos
+/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina
-https://iffr.com/en/iffr/2023/films/é-noite-na-américa
-https://iffr.com/en/iffr/2023/films/night-walk
-https://iffr.com/en/iffr/2023/films/pett-kata-shaw
-https://iffr.com/en/iffr/2023/films/revolution-der-augen
-https://iffr.com/en/iffr/2023/films/slowly-nowhere
-https://iffr.com/en/iffr/2023/films/three-sparks
-==Notes on touchdesigner==
+/1111-close-up-jessica-sarah-rinland
-- we cannot move
+/181-israel_palestine
-- If something doesn't work: may be is related to bluetooth, also could be that the timeline is stop
+/830-ethnographic-documentaries
-- understand the range
+/785-in-the-mood-for-shorts
-- *: means everything
+/755-documentary-portraits
-- first number of translate is the x
+/14342-the-washing-society
--1: over
+/196-chiledoc
--1: composite (with blend mode)
-- too dray with the banana is feedback network
+/707-music-unseen
-*kinackt by Microsoft
+/668-cinema-masters
-- we will need to use all the time "maths"
+To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.