User:Aitana25: Difference between revisions

To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.

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-significaciones prescriptas
+==GRADSHOW==
+'''This year'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM
+'''Last years page'''
+https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM
+'''Writing'''
+https://pad.xpub.nl/p/Grad_Show_LB_2024
+'''Spatial needs'''
+https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0
+==Seminars==
+[[Graduate Seminar 2023-2024 | Graduate seminar - Main page]]
+[[Graduate Seminar 23-24 Aitana | Thesis]]
+==Allumni Illuminata==
+[[ Alumniiilluminata3 Alumni Illuminata' 3rd edition]]
+Schedule
+https://pzwiki.wdka.nl/mediadesign/Calendars:Networked_Media_Calendar/Networked_Media_Calendar/26-06-2024_-Event_5
+https://typotheque.genderfluid.space/ductus-mono.html
+https://fonderie.download/garamondt.html?ref=uncut.wtf
+==Self directed research==
+[[Make it work Aitana | Ongoing research]]
+Notes:
-==Reading and Writing & Research Methodologies==
+'''MATERIAL STATION'''
-===Texts on practice===
-[[Session1 - What/how/why]]
-[[Session2 -  Interview]]
+:'''LASER CUTTING'''
-Session3 Scratch
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter
+:https://ps.wdka.nl/wiki/Quickstartguide:Laser_Cutter#General_Settings
-[[Session3 - Exploring a relevant question | Session4 - Exploring a relevant question]]
+:'''CNC'''
-[[AitanaAnnotation | Session5 - Annotation Session]]
+:https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill
-[[Subliminar vocabulary Aitana | Subliminal vocabulary]]
+:https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado
-===On books===
+==On books==
 [[Aitana's reading list]]
@@ Line 26: / Line 62: @@
 [[Aitana's reading notes]]
-==Projects in construction==
+==[[Aitana 2022/2023 | 2022/2023 ]]==
-[[Yalou and Aitana]]
+==[[Notes by Aitana | Notes ]]==
+DOK LEIPZIG
+https://desistfilm.com
+significaciones prescriptas
-[[Visuals Aitana Visuals | Visuals]]
+freethesaurus.com
-[[Eye project Aitana | Eye project ]]
+https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad
-==Research==
+: Programs:
-[[Lo desconozco Aitana | Lo desconozco]]
-[[On the violence of images]]
+/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina
-=Notes=
+/1111-close-up-jessica-sarah-rinland
-Aitana: [no title yet] Are we having a conversation? / Do you understand what I am saying?
+/181-israel_palestine
-sneak into a vague and hardly visible world
-This short film invites to sneak into a vague and hardly invisible world and asks the question "do you understand what I am saying?"
-words describe things but also
+/830-ethnographic-documentaries
-words are "performative speech act" an invitation is an insert invite. Communicating something that may change the world, it has more meanings than the simplified fact of describing. Invitations are questions about performative things, they are acting the world.
-A series of films that pose a series of questions. It stabilises it in that frame.
+/785-in-the-mood-for-shorts
-Requiremets:
+/755-documentary-portraits
-Title
-Invitation
-Question
-How generous am I going to be to the reader? How do we do that today in a very short and concise way.
+/14342-the-washing-society
-"We ask the questions"
+/196-chiledoc
-Performativity in what we are doing. Words are very active in the world.
+/707-music-unseen
-Questionnaire.
+/668-cinema-masters
-{{vimeo|319459960}}
+To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.