User:Aitana25: Difference between revisions

From XPUB & Lens-Based wiki
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'''INTERACTION STATION'''
'''INTERACTION STATION'''


'''LASER CUTTING'''
:'''LASER CUTTING'''


https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter
:https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter


'''CNC'''
:'''CNC'''


https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill
:https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill
 
:https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado


==On books==
==On books==

Revision as of 11:42, 12 May 2024


GRADSHOW

This year https://pzwiki.wdka.nl/mediadesign/LB2_2024_and_V2_%2B_WORM

Last years page https://pzwiki.wdka.nl/mediadesign/LB2_2023_and_V2_%2B_WORM

Writing https://pad.xpub.nl/p/Grad_Show_LB_2024

Spatial needs https://docs.google.com/spreadsheets/d/1cQRjHsa9WWk5dyjVQE3H50QD8WU5P91Fsuen0zvPKyM/edit#gid=0

Seminars

Graduate seminar - Main page

Thesis

Self directed research

Ongoing research

Notes:

INTERACTION STATION

LASER CUTTING
https://interactionstation.wdka.hro.nl/wiki/Using_the_laser_cutter
CNC
https://interactionstation.wdka.hro.nl/wiki/Using_the_CNC_mill
https://www.weerg.com/es/guias/materiales-cnc-que-son-y-como-elegir-el-mas-adecuado

On books

Aitana's reading list

Aitana's reading notes

2022/2023

Notes

DOK LEIPZIG

https://desistfilm.com

significaciones prescriptas

freethesaurus.com

https://www.wikilengua.org/index.php/Wikilengua:Portal_de_la_comunidad

Programs:


/129-documentary-films-with-a-sense-of-humour-a-retrospective-of-laila-pakalnina

/1111-close-up-jessica-sarah-rinland

/181-israel_palestine

/830-ethnographic-documentaries

/785-in-the-mood-for-shorts

/755-documentary-portraits

/14342-the-washing-society

/196-chiledoc

/707-music-unseen

/668-cinema-masters

To commemorate the 15th anniversary of Visions du Réel Nyon, the festival has asked select filmmakers for the gift of images, in the form of cinematic Haikus. Each short film in the Haiku series is comprised of three shots to contemplate reality and to capture, in the manner of Japanese poems, the unforeseeable, fleeting eternity of a moment, to be discovered at the beginning of each projection.