User:Danny van der Kleij/Thesis outline: Difference between revisions
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Thesis Outline: | Thesis Outline: | ||
Feelings of utopia within a moment of (recorded) music. Immanence of utopia rather then a reachable utopia in the (distant) future. From the idea of utopia as a moment rather then a place emerges the idea of a radio broadcast as an utopian space. Seeing radio transmission as unhearable and untouchable , distant and fleeting yet inescapable broadcast. | |||
Radio as a no-place | |||
In this light we can see pirate radio stations as a more prolonged and profound utopia, especially the ones that operate in a relative state of seclusion.(ie Radio Veronica broadcasted from a boat, Radio Luxembourg broadcasted from a principality) | |||
The idea of seclusion and autonomy | |||
Space age music example: Afrofuturism, Sun Ra and George Clinton. Where an alternative space age music meets music on data, usage of computers and the future. | |||
how does the vocoder and radio utopia relate? | |||
* Radio in the information age. Death of pirate radio in a physical space. Internet radio. Internet supplies music on demand, less need to revolt against broadcasting monopolies. | * Radio in the information age. Death of pirate radio in a physical space. Internet radio. Internet supplies music on demand, less need to revolt against broadcasting monopolies. | ||
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[[User:Danny van der Kleij/Proposal_excerpts | excerpts from my proposal ]] | [[User:Danny van der Kleij/Proposal_excerpts | excerpts from my proposal ]] | ||
PLANNING | |||
March 21 -> 15:00-18:00 finish writing synopsis. (crucial is the relation between Radio Utopia and the usage of the Vocoder) | |||
March 21-25 -> write on feelings of utopia within a moment of (recorded) music 1000w | |||
Latest revision as of 14:57, 21 March 2012
Thesis Outline:
Feelings of utopia within a moment of (recorded) music. Immanence of utopia rather then a reachable utopia in the (distant) future. From the idea of utopia as a moment rather then a place emerges the idea of a radio broadcast as an utopian space. Seeing radio transmission as unhearable and untouchable , distant and fleeting yet inescapable broadcast.
Radio as a no-place
In this light we can see pirate radio stations as a more prolonged and profound utopia, especially the ones that operate in a relative state of seclusion.(ie Radio Veronica broadcasted from a boat, Radio Luxembourg broadcasted from a principality)
The idea of seclusion and autonomy
Space age music example: Afrofuturism, Sun Ra and George Clinton. Where an alternative space age music meets music on data, usage of computers and the future.
how does the vocoder and radio utopia relate?
- Radio in the information age. Death of pirate radio in a physical space. Internet radio. Internet supplies music on demand, less need to revolt against broadcasting monopolies.
- Radio as a secure network. Sigsaly, conet project, London Pirate Radio. (part internet, part piracy)
- Cryptography within music. Musiscians as cryptoanalists. History of the vocoder, the machine speaks. Music as symbolism.
- Possibly I would like to add: Present radio ,internet radio versus on demand music platforms (soma.fm versus spotify)
PLANNING
March 21 -> 15:00-18:00 finish writing synopsis. (crucial is the relation between Radio Utopia and the usage of the Vocoder)
March 21-25 -> write on feelings of utopia within a moment of (recorded) music 1000w