SI22 descriptions of works: Difference between revisions
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==Title of work: ''Echoes of the Wasteland'' (to be changed)== | ==Title of work: ''Echoes of the Wasteland'' (to be changed)== | ||
''This installation object prompts participants to contemplate the fragility of communication in the face of the Catastrophe. | ''This installation object prompts participants to contemplate the fragility of communication and human connection in the face of the Catastrophe. | ||
It's a collection of decay, relics from a lost era, tangled wires, adorned with symbols reminiscent of a bygone civilisation | It's a collection of decay, relics from a lost era, tangled wires, adorned with symbols reminiscent of a bygone civilisation. At its core lies a mysterious time capsule, a vessel of fading messages left by the wanderers that sought comfort inside our shelter'' | ||
==Title of work: == | ==Title of work: == | ||
''Description of work:'' | ''Description of work:'' | ||
Revision as of 16:35, 30 November 2023
Descriptions of Work
For the map and navigational elements we need a title for and description of each work that will be included in the special issue.
On this page please post 1 or 2 sentences explaining your work and it's relation to archiving, the apocalypse, protocols and whatever you find relevant to mention in the explanation. But please, keep it short!
Title of work: Radio Transmitters?
Description of work:
Title of work: Rain Receiver
Description of work:
In a post-apocalyptic world, natural archiving becomes a guide. Human beings follow the guidance and are connected together by natural archiving.
WORM, a place where survivors gather in the apocalyptic, the Rain Receiver becomes a symbolic nexus of human and natural elements within this community, where humans and nature no longer have the commodity attributes of a one-directional society, and where the emotional link becomes an important medium for constructing a sense of belonging.
Through the Rain Receiver, we analyze the language of nature by receiving the frequency of rain to generate sounds. As survivors touch the Rain Receiver, they become part of the ongoing narrative. The act of touching the receiver is an intimate gesture, akin to the act of giving. This interaction triggers a cascade of experiences – the sound of rain, snippets of stories, and stream-of-consciousness memories collected from the community.
Title of work: Byte Noise: Sound you see me? Sound you don't
Description of work: These 3D renditions of the Radio Worm studio contrast the empty studio with all the invisible audio data, the endless stream of radio shows, stored on Worm's hard drive. Since this is the most important space for the community of radio makers, we created this snapshot of it while thinking about the question 'What do we do with all this invisible digital data and how do we prevent it from getting "dusty"?'
Title of work: Manual for Post-Αpocalyptic Radio Making
Description of work: A manual addressing the how and the why of radio-making within a fictional post-apocalyptic framework, while it illustrates forms of audio archiving that extend beyond sound (i.e. transcripts). Besides, the manual incorporates diverse works and tools created by XPUB students that go beyond traditional radio making and archiving.
Title of work: Echoes of the Wasteland (to be changed)
This installation object prompts participants to contemplate the fragility of communication and human connection in the face of the Catastrophe. It's a collection of decay, relics from a lost era, tangled wires, adorned with symbols reminiscent of a bygone civilisation. At its core lies a mysterious time capsule, a vessel of fading messages left by the wanderers that sought comfort inside our shelter
Title of work:
Description of work: