Claudio's Thesis - QUICKNOTES: Difference between revisions

Revision as of 10:38, 23 November 2023

(an LCD screen filmed very very close)

(De Rotterdam's façade filmed form the Erasmus bridge)

(Agnes Martin, Wood I, 1963 Watercolor and graphite on paper, 15 x 15 1/2 inches (38.1 x 39.4 cm))

(Agnes Martin, Aspiration, 1960 Ink on paper, 11 3/4 x 9 3/8 inches (29.8 x 23.8 cm) )

a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch. - what is the value of this stance as an artist?

thinking about self imposed limitations to my practice

black and white only

16mm (limitations in shooting and editing)

when digital editing - keep it simple - 4 tracks + effects

sound? - no input mixer feedback loops

@@ Line 39: / Line 39: @@
-a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch. - what is the value of this stance as an artist?
+''a refusal to make a fetish of the final “work” - to operate almost exclusively on the level of the sketch.'' - what is the value of this stance as an artist?
+thinking about self imposed limitations to my practice
+black and white only
+mm (limitations in shooting and editing)
+when digital editing - keep it simple - 4 tracks + effects
+sound? - no input mixer feedback loops