User:Senka/Caretakers 7: Difference between revisions

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==Fictional Narratives==
==Fictional Narratives==


==Exquisite Corpse Writing==
==Exquisite Corpse Writing==
* We divided the narrative into 3 sections: Past, Present and Future. For each section we gave some overall parameters or guidelines for writing
* We all took turns in writing a section for 10 minutes, then rotated and handed our section to the next person to build on.
* Between each handout we would read out what has been written so far, for narrative cohesion. This proved to be quite difficult for me, as I can't read Riviera's handwriting to save my life.
* After finishing a round in which everyone had written a portion of each section, we choose who was gonna flesh out the section, and moved on to write everything digitally in an Etherpad. This allowed us to also edit, modify, erase and the like.
* We agreed on a timeline, and the names of the two archivists, Erkha and Akhre, both of which are anagrams of the word Arkhe, the origin for the word archiving.


==Execution of ''Personal Accounts of Irreplaceable Lace: A 200 year long history of Lost and Found''==
==Execution of ''Personal Accounts of Irreplaceable Lace: A 200 year long history of Lost and Found''==
'''Technical Difficulty:'''
* The first 40 minutes of our broadcast were recorded but not aired, because someone turned the broadcasting software off, so the archive was playing during that time instead :(
* Because of this, we took 40 minutes from the reflection part to listen to it, so that people can have a full view of the narrative we have built
'''Soundboard'''
* I made another soundboard to host all of the different sound that will need to be played during the broadcast ()


==Reflection==
==Reflection==

Revision as of 15:56, 13 November 2023

This broadcast fell on the date of Halloween, so I volunteered to be a caretaker. Halloween holds a special place for me as a queer person. At a time when gender non-conformity was heavily looked down upon, Halloween used to be the day queer people could explore alternative modes of gender expression, do drag and imagine alternatives, without getting arrested. All under the pretence that it is just play-pretend, or a costume.
I wanted to play with the idea of creatures and monsters, sine a some of them have been created with the intention of social critique. Eg. zombies were a critique of commodity fetishism and consumer society, vampires a critique of the bourgeoisie. playing with fiction and the idea of creature I thought we can open up a different way to think about archives.
In my own practice regarding archiving, Saidiya Hartman's method of the critical fabulation was a crucial discovery. Critical fabulation is a writing method which combines archival records, critical theory and fiction to imagine and alternative and expand upon how we think about histories of oppression.

Etherpad of the broadcast [1]

Brainstorm and References

Fictional Narratives

Exquisite Corpse Writing

  • We divided the narrative into 3 sections: Past, Present and Future. For each section we gave some overall parameters or guidelines for writing
  • We all took turns in writing a section for 10 minutes, then rotated and handed our section to the next person to build on.
  • Between each handout we would read out what has been written so far, for narrative cohesion. This proved to be quite difficult for me, as I can't read Riviera's handwriting to save my life.
  • After finishing a round in which everyone had written a portion of each section, we choose who was gonna flesh out the section, and moved on to write everything digitally in an Etherpad. This allowed us to also edit, modify, erase and the like.
  • We agreed on a timeline, and the names of the two archivists, Erkha and Akhre, both of which are anagrams of the word Arkhe, the origin for the word archiving.

Execution of Personal Accounts of Irreplaceable Lace: A 200 year long history of Lost and Found

Technical Difficulty:

  • The first 40 minutes of our broadcast were recorded but not aired, because someone turned the broadcasting software off, so the archive was playing during that time instead :(
  • Because of this, we took 40 minutes from the reflection part to listen to it, so that people can have a full view of the narrative we have built

Soundboard

  • I made another soundboard to host all of the different sound that will need to be played during the broadcast ()

Reflection