User:Bojan Salaj: Difference between revisions

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=[[Bojan Salaj/Methods 1st year|Methods 1st year]]=
[[Bojan Salaj/Methods 1st year|Methods 1st year]]


  The(re)(s)is
  hi, again... it's 2023...


I will try to produce an essay about the status of photography today, how it correlates in our living time
==Methods==
and how it is positioned within Contemporary art.


Writers/Authors to whom I refer: W. Benjamin, B. Groys, W.Fluser, J. Tagg, M. Foucault, S. Zuboff, H.
[[Bojan Salaj]]
Steyerl, J. Bridle,…
 
Key themes: Photography/Information/Economy, Surveillance, …
 
Incomprehensible or Inscrutable are the words we are using quite often when trying to reflect the time
and the world we are living in. But let´s try  with  the notion of Economy that is, at least I think so, the
structuring principle of the entire social totality. Thus, when traying to reflect Photography(ies) today,
it is much more suitable to think about Economy of information than about an image expression.
My interest is primarily focused on the changing modality of the medium and apparatus of
photography today, as well as theirs interconnectedness with institutional and power relations
that retroactively operate on them through new knowledges and technology. Photography and its
contemporary proliferative or multi-productive nature is the leading actor in creation the continuously
“flowing” process in all streams of mutual social and technological relations. Consequently, it
determines and establishes specific relationships of (ab)use and power relations and is proactively
integrated into control systems. …
 
The “essay” will refer on my previous project realized in 2014 in National Gallery in Ljubljana. The
Exhibition/Project was named: “Interiors/Correspondences”.  I can say that as a practitioner (an artist)
I had no need or enough time to rethink my past work accurately. Therefore I´ll take this opportunity
as a privilege.
 
About criteria, I think I am aware that theme or topics are wide (maybe too wide), but still, I hope
there will be an outcome which won´t just explain the complexity of the project, but will open the
horizon for further investigation.  Thus, I am excited about the process itself and  convinced the time
won´t be wasted.
For next session, 22nd February:
-reading some parts of (mentioned) books, articles
-structure of text
 
 
Supplement:
Computer generated photography…
…is an image that serves a machine as its own result, and the final outcome-an image, if we can even call it (perhaps a diagram would be a more appropriate term), could also be of a different form. The machine does not care about formal solutions, it acts as its program requires it to be triggered when it detects a "malfunction" based on the program, regardless of its shape, shape or mode in which it appears as (perhaps) an image. This Machine is a Tool-Weapon that in the process of several thousand years of physiological and historical development of the arm extension serves like terribly self-sufficient and totally de-subjectivized and as such drives into dystopian threat; IT is something between Blade Runner and Terminator. Consequently, one can assume that the meaning of an image (a photograph) is drawn by a spineless centrifugal force-power, sucking in towards an indeterminate, incomprehensible and undefined centre. From the Dark Chamber to the Black Hole. From Camera Obscura to Cavum Nigrum.
 
=[[Bojan_Salaj/Focal_Camera|Focal Camera]]=
==testni podnaslov==
vsebina tega poglavja

Latest revision as of 10:26, 27 September 2023

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P28.jpg

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P77.jpg

This is another wiki page


3.6.2014.jpg

Methods 1st year

hi, again... it's 2023...

Methods

Bojan Salaj