User:Lor.ensō: Difference between revisions
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158:<blockquote>How Not To Be Seen - comes to mind / slowly starting to lose concentration</blockquote> | 158:<blockquote>How Not To Be Seen - comes to mind / slowly starting to lose concentration</blockquote> | ||
159:<blockquote>img </blockquote> | 159:<blockquote>img </blockquote> | ||
160:<blockquote>Guarded condition. | 160:<blockquote>Guarded condition. belonging | ||
elaborate / labor / being labor | elaborate / labor / being labor | ||
spectator looking at what is missing (dunno what Imean by that yet) | spectator looking at what is missing (dunno what Imean by that yet) | ||
image as obessions depending on the viewers situation</blockquote> | |||
161:<blockquote>Every time I read the word The Fall, it reminds me of [https://books.google.nl/books/about/Fear_of_Falling.html?id=CW_aAAAAMAAJ&redir_esc=y this book] (also still need to read this) | |||
Thwarted: prevent (someone) from accomplishing something. | |||
Artist self-sacrifice </blockquote> | |||
162:<blockquote>Every time I read the word The Fall, it reminds me of [https://books.google.nl/books/about/Fear_of_Falling.html?id=CW_aAAAAMAAJ&redir_esc=y this book] (also still need to read this) | |||
lapsarian (plural lapsarians) One who believes that mankind has fallen from a better state. | |||
Where does performance art 'take' place? | |||
ubiquitousness: existing or being everywhere at the same time : constantly encountered | |||
plenitude: an abundance. / the condition of being full or complete. | |||
</blockquote> | |||
163:<blockquote>Foucault is mentioned | |||
I'm not sure if I understand the female position in performance, is performance art always something that goes against patriarchy? | |||
</blockquote>164:<blockquote>Mostly reading Phelan's opinion. And how language plays a role in emancipation | |||
mise en abyme: placement in abyss </blockquote> | |||
165:<blockquote>radical negativity as representation of ones torment | |||
joy as an act of resistance ~ IDLES | |||
impermanence art collections?</blockquote> | |||
166:<blockquote>YES, MORE NUANCE <3</blockquote> | |||
Revision as of 19:51, 24 September 2023
week 2
week 0/1
The intro to pzi/xpub
TEMPORARY DIARY ITALICS: I need(ed) to get used to everything. Class / dynamics / structure(lessness) - I will use this space together with my notebook and dedicated discordserver to try and keep it all senseful.
SPECIAL ISSUE
- Radio Worm: Protocols for an Active Archive - LIVE ETHERPAD SESSION SHOWN
PROTOTYPIN
- /Making a collective field recording audio collage
- RASPBERRY PI stuff
METHODS
COLLECTIVE READINGROUP3(W/ MANIA, MICHEL, ZUZU): The Tyranny of Structurelessness ~ Jo Freeman (1970-73)
ANNOTATION [FIRST TIME AND MAYBE READ SOME MORE LATER]
So.. what do I NEED to do for next week?
ehm.. I believe I need to read "... barthes_the_death_of_the_author.pdf- and... phelan_the_ontology_of_performance.pdf
Text for next week: https://pad.xpub.nl/p/BarthesWormRadioUpload Barthes sound files here: https://pzwiki.wdka.nl/mediadesign/BarthesRadio- think of a name for the server
The ontology of performance: representation without reproduction - notes per page
146:
https://web.mit.edu/allanmc/www/benjamin.pdf (read later) / documenting as 'saving' a moment but not staying the same as in the moment. Artwork and its viewer interacting. Stolen artworks being described and being shown as new artworks of absence,. "de kunst van het weglaten" Control of art vs work of art.
147:
Memory as the invisible layer of art next to the observation. Lost art tests the viewers perception in remembering what it was? *holds on to monocle Reproducing through drawing the impressions of the loaned artworks. The permanent collection of artworks that are loaned, how permanent is that?
148:
Ontological:
- relating to the branch of metaphysics dealing with the nature of being. "ontological arguments"
- showing the relations between the concepts and categories in a subject area or domain.
Performance Art leaves no leftovers and is temporary.Is it a consumerist art form?
By describing this art form, it changes, because performance is vulnerable in valuelessness / emptiness. Which raises the frowns of skeptics towards (modern) art. "Is dit kunst of kan het weg?" / What's the 'use' of it
149:
words will link into imagination (three lettered word cat to a four legged creature.) but other way around words will shape different image? hmmm?
150:
mute bodies;
metonymy
- the substitution of the name of an attribute or adjunct for that of the thing meant, for example suit for business executive, or the turf for horse racing.
what is said by what is not being being said
151:
the lack of being. Describing nothingness
152:
Renunciation: the formal rejection of something, typically a belief, claim, or course of action. this is beginning to get quite (Zen)Buddhistic, as it is about the perfomance to put the act and thus the attention into the moment, the Now.
153:
Description did something nice to my brain Exemplary of what was described about description with the absence of image, triggering the image-ination.
154/155:
img
156:
Fecundity
- the ability to produce an abundance of offspring or new growth; fertility. "multiply mated females show increased fecundity"
- the ability to produce many new ideas. "the immense fecundity of his imagination made a profound impact on European literature"
157:
img
158:
How Not To Be Seen - comes to mind / slowly starting to lose concentration
159:
img
160:
Guarded condition. belonging
elaborate / labor / being labor
spectator looking at what is missing (dunno what Imean by that yet)
image as obessions depending on the viewers situation
161:
Every time I read the word The Fall, it reminds me of this book (also still need to read this)
Thwarted: prevent (someone) from accomplishing something.
Artist self-sacrifice
162:
Every time I read the word The Fall, it reminds me of this book (also still need to read this)
lapsarian (plural lapsarians) One who believes that mankind has fallen from a better state.
Where does performance art 'take' place?
ubiquitousness: existing or being everywhere at the same time : constantly encountered
plenitude: an abundance. / the condition of being full or complete.
163:
Foucault is mentioned
I'm not sure if I understand the female position in performance, is performance art always something that goes against patriarchy?
164:
Mostly reading Phelan's opinion. And how language plays a role in emancipation mise en abyme: placement in abyss
165:
radical negativity as representation of ones torment
joy as an act of resistance ~ IDLES
impermanence art collections?
166:
YES, MORE NUANCE <3
DEATH OF THE AUTHOR ~ notes per page
142:
Balzac, Sarassine only heard of Balzac, never read him before / writing about writing / origins of writing, who tells the narrative? facts? / history of the author / where is the author seen today?
143:
emerging author, what does the publication mean to the author
mallarm6?ah, 'modern' poets
how words speak for themselves and not for the author
144
classicism, analyses, hazard, text I vomited into audio
145
enunciation: the act of pronouncing words or parts of words clearly
interlocutors: a person who takes part in a dialogue or conversation
arguing about what writings are about, from the perspective of a writer towards text and backwords
the author being the past of the book, the book lives on
antecedence: 1. the act of going before; precedence. 2. priority.
146
text is a space
147
the removal of the author, the text postscriptum, postmortem return to balzac
148
unilaterally: used to indicate that something is done by only one person, group, or country involved in a situation, without the agreement of others./ in a way that affects only one side of an organ, the body, or another structure.
what and who makes a text? the reader/listener? me? us?
the scanner of the text that tries to understand it through empathy, contextualization and nuance?
what does tane mean?
derisory: ridiculously small or inadequate.