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1. RUBBING TREE BARK FOR LUCKY NUMBER'''''.''''' | 1. RUBBING TREE BARK FOR LUCKY NUMBER'''''.''''' | ||
There is a vast flower tattoo on my right leg. It started as a fun idea in a strange place with buzzing machines. The person doing it was mysterious, and they asked what I wanted. I saw it: a unique flower, not like any other. It covers my leg with pink petals like two of 3 facing one another. | |||
I | |||
2. RUBBING TREE BARK FOR LUCKY NUMBER. | |||
A woman in a white dress lay down on the grass next to a massive tree with colorful mesh wrapping around it. She is not conscious but seems comfortable in that position. | |||
3. PLANTING LEMONGRASS UPSIDE DOWN TO STOP THE RAIN. | |||
I woke up in the middle of the night. It was still dark and cloudy outside, and through my big window, I saw a flock of birds, their shadows dancing in the moonlight. I lay in bed, shivering from a haunting nightmare. | |||
In my dream, a female ghost appeared. Her sad eyes pierced my soul as her spooky voice whispered, "Can you show me the society I could take these lemongrasses to?" I nodded, and the ghost's face softened, gratitude in her eyes. |
Revision as of 23:37, 20 September 2023
Develop from Project That May or May Not Be Made (Y1)
WHAT?
A short film called ‘To My Motherland‘ (working title) explores Thailand’s deep-rooted superstitions and rituals. Blending documentary and fiction, the narrative reveals ritual performances that shed light on issues of social inequality, capitalism, and sexism.
HOW?
I will take full charge of all pre-production and post-production processes; meaning I will do research, write the fictional script, edit, and color-grading by myself. However, in the production process, I plan to collaborate with my fellow performers. Even though I plan to be the director of photography for the project, I will need some assistance in shooting in a site-specific location.
WORKFLOW
Firstly, gathering and researching Thailand’s deep-rooted superstitions and rituals. Then, I will select beliefs that reflect on social inequality, capitalism, and sexism issues. I plan to write a fictional script based on the selected beliefs. In the editing process, I will find the archive footage related to those beliefs and edit it with the footage I shot.
TIMETABLE
September - October 2023 — Research and Finalise the beliefs that reflect on social inequality, capitalism, and sexism issues. October 2023 — Writing the fictional script, finding performers to collaborate with, and shooting. November 2023 — December 2023 Shooting and Editing. January - March 2024 — Editing and sound mixing. (Shooting more if needed) March - April 2024 —Color-grading. And fixing according to the feedback. May - July 2024 — Feedback and Fixing.
PREVIOUS PRACTICE
‘To My Motherland‘ will be presented as a hybrid of documentary and fiction which is similar to my previous mockumentary film titled ‘The Holy Sponge’. Both films speak about the deep-rooted beliefs/cliché stories in Thailand. I will mainly focus on using a sarcastic voice narration as well as explore the spiritual connection to my motherland.
CHOICE MADE
In this MA, I have chosen to create work based on political issues and focus on ironic and fictional narration. Simultaneously, I continue to find different ways/structures to create work.
RAPID PROTOTYPES
Pick a (Thai) superstitious belief/ritual and make up a short fictional story based on that ritual. (could be free writing)
1. RUBBING TREE BARK FOR LUCKY NUMBER.
There is a vast flower tattoo on my right leg. It started as a fun idea in a strange place with buzzing machines. The person doing it was mysterious, and they asked what I wanted. I saw it: a unique flower, not like any other. It covers my leg with pink petals like two of 3 facing one another.
2. RUBBING TREE BARK FOR LUCKY NUMBER.
A woman in a white dress lay down on the grass next to a massive tree with colorful mesh wrapping around it. She is not conscious but seems comfortable in that position.
3. PLANTING LEMONGRASS UPSIDE DOWN TO STOP THE RAIN.
I woke up in the middle of the night. It was still dark and cloudy outside, and through my big window, I saw a flock of birds, their shadows dancing in the moonlight. I lay in bed, shivering from a haunting nightmare.
In my dream, a female ghost appeared. Her sad eyes pierced my soul as her spooky voice whispered, "Can you show me the society I could take these lemongrasses to?" I nodded, and the ghost's face softened, gratitude in her eyes.